Channeling Sacred Rage with BELLSAINT (Singer/Songwriter)

Psyche Magic

On this very special episode, I interview my dear friend and incredibly talented singer/songwriter Caroline Brooks aka BELLSAINT about her healing processes that helped her birth brave and powerful newest album: i used to be funny. We touch on themes of narcissistic abuse (both interpersonally and systemically) as well as religious trauma, and the healing and lifesaving power of art and creativity as a way of disrupting and challenging the debilitating shame dynamics these patterns tend to bring about. 

Follow Caroline’s work and various projects here!

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More on BELLSAINT: 

With a unique sound that blends nostalgia with modern ferocity, BELLSAINT is a bold force of nature. Throughout her music career, she consistently returns to her earlier influences like Johnny Cash, @Dolly Parton, David Bowie, and @Stevie Nicks.

The Los Angeles-based singer/songwriter Caroline Brooks (BELLSAINT), born in Tyler, TX, has collaborated with artists including @Natalie Imbruglia, Charlotte Lawrence, @Sophie Simmons, CLOVES, & @The Script. Her music is featured in many commercials, including a Volkswagen Super Bowl ad, Adidas commercial, Marc Jacobs ad, and video games like Just Dance & Life is Strange. Her music has also been featured in various trailers and popular TV shows like @Little Fires Everywhere (Original Soundtrack), @Riverdale Soundtrack - All Songs, Pretty Little Liars, Shameless, The Handmaid’s Tale, Chilling Adventures of Sabrina, Younger, Don Mancini’s Chucky, Good Trouble, The Hills, Waco: The Aftermath, The Good Doctor, and The Vampire Diaries. Her first EP, @Technicolor Dream, won an Independent Music Award for Best Pop EP & her song Can't Stop A Woman won for best Adult Contemporary song.

As a performer, she’s shared the stage with artists such as Lord Huron, @Alec Benjamin, @The Lone Bellow, Katelyn Tarver, Ocean Park Standoff, & the Warbly Jets. She’s also garnered praise from such outlets as The New York Times, Refinery29, Extra, Elle, Galore Magazine, and Us Weekly, and has charted on Billboard’s Top TV Songs Chart. 



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