1 hr 33 min
Chatter Marks EP 041 The things beyond our sensorial understanding with LaMont Hamilton Crude Conversations
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- Society & Culture
When interdisciplinary artist LaMont Hamilton was young, he drew portraits of figures that he admired — Jimmy Hendrix, Che Guevara, Malcom X. He called it “scribble art,” a term he invented to describe abstract art that, the longer you look at it, the more it reveals. Then, as he got older, he became interested in photography. But he says that his first love, the one that he considers to be the foundation of his work, is poetry.
He says that a lot of what he does cannot easily be translated to words. It needs to be experienced and understood through our senses. To sit with it and to meditate on it opens us up to its energy and allows ideas to gravitate toward us. When this happens, we create a situation that nurtures a deeper conversation with the world around us.
Right now, he’s in-residence, at the Anchorage Museum, working with poets, artists and musicians, and developing a light and sound installation called "To Hear the Earth Before the End of the World." It features sounds of elements — air, earth, fire, water, and aether. And field recordings from Europe and North and South America — sounds of our changing earth. He says that, unlike a painting, this exhibition is an experience that encounters you, you don’t encounter it because it’s going to be playing whether you’re there or not.
Chatter Marks is a podcast of the Anchorage Museum, and is available on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."
When interdisciplinary artist LaMont Hamilton was young, he drew portraits of figures that he admired — Jimmy Hendrix, Che Guevara, Malcom X. He called it “scribble art,” a term he invented to describe abstract art that, the longer you look at it, the more it reveals. Then, as he got older, he became interested in photography. But he says that his first love, the one that he considers to be the foundation of his work, is poetry.
He says that a lot of what he does cannot easily be translated to words. It needs to be experienced and understood through our senses. To sit with it and to meditate on it opens us up to its energy and allows ideas to gravitate toward us. When this happens, we create a situation that nurtures a deeper conversation with the world around us.
Right now, he’s in-residence, at the Anchorage Museum, working with poets, artists and musicians, and developing a light and sound installation called "To Hear the Earth Before the End of the World." It features sounds of elements — air, earth, fire, water, and aether. And field recordings from Europe and North and South America — sounds of our changing earth. He says that, unlike a painting, this exhibition is an experience that encounters you, you don’t encounter it because it’s going to be playing whether you’re there or not.
Chatter Marks is a podcast of the Anchorage Museum, and is available on Apple Podcasts, Spotify, Amazon Music and Google Podcasts. Just search "Chatter Marks."
1 hr 33 min