A Tripp Through Comedy

Tripp Burton and Ross Bratin
A Tripp Through Comedy

Tripp has rejected mainstream comedies for most of his life. Now, Ross is taking him film by film through the movies he sadly missed (or smartly avoided) until now. Join us as we look at studio comedies from the late 90s and early 2000s. Week by week, we will tackle one (or two) films as Tripp tries to figure out what made them so funny and Ross explains the context Tripp avoided.

  1. 4天前

    Freddie Prinze, Jr. Double Feature: Head Over Heels and Summer Catch

    Our exit today has us hanging out with fashion models and trying to get our big break in the Cape Cod League. This week, we are talking about two films starring one of the true all stars of A Tripp Through Comedy: Freddie Prinze, Jr. First, we will talk about Head Over Heels, written by John J. Strauss, Ed Decter and David Kidd and directed by Mark Waters. Next, we will talk about Summer Catch, written by Kevin Falls and John Gatins and directed by Michael Tollin. Both films have Freddie Prinze Jr. involved in a romantic situation while trying to advance his career (sort of). They also did not make much noise at the box office. Along the way, we discuss some creepy subplots, Brian Dennehy, Bruce Davison, fake New York City, fake Cape Cod, our love of baseball, Rear Window, some questionable romances, and podcast regular Matthew Lillard. And Ross reads from Wikipedia lists. Plus, Tripp steals Ross' plugs. Thememusic by Jonworthymusic. Powered by RiversideFM. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

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Tripp has rejected mainstream comedies for most of his life. Now, Ross is taking him film by film through the movies he sadly missed (or smartly avoided) until now. Join us as we look at studio comedies from the late 90s and early 2000s. Week by week, we will tackle one (or two) films as Tripp tries to figure out what made them so funny and Ross explains the context Tripp avoided.

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