13 episodes

In this intensely divided moment, one of the few things everyone still seems to agree on is Dolly Parton—but why? That simple question leads to a deeply personal, historical, and musical rethinking of one of America’s great icons. Join us for a 9-episode journey into the Dollyverse. Hosted by Jad Abumrad. Produced and reported by Shima Oliaee. Dolly Parton’s America is a production from OSM Audio and WNYC Studios.

Dolly Parton's America Radiolab

    • Music
    • 4.7 • 16.2K Ratings

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In this intensely divided moment, one of the few things everyone still seems to agree on is Dolly Parton—but why? That simple question leads to a deeply personal, historical, and musical rethinking of one of America’s great icons. Join us for a 9-episode journey into the Dollyverse. Hosted by Jad Abumrad. Produced and reported by Shima Oliaee. Dolly Parton’s America is a production from OSM Audio and WNYC Studios.

Listen on Apple Podcasts
Requires subscription and macOS 11.4 or higher

    Sad Ass Songs

    Sad Ass Songs

    We begin with a simple question: How did the queen of the boob joke become a feminist icon? Helen Morales, author of “Pilgrimage to Dollywood,” gave us a stern directive – look at the lyrics! So we dive into Dolly’s discography, starting with the early period of what Dolly calls “sad ass songs” to find remarkably prescient words of female pain, slut-shaming, domestic violence, and women being locked away in asylums by cheating husbands. We explore how Dolly took the centuries-old tradition of the Appalachian “murder ballad”—an oral tradition of men singing songs about brutally killing women—and flipped the script, singing from the woman’s point of view. And as her career progresses, the songs expand beyond the pain to tell tales of leaving abuse behind.
    How can such pro-woman lyrics come from someone who despises the word feminism? Dolly explains.  

    • 57 min
    I Will Always Leave You

    I Will Always Leave You

    Porter Wagoner led the most successful country music television show of its time, and in 1967 he needed a new “girl singer.” He turned to a 21 year old songwriter named Dolly Parton, who’d just recorded her first hit “Dumb Blonde.” So began a nearly decade-long partnership that, behind the scenes, was as contentious as it was commercially successful. This episode tells the story of the “Porter years,” the period during which Dolly arguably discovers her power - both as a performer and songwriter - and then makes the difficult (and radical for its time) decision to strike out on her own. Through interviews with Dolly, country music star Marty Stuart, Wagonmaster Buck Trent, and Porter’s daughter Deborah Wagoner, we explore how Dolly handled what’s sometimes called the great “hillbilly divorce” with such characteristic grace. 

    • 53 min
    Tennessee Mountain Trance

    Tennessee Mountain Trance

    We journey into the Dollyverse dimension: "Tennessee Mountain Home."Like all law abiding Tennesseans, Jad grew up with the song on a loop.  He hadn’t planned to talk with Dolly about it, but much to his surprise, he is drawn into a Tennessee Mountain Trance.  The trance opens a portal to many questions about country music, authenticity, nostalgia and belonging.  And to a place called Dollywood. We visit the replica of Dolly’s childhood cabin and find thousands of other pilgrims similarly entranced.  Along the way, we meet Wandee Pryor, who lived in a Dolly dreamworld as a girl.  And also, halfway around the world, Esther Konkara, the self-proclaimed “Kenyan Dolly Parton,” who sings "Tennessee Mountain Home" as an ode to the hills of Nairobi - hills she has not yet left.  The Tennessee Mountain home begins to seem like part of a Disney fairytale.But then, Jad and Shima get a call from Dolly’s nephew and head of security Bryan Seaver, who makes an irresistible offer. 

    • 40 min
    Neon Moss

    Neon Moss

    In this episode, we go back up the mountain to visit Dolly’s actual Tennessee mountain home.  But, can you ever go home again?  Dolly tells us stories about her first trips out of the holler, and shares with us where she lives now. Back on the mountaintop, standing under the rain by the Little Pigeon River, the trip triggers memories of Jad’s first visit to his father's childhood home, and opens the gateway to dizzying stories of music and migration.

    • 41 min
    Dollitics

    Dollitics

    Dolly Parton and politics have always had an interesting relationship. On the one hand, she wrote 9 to 5, the anthem for working women and the theme song for a movie inspired by a new labor union. On the other hand, she refuses to answer questions about President Trump, or any question on politics period. Her nephew calls this “Dollitics”: Dolly doesn’t take a position because she knows half her fans are on the right, half are on the left. In this moment in history, how should we think of this kind of fiercely apolitical stance?  Is it desirable, or even possible?

    • 44 min
    The Only One For Me, Jolene

    The Only One For Me, Jolene

    One of Dolly’s most iconic and successful songs is “Jolene,” a song that, at first listen, is about a romantic rival trying to steal her man: a prime example of the classic “cheating song.”  But some see it as flipping a popular country music trope on its head. This idea takes shape when Nadine Hubbs, a professor at the University of Michigan, writes a fourth verse to “Jolene," which makes us reimagine Dolly's songs in entirely new ways. 

    • 36 min

Customer Reviews

4.7 out of 5
16.2K Ratings

16.2K Ratings

Kp2282 ,

Best Dolly Podcast

This podcast pays respect to where Dolly has come from, how she got where she is and why she is the Patron Saint of the State of TN. Well-rounded interesting podcast that doesn’t just say “oh the South.”

JRM5245 ,

Love Dolly Parton

I loved listening to Dolly Parton tell stories. I did not enjoy listening to the hosts. It is so special how Dolly is able to have a very diverse audience. The hosts seemed to give a lot of pressure for her to speak up politically. They seemed very closed minded and negative. I think it is honorable that she is able to stay out of politics and bring people together to enjoy her music and have a good time.

oldjohnhall ,

Stop trying to make ‘Dollitics’ a word

Super boring premise. Yes Dolly Parton is obviously amazing but the whole podcast seems like the host is showing off the fact that he’s friends with her

The show is annoying because the host can’t stop being amazed by his own soft sense of wonder like he’s a more boring version of Ira Glass. It’s annoying

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