Where's That Sound Coming From Presents: Questions But No Answers with Brian Marchese

Where's That Sound Coming From?
Where's That Sound Coming From Presents: Questions But No Answers with Brian Marchese

Dateline December 30 2023. The spinoff is now the main event. Welcome to Where's That Sound Coming From Presents: Questions But No Answers! Yes, WTSCF has become what might be the only podcast centered on the musical career of a person whom I consider to be one of the most creative, if underrated and misunderstood, musical minds of the mid-late 20th Century: the late, great Michael Nesmith. I made a list of 75 songs he recorded between 1965-2016 which I feel support my opinion (mostly original, but I had to include a handful of wonderful cover versions) and I intend to devote a 30-60 min episode to each song (though if appropriate I might clump two together in one episode). True to Nez's own philosophy of letting ideas unfold in time and space to allow for growth, I only have a general idea of what I want these episodes to be like. There will indeed be academic presentation of facts, dates and names. There will also be, when applicable, comparative airings of different versions of the featured songs (demos, live versions, alternate versions, even interesting cover versions; and if the featured song IS a cover, I'll go into old school WTSCF mode and play/discuss the original). If I'm strapped for time or if I've already said what I wanted to say in the past, I might repurpose an old WTSCF episode that sufficiently discusses, say, "How Insensitive" or "She Thinks I Still Care". I'd like to have occasional guests to banter about the featured song--distinguished friends to start, but if a notable stranger with relevant, amazing stories or knowledge gets in touch, I might ask them to come on as well. I already have interviews I've done (between 2013-2022) with drummer John Ware, bassist David MacKay and Nez himself to draw on, but you never know who might come out of the woodwork. Why did I decide to call this new series "Questions But No Answers" and not, say, "Marble Canyons of the Sky" (my second choice) or "Listening" (a perfectly succinct title suggested by Andrew Sandoval, to whom perhaps I should have "listened" to ha ha). Well, because, while I want to always be accurate and correct when presenting facts, I also would like to whimsically muse about unknowables. Like, where in the world did "Writing Wrongs" come from? Or did Neil Young or The Eagles ever site "Propinquity" as inspiring certain songs? (you'll have to tune in to Episode 2 to hear which ones). I want to have fun with some mental gymnastics, as well as with amusing but relevant soundbites, and when guests come on I want to have engaging and enlightening but fun conversations and repartee. As the series progresses and grows, we'll also note Nez's growth as an artist--the singer, songwriter and guitar player. And yes, the complex person. However, I don't want to spend more time than necessary delving into his personal life or his non-musical ventures. There will be little to no time spent on Repo Man, Neftoon Zamora, Videoranch, Liquid Paper, wives or girlfriends. There'll be passing references to weed or metaphysics, but only if relevant. I plan to make this chronological because, again, I like charting the growth and evolution and out-of-(seemingly) nowhere ideas that marked his musical career. Please get in touch at wheresthatsoundcomingfrom@gmail.com with comments, questions, ideas, suggestions, stories and substantial monetary donations. I do all this myself, at home--the research, the script, the recording and editing--sometimes with a cat sleeping on my lap or reaching for the headphone and microphone. I do hope you enjoy this series. I realize this shift might lose some listeners that hoped I would continue the old format, or thought I might evolve into a Grateful Dead podcast. But crikey--there are enough of those to wade through and nothing left to say. Ah, but PodWorld is sorely in need of a series on Michael Nesmith. Disclaimer: though I was hired by Nez himself to write for Videoranch in 2017, this series is all me. Enjoy!

Épisodes

  1. Ep. 9 You Just May Be The One

    -2 J

    Ep. 9 You Just May Be The One

    I'm back! Is anyone still here? Sorry about the longer-than-intended break. Life happens. Also, excuse the fact that I introduce this as Episode 9, disregarding the summer reruns. I'll be taking those down so it's not so confusing. This episode traces the life of one of the best, most concise pop songs Nesmith ever wrote and I think the only song in the Monkees catalog that was released in a session musician version as well as full band version ("Words" and "She Hangs Out" don't count as Micky's not on drums). We'll also hear a great acoustic cover version by a guy one might normally associate with experimental noise rock. And listen at the end for a couple newsy items, like how I'll be playing a gig of Nez covers with the great Mick Lawless (of Monkees Mania Radio) and his band Loose Salute on December 7 in Worcester, MA. I believe it's their farewell show and I'm honored to be the drummer. I finished this episode just as election results were coming in. Sigh. While he was never a political activist, one can do the research and and surmise that Michael Nesmith believed in gender and racial equality and that "we're all brothers under the skin" as he said in his 1968 interview with John Gilliand. He was raised by a poor, single mother who started her own billion dollar company and Nez spent a good bit of his resources championing woman artists and entrepreneurs, keeping his mother's Gihon Foundation alive. Good luck out there. Be nice to each other.

    49 min
  2. Ep. 7 - The Girl I Knew Somewhere

    28 MAI

    Ep. 7 - The Girl I Knew Somewhere

    A song described as “A Breezy Little Pop Tune” by its author, Michael Nesmith, “The Girl I Knew Somewhere” was too poppy for Jon Herald, too sloppy for Don Kirshner, but just exactly perfect to be the world’s first taste of The Monkees performing as a real band when it was released on March 8, 1967, as the B-side to “A Little Bit Me, A Little Bit You”. The A-side represented the past, the B-side, the future (at least the very near future).  Did it change all the haters’ and skeptics’ opinions? I mean, shoot, this is a well written song, super catchy, with some literate lyrics and clever changes and played real well by Mike, Peter, Micky and Davy (with Nez pal John London on bass). That’s the proverbial real deal right there. How’s about some respect? Well, maybe your average critic or hippie turned their nose up, but some key members of rock royalty knew a good song when they heard it. In the second half of this lengthy episode I talk about all sorts of stuff with the super cool host of the super cool podcast, RANKING THE BEATLES, Mr. Jonathan Pretus. Our conversation goes to some wild places so hold on to your wool hats, cats and kitties (to quote Ben Fong Torres). Also, this might be the start of a summer hiatus, but I’m not positive. I might need to focus on some other stuff for a bit. But you’ll be hearing from me one way or another and in the meantime I’ll be scripting out the next few episodes.

    2 h 8 min
4,9
sur 5
19 notes

À propos

Dateline December 30 2023. The spinoff is now the main event. Welcome to Where's That Sound Coming From Presents: Questions But No Answers! Yes, WTSCF has become what might be the only podcast centered on the musical career of a person whom I consider to be one of the most creative, if underrated and misunderstood, musical minds of the mid-late 20th Century: the late, great Michael Nesmith. I made a list of 75 songs he recorded between 1965-2016 which I feel support my opinion (mostly original, but I had to include a handful of wonderful cover versions) and I intend to devote a 30-60 min episode to each song (though if appropriate I might clump two together in one episode). True to Nez's own philosophy of letting ideas unfold in time and space to allow for growth, I only have a general idea of what I want these episodes to be like. There will indeed be academic presentation of facts, dates and names. There will also be, when applicable, comparative airings of different versions of the featured songs (demos, live versions, alternate versions, even interesting cover versions; and if the featured song IS a cover, I'll go into old school WTSCF mode and play/discuss the original). If I'm strapped for time or if I've already said what I wanted to say in the past, I might repurpose an old WTSCF episode that sufficiently discusses, say, "How Insensitive" or "She Thinks I Still Care". I'd like to have occasional guests to banter about the featured song--distinguished friends to start, but if a notable stranger with relevant, amazing stories or knowledge gets in touch, I might ask them to come on as well. I already have interviews I've done (between 2013-2022) with drummer John Ware, bassist David MacKay and Nez himself to draw on, but you never know who might come out of the woodwork. Why did I decide to call this new series "Questions But No Answers" and not, say, "Marble Canyons of the Sky" (my second choice) or "Listening" (a perfectly succinct title suggested by Andrew Sandoval, to whom perhaps I should have "listened" to ha ha). Well, because, while I want to always be accurate and correct when presenting facts, I also would like to whimsically muse about unknowables. Like, where in the world did "Writing Wrongs" come from? Or did Neil Young or The Eagles ever site "Propinquity" as inspiring certain songs? (you'll have to tune in to Episode 2 to hear which ones). I want to have fun with some mental gymnastics, as well as with amusing but relevant soundbites, and when guests come on I want to have engaging and enlightening but fun conversations and repartee. As the series progresses and grows, we'll also note Nez's growth as an artist--the singer, songwriter and guitar player. And yes, the complex person. However, I don't want to spend more time than necessary delving into his personal life or his non-musical ventures. There will be little to no time spent on Repo Man, Neftoon Zamora, Videoranch, Liquid Paper, wives or girlfriends. There'll be passing references to weed or metaphysics, but only if relevant. I plan to make this chronological because, again, I like charting the growth and evolution and out-of-(seemingly) nowhere ideas that marked his musical career. Please get in touch at wheresthatsoundcomingfrom@gmail.com with comments, questions, ideas, suggestions, stories and substantial monetary donations. I do all this myself, at home--the research, the script, the recording and editing--sometimes with a cat sleeping on my lap or reaching for the headphone and microphone. I do hope you enjoy this series. I realize this shift might lose some listeners that hoped I would continue the old format, or thought I might evolve into a Grateful Dead podcast. But crikey--there are enough of those to wade through and nothing left to say. Ah, but PodWorld is sorely in need of a series on Michael Nesmith. Disclaimer: though I was hired by Nez himself to write for Videoranch in 2017, this series is all me. Enjoy!

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