Lucky Words

Jeffrey Windsor
Lucky Words

A weekly* email newsletter about literature, art, walking or riding or just sitting in the mountains or the desert of the American southwest, and poetry. luckywords.substack.com

  1. 05/04/2024

    Episode 5.01 Simon Dach’s “Written in Bed in The Year 1647…”

    It’s April again, which means it’s National Poetry Month! The podcast is back, again. My ambitions are much more modest this year, and also moving in different directions. The excitement, for me at least is that I’m going to be adding in video to the mix. I’ve been learning a lot, and the curve is steep. But it’s been rewarding to become acquainted with an entirely new set of skills. For today, however, we are going old school: just the audio like always. I’ve moved my podcast hosting from Squarespace to Substack. Which has been a pain because my brain just shoves both companies into a similar slot of companies with names that start with the letter S and are fake sounding compound words made up of normal words. If all goes well, this won’t affect you at all, the podcast will appear in your podcast player as if nothing has changed. Fingers crossed that it stays that way. Another thing: I’m only committing to four episodes this year. That’s a massive reduction from what I had attempted in the past, which was to ship an episode daily. But I almost always burned out, and it overtook my life. What with my life being un-overtakable right now, and with the addition of video, I’m just committing to four. Maybe I’ll accomplish more? Let’s see at the end of April. Because I’ve been out filming and not doing audio only stuff, and because it’s already the fourth and I haven’t posted, this was recorded at my desk (gasp!) instead of on the trail. I don’t plan on this becoming a habit, and I spiced it up with some little bit of royalty-free music. Still, it feels funny to release an episode where… I’m just talking indoors. Kind of lame, honestly. The text of this episode’s poem is from Simon Dach, a seventeenth century German poet. It’s called “Written in Bed in The Year 1647, at Night, When I Could Not Sleep for Asthma.” Here’s the text: What? Is it not enough to be willing to die once? Nature? Fate? God? Why do you hold me back? There is no delay on my side, my course is finished; Must I pay you a toll a thousand times for the passage? How bitter it is to be ready and have to wait! Is death gain? It is an expensive bargain indeed for me! So many years and illnesses come together to kill me; I am still alive, and I've been given up for dead ten times at least. Wife, children, is it you that are doing this? Are you prolonging my light? Look at my misery! Is this charity, Grudging me my benefit for the little benefit to yourselves? Oh, do not make things worse for me by your presence! The last pain of all, I think, cannot be worse than having to stay alive, wanting to be dead, and not being able to die. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit luckywords.substack.com

    10 phút
  2. 21/04/2023

    Episode 4.17 Kay Ryan’s “This Life”

    Recorded live on location at... my backyard. It was a lovely morning, and so I decided to read a poem. I didn't mention it in the recording because, well because I didn't think about it. I was thinking about Ryan's great poem. And so I recorded a nice short podcast about it. I love this poem. It's one that I've copied out, longhand, in my own notebook that I'm carrying around right now. It's nice and short, for one, and it's fun to read out loud. "It's a pickle, this life" is a great opener, and everyone knows that "pickle" is one of the funniest words in English. Most critically, it's got some intellectual oomph to it as well, and is good for me to think about a while. Since recording this, I've been thinking a lot more about the contrast between the jolly rhyme and the seriousness of what Ryan's talking about. The unextinguishable component of life, according to the poem, is strife. So when life is nearly gone ("shut down to a trickle") there's still the particles of suffering in it. And while the trials may shrink, they are still more than enough to eat you. _And yet_ there's something great in it, too. It's life, after all. We never reach the end, only cut the remainder in half (again!), even while we are encouraged by some coach to just end the race, we don't. And so while strife is always there, so it life itself. And that's pretty great, I think. What do you think? Is this poem hopeless or ultimately hopeful? Also, what word is more fun than "pickle"? #### TEXT OF POEM "This Life" by Kay Ryan It's a pickle, this life. Even shut down to a trickle it carries every kind of particle that causes strife on a grander scale: to be miniature is to be swallowed by a miniature whale. Zeno knew the law that we know: no matter how carefully diminished, a race can only be _half_ finished with success; then comes the endless halving of the rest -- the ribbon's stalled approach, the helpless red-faced urgings of the coach. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit luckywords.substack.com

    7 phút
  3. Episode 4.16 Three Poems by Stephen Crane

    21/04/2023

    Episode 4.16 Three Poems by Stephen Crane

    Recorded on West Mountain, just west of Spanish Fork, Utah. It was blustery and cold, but kind of weirdly beautiful regardless. Beautiful in its desolate ugliness, I guess. The painting I mentioned is indeed by Francisco Goya, but I got the name of the painting wrong. It is "Saturn Eating His Children" which you can see and read about [here](https://en.wikipedia.org/wiki/Saturn_Devouring_His_Son). It's still a perfect painting to accompany this, I think. I will be sending out a weekly email soon. Please sign up below so you can keep up on things (poetry!). #### TEXT OF POEMS Three poems by Stephen Crane **"I Saw A Man Pursuing the Horizon"** I saw a man pursuing the horizon; Round and round they sped. I was disturbed at this; I accosted the man. "It is futile," I said, "You can never --" "You lie," he cried, And ran on. **"In the Desert"** In the desert I saw a creature, naked, bestial, Who, squatting upon the ground, Held his heart in his hands, And ate of it. I said, "Is it good, friend?" "It is bitter--bitter," he answered; "But I like it "Because it is bitter, "And because it is my heart." **"In Heaven"** In Heaven, Some little blades of grass Stood before God. "What did you do?" Then all save one of the little blades Began eagerly to relate The merits of their lives. This one stayed a small way behind Ashamed. Presently God said: "And what did you do?" The little blade answered: "Oh, my lord, "Memory is bitter to me "For if I did good deeds "I know not of them." Then God in all His splendor Arose from His throne. "Oh, best little blade of grass," He said. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit luckywords.substack.com

    13 phút
  4. 18/04/2023

    Episode 4.14 Walter Scott’s “Innominatus”

    Recorded on the Watchman Overlook in Zion National Park. There are always too may people at Zion, but I found a spot where I could have some quiet privacy and record a poem. Unfortunately, technology was conspiring against me, and so this sounds kinda lousy. Sorry. Also, I referred to the trail as "The Watchman" but what I meant was the Watchman _Overlook_: a much less ambitious undertaking. This is another one of those poems that is popular with people who don't really like poetry. That's not fair, even if Walter Scott kinda deserves his reputation. It makes me sad that my own children have very little positive to say about the United States. This is where they were born and where they have always lived, and I want them to love it (even if they're not big fans of the government or the political parties). I grew up saying the Pledge of Allegiance, and I think it made an impact on my thinking. I am a pretty standard educated-liberal guy, who votes with the bloc of educated-liberal people -- but I refuse to give up the symbol of the flag to other people. I refuse to make patriotism a partisan issue. Which is kind of funny that my analysis of this poem focuses on the landscape more than the government. #### TEXT OF POEM "Innominatus," by Sir Walter Scott Breathes there the man with soul so dead, Who never to himself hath said, "This is my own, my native land!" Whose heart hath ne'er within him burn'd As home his footsteps he hath turn'd From wandering on a foreign strand? If such there breathe, go, mark him well; For him no Minstrel raptures swell; High though his titles, proud his name, Boundless his wealth as wish can claim; Despite those titles, power, and pelf, The wretch, concentred all in self, Living, shall forfeit fair renown, And, doubly dying, shall go down To the vile dust from whence he sprung, Unwept, unhonour'd, and unsung. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit luckywords.substack.com

    10 phút
  5. 15/04/2023

    Episode 4.13 Thomas Hardy’s “The Convergence of the Twain"

    Recorded in a tiny little canyon that I never learned the name for, but it was peaceful and quiet. Everyone should have a peaceful, quiet little place to read a poem every now and again. As I mention in the commentary, this is interesting because it's simultaneously modern -- I mean, it's talking about an event in the 20th century! -- but also has something older about it. All of Thomas Hardy does, I think, and this in particular. We don't worry much about the role that Fates play in our lives these days. #### TEXT OF POEM "The Convergence of the Twain" by Thomas Hardy (Lines on the loss of the "Titanic") I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls -- grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: "What does this vaingloriousness down here?" ... VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her -- so gaily great -- A Shape of Ice, for the time far and dissociate. VIII And as the smart ship grew In stature, grace, and hue, In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be; No mortal eye could see The intimate welding of their later history, X Or sign that they were bent By paths coincident On being anon twin halves of one august event, XI Till the Spinner of the Years Said "Now!" And each one hears, And consummation comes, and jars two hemispheres. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit luckywords.substack.com

    10 phút
  6. 15/04/2023

    Episode 4.12 W. H. Auden’s “Musee des Beaux Arts”

    Recorded sitting next to some trickling water just outside the mouth of Hellhole Canyon, in Ivins, Utah. In part, my analysis was a chance for me to talk a little about my process in reading a poem—the messy stuff that gets cut out in my editing. Because not only do I typically record things in a single take and live on a hike, I also don't use any notes or any script. I have, of course, read and thought about the poem, but I don't have a written plan: I read the poem and then talk about it, just like I would if you were on the hike with me. What happens in editing is that I take out long pauses where I think, or I remove false starts. Sometimes I'll get two minutes into an idea and then realize that what I'm talking about is invalidated by a word or phrase that I hadn't understood before. That's how it goes with many things, isn't it? We start off with a rough idea about where we are headed, but only along the way do we actually figure it out. If you don't believe me, [take Alan Jacobs's word for it](https://blog.ayjay.org/my-writing-advice/). Anyway, that's my process. For this poem in particular, you might be interested in [seeing the painting that Auden is talking about](https://www.bl.uk/collection-items/landscape-with-the-fall-of-icarus). #### TEXT OF POEM "Musée des Beaux Arts" by W. H. Auden _December 1938_ About suffering they were never wrong, The Old Masters: how well they understood Its human position; how it takes place While someone else is eating or opening a window or just walking dully along How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer's horse Scratches its innocent behind on a tree. In Brueghel's _Icarus_, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water; and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky Had somewhere to get to and sailed calmly on. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit luckywords.substack.com

    10 phút
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A weekly* email newsletter about literature, art, walking or riding or just sitting in the mountains or the desert of the American southwest, and poetry. luckywords.substack.com

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