January 2025 is shaping up to be an exciting month for music, marked by a diverse range of new album releases, notable performances, and significant industry updates.
Kicking off the month, Lil Baby released his new album *WHAM (Who Hard as Me)* on January 3, featuring 15 tracks and guest spots from prominent artists like Young Thug, Future, Travis Scott, and 21 Savage. This album follows his 2022 release *It's Only Me*, and Lil Baby is already planning another album, *Dominique*, for February.
On January 8, Ethel Cain released her album *Perverts*, known for its cathartic and dynamically intense songs. Just two days later, several notable albums hit the shelves, including Franz Ferdinand's *The Human Fear*, which blends their signature indie rock with energetic tracks, and Ringo Starr's *Look Up*, a country-infused album produced by T-Bone Burnett, marking a new direction for the legendary artist. Other releases on January 10 include Moonchild Sanelly's *Full Moon* and new works from Stick To Your Guns, Tremonti, and more.
Later in the month, Mac Miller's estate will release the posthumous album *Balloonerism* on January 17. This project, recorded over a decade ago but never officially released, has been eagerly anticipated by fans after versions of it leaked online. The Weeknd will release his album *Hurry Up Tomorrow* on January 24, accompanied by a performance at the Rose Bowl in Pasadena, California, on January 25, and a subsequent tour. Additionally, Kane Brown will release his fourth studio album, *The High Road*, on January 24, which mixes dancehall-ready roots pop and family-focused balladry.
In terms of performances, concerts and mega-concerts continue to be lucrative for top artists. The Weeknd's upcoming performance at the Rose Bowl is a highlight of the month's live music scene, drawing massive crowds and generating substantial profits from live events.
On the industry front, significant changes are anticipated. The music streaming landscape is expected to see consolidation among streaming services due to financial viability concerns. Netflix is planning to launch a music streaming division, leveraging its existing infrastructure and tech talent to expand its offerings. Artificial intelligence is increasingly shaping the music industry, from music production to ethical debates over training AI models on copyright-protected content and the use of posthumous releases and voice mimicry.
Platform dynamics are also evolving, with TikTok remaining crucial for music discovery despite legal challenges, and Spotify facing controversy over its payment structures for bundled content. The use of AI in music production and the ethical considerations surrounding it are ongoing topics of discussion and debate.
In the electronic music scene, January 2025 is marked by innovative releases. Artists like Andromedik, KI/KI, and Roland Clark are pushing boundaries with new tracks that blend genres and showcase unique collaborations. Andromedik's single "Air," featuring Lauren L’aimant, combines soaring vocals and striking melodies, while KI/KI's "Getting Ready For The Party" with Storm Mollison delivers a rave-ready anthem. Roland Clark's "First Time I Met Deep" features soulful vocals and a groove-rich production, highlighting the smooth sophistication of King Street Sounds.
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