The Bright Wall/Dark Room Podcast

Bright Wall/Dark Room
  • ٤٫٨ (٣٠)
  • تلفزيون وأفلام
  • يتم التحديث كل أسبوعين
The Bright Wall/Dark Room Podcast

A podcast from Bright Wall/Dark Room, engaging with the business of being alive, one movie at a time. Hosted by Veronica Fitzpatrick & Chad Perman.

  1. ٥ شعبان

    A Different Man (with Frank Falisi)

    We’re back with an episode analyzing writer-director Aaron Schimburg’s Kafkaesque body swap, A Different Man. Joining us is critic, actor, and BWDR darling Frank Falisi, co-founder of Garden State Lantern. We get into Adam Pearson’s Oscar snub and Sebastian Stan’s win, The Substance for boys, shooting in NYC, if you want to dance the mask, the humanism of karaoke, doing your life wrong, self-image as self-esteem, and what it means to never change a bit. Further reading: Le Cinema Club’s interview with Aaron Schimburg, RogerEbert.com’s interview with Schimburg, Adam Pearson, and Sebastian Stan, and Screen Slate Podcast’s episode with Schimburg (and a few cameos from the film). The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad. This episode is sponsored by Galerie: a new kind of film club. Listeners can sign up for access to essays, curated film lists, live screenings, and more at join.galerie.com.Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com. Holy trinity: please give us a follow, rate the pod, give a review. We welcome feedback and inquiries at podcast@brightwalldarkroom.com. Happy new year.

    ١ من الساعات

  2. ٢٠ رجب

    Some Like It Hot (1959)

    Our first mini-episode of 2025 looks to one of director Andrew Haigh’s curated picks: Billy Wilder’s subversive farce Some Like It Hot. We get into the unlikely modernity of Hot’s sexual politics, Orry-Kelly’s naked dresses, Wilder’s collaboration with I. A. L. Diamond, is this the greatest comedy of all time, and more. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad. -- This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can now sign up for three months of free access to Galerie's streaming library, curated film lists, essays, live screenings and more at join.galerie.com.

    ١٨ من الدقائق

  3. ٢٥‏/٠٦‏/١٤٤٦ هـ

    Gladiator (with Blake Howard)

    Be thankful we did your Gladiator II homework, rewatching Ridley Scott’s Gladiator 1 (2000) with amateur Russell Crowe historian Blake Howard. This is a Gladiator II-spoiler-free conversation: listen as we get into Crowe kissing disembodied feet, Scott’s world-building, the technology of acting, Oliver Reed’s digitized face (RIP), is anything better than practical effects, expressionism vs. historical accuracy, and more. Gladiator: a good movie. Further reading: here’s Gladiator cinematographer John Mathieson on returning to the sequel after 24 years. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad. This episode is sponsored by Galerie: a new kind of film club. BW/DR listeners can sign up for 3 months of free access to essays, curated film lists, live screenings, and more at join.galerie.com. You can find every issue of Bright Wall/Dark Room here. Holy trinity: please give us a follow, rate the pod, give a review. We’re on Bluesky at @BWDR and @BWDRPod, and welcome feedback & inquiries at podcast@brightwalldarkroom.com.

    ١ س ٦ د
  4. Don't Look Now (1973)

    ١٤‏/٠٦‏/١٤٤٦ هـ

    Don't Look Now (1973)

    This month’s mini-episode takes us into the rich opening sequence of a pick curated by director Andrew Haigh: Nicolas Roeg’s Venetian nightmare, Don’t Look Now . We get into Graeme Clifford’s expressionist editing, celebrating movies for grownups, the color red, non-chronology, grief, and what lies “beyond the fragile geometry of space.” -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad. This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up for 3 months of free access to Galerie's curated film lists, essays, live screenings & more at join.galerie.com.

    ١٨ من الدقائق

  5. ٠٧‏/٠٦‏/١٤٤٦ هـ

    Rewind: The Muppet Christmas Carol (1992)

    This holiday season, we're revisiting last year's holiday special: an audio essay of one of the most popular articles we've every published on the site: Ethan Warren's ⁠A Grand Yuletide Theory: The Muppet Christmas Carol is the Best Adaptation of A Christmas Carol⁠. Written and read by ⁠Ethan⁠ himself, with holiday music from ⁠Ryan Pollie⁠. (Originally aired December 17, 2023) -- We'll be back later this month with two brand new pods, but in the meantime: Happy Holidays from ⁠Bright Wall/Dark Room⁠! -- This episode is sponsored by ⁠Galerie⁠, a new kind of film club. BW/DR listeners can sign up for three months of free access to Galerie by using this special link.

    ٤١ من الدقائق

  6. ٠٦‏/٠٥‏/١٤٤٦ هـ

    The 62nd New York Film Festival (with Fran Hoepfner & Eli Sands)

    On this special mega episode, co-host Veronica sits down with critic ⁠Fran Hoepfner⁠ and our producer Eli Sands to postmortem the 62nd New York Film Festival. This is a mainly spoiler-free conversation! We get into: Hard Truths, Caught by the Tides, Nickel Boys, April, Harvest, The Brutalist, The Seed of the Sacred Fig, The Shrouds, Queer, Maria, Stranger Eyes, Eephus, I’m Still Here, Anora, The Room Next Door, one stray line about Misericordia, plus: wife guy directors, the surveillance motif, doing Mike Leigh homework, critic versus public screenings, do we need subtitles to understand Scottish accents, stop describing Brutalist as monumental, are movies too long, Almodóvar’s secret to killing it at Q&A, what lipstick is Mikey wearing in Anora, and more. Further reading and listening: Fran’s ⁠NYFF report⁠ for Bright Wall/Dark Room and her incredible ⁠piece on Dick Pope⁠, and more of Eli on the festival at ⁠Deep Cut⁠. Find Fran online at ⁠Fran Mag⁠, ⁠Twitter⁠, and ⁠Letterboxd⁠. -- The Bright Wall/Dark Room Podcast is co-hosted by⁠ Veronica Fitzpatrick⁠ and⁠ Chad Perman⁠, produced by⁠ Eli Sands⁠, and edited by ⁠Buczar⁠. Our theme music is composed by Chad. Please: follow, rate, review! Find all 135 issues of Bright Wall/Dark Room at ⁠brightwalldarkroom.com⁠ (and be sure to check out our upcoming November issue, Neo-Noir 2024). We’re on Twitter (@BWDR and @TheBWDRPodcast), ⁠Bluesky⁠, and ⁠Letterboxd⁠, and welcome feedback and ad/sponsorship inquiries at ⁠podcast@brightwalldarkroom.com⁠. -- This episode is sponsored by ⁠⁠Galerie⁠⁠: a new kind of film club. Listeners can currently sign up for three months of full access to essays, curated film lists, live screenings and much more at ⁠⁠join.galerie.com⁠⁠.

    ١ س ٩ د

  7. ٢٠‏/٠٤‏/١٤٤٦ هـ

    Eyes of Laura Mars (1978)

    This month’s mini-episode takes us into one of costume designer Sophie de Rakoff’s curated picks: Irvin Kershner’s The Eyes of Laura Mars (1978), an American giallo with style to spare. We get into Faye Dunaway’s scream, POV in horror, how this is Helmut Newton x John Carpenter, the ethics of glamorizing suffering, and, yes, the clothes. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad. This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up for three full months of free access to curated film lists, essays, live screenings and more here.

    ١٧ من الدقائق

  8. ٠٥‏/٠٤‏/١٤٤٦ هـ

    Trap (with Dan Mecca)

    This whole episode is a trap. In it, we join Josh Hartnett scholar and The Film Stage gentleman Dan Mecca to dissect the ins and outs of M. Night Shyamalan’s Trap. We talk about: baby bangs, Hartnett always being a little bit weird, the tooth gap, Sleeping with the Enemy’s hand towels, auteur theory, one good part in The Village, Hayley Mills on the walkie-talkie, and more. Further reading: Dan’s interview with Hartnett for Film Stage, Nicholas Russell’s M. Night Shyamalan essay for BWDR, and you can even run it back to Dan’s first-ever The B-Side episode on Hartnett himself. --- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad. You can find all 134 issues of Bright Wall/Dark Room, including our most recent issue on Spike Lee, at brightwalldarkroom.com. Please help us find more ears: follow, rate, comment, leave us a review! This episode is sponsored by ⁠Galerie⁠: a new kind of film club. Listeners can sign up for 3 full months of free access to curated film lists & streaming films, essays, live screenings and much more at ⁠join.galerie.com⁠.

    ١ من الساعات
مشاهدة الكل (٦١)

٤٫٨
من ٥
‫٣٠ من التقييمات‬

حول

A podcast from Bright Wall/Dark Room, engaging with the business of being alive, one movie at a time. Hosted by Veronica Fitzpatrick & Chad Perman.

المعلومات

  • صناع العمل
    Bright Wall/Dark Room
  • سنوات النشاط
    ١٤٤٢ هـ - ١٤٤٦ هـ
  • الحلقات
    ٦١
  • التقييم
    ملائم
  • حقوق النشر
    © Bright Wall/Dark Room
  • موقع البرنامج على الويب
    The Bright Wall/Dark Room Podcast

قد يعجبك أيضًا

للاستماع إلى حلقات ذات محتوى فاضح، قم بتسجيل الدخول.

اطلع على آخر مستجدات هذا البرنامج

قم بتسجيل الدخول أو التسجيل لمتابعة البرامج وحفظ الحلقات والحصول على آخر التحديثات.
تحديد بلد أو منطقة

أفريقيا والشرق الأوسط، والهند

آسيا والمحيط الهادئ

أوروبا

أمريكا اللاتينية والكاريبي

الولايات المتحدة وكندا