What Difference Does It Make Pantheon Plus

The breadth of the Midge Ure music catalogue is one to behold. His career started in the 1970’s with the boy band, Slik, followed by Rich Kids through to Visage and Ultravox and a thriving solo career. That's even without mentioning the historic work he's done for Band Aid & Live Aid in the 80’s. We are thrilled Midge Ure can join us on the podcast.
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Founding member of The Cure and Rock Hall Inductee, Lol Tolhurst, joins the podcast to chat about his second book, entitled GOTH. It's a deep dive into the dark Romanticism of Goth music.
Of course, since we like to keep things upbeat, we also discuss the eclipse, family, sunny California, and his new album, Los Angeles, with his old friend Budgie, drummer from Siouxsie & The Banshees, and Jacknife Lee, producer of records by U2, REM, and Taylor Swift. Yes, we are mentioning Taylor Swift in our episode about Goth.
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Dylan Chambers is one soulful dude, as a listen to his EP For Your Listening Pleasure! will prove. His first single, "High (When I'm Low)," featuring LunchMoney Lewis and Dave Koz, will immediately put a smile on your face. Dylan steps into our studio to discuss his beginnings in Arlington, Texas, and his many collaborations with artists from Mark Ballas, (of Dancing With The Stars fame), to Aldae, co-songwriter of “Flowers", by Miley Cyrus. To top off our episode, Dylan plays an acoustic set for us that culminates with Hall & Oates "Sara Smile". 
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Foreigner is one of the world's best-selling bands of all time, with worldwide sales of more than 80 million records, but they are not in the Rock and Roll Hall of Fame. Yet. Rick Wills, bassist for the band, joins the podcast not only to push for Foreigner's entry into the Rock Hall, but to chat with us about his renowned career, including stints playing with David Gilmour, and discovering he was owed a lot of money as the co-writer of Peter Frampton's "Do You Feel Like We Do".
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Happy April Fools' Day! What songs make you smile? For Dave it's a knowing wink from an artist that knows this music can be ridiculous and yet, still love it. For Holly, it's music that makes her do a goofy dance or reminds her of her children. We go from pop and rock to dance and folk. We also learn during our Pop Quiz that, even though Holly is a stickler for "word crimes", she's not as strong when it comes to 80s lyrics.
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Pearl Harbour has a deep love of Rockabilly music. So much so that instead of recording another album on a major label with Pearl Harbor and The Explosions, she left the band to record a solo record. The result was the 1980 release, Don't Follow Me, I'm Lost Too. Unfortunately, the album was slightly ahead of its time, missing out on the 80s rockabilly revival from bands like The Stray Cats and The Blasters. Fortunately, we now have this re-release. Pearl joins the podcast to relive those times including stories about contributions from members of The Clash and Ian Dury & The Blockheads.
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