On the Media WNYC Studios

On Thursday May 25, founder of the Oath Keepers Stewart Rhodes was sentenced to 18 years in prison for his role in the January 6th attack on the Capitol. On this week’s On the Media, hear how OTM correspondent Micah Loewinger’s reporting became evidence in a federal trial. Plus, what can history tell us about when journalists are called to testify.

1. OTM reporter Micah Loewinger [@MicahLoewinger] speaks with senior editor of Lawfare, Roger Parloff [@rparloff], about becoming a federal witness in the trial of Oath Keeper Stewart Rhodes. Listen.

2. Micah talks to Lee Levine, first amendment lawyer, about the case of civil rights reporter Earl Caldwell and the impact it continues to have on journalists testifying in court. Listen.

3. Micah and Death, Sex, & Money host, Anna Sale [@annasale], speak with Stewart Rhodes' ex-wife Tasha Adams [@That_Girl_Tasha] on her relationship with Rhodes and the impact of his 18-year prison sentence. Listen. 

On April 20, 2023, BuzzFeed CEO Jonah Peretti announced that BuzzFeed would be closing down its newsroom and laying off 15 percent of its staff. The news came amidst a deluge of headlines about struggles in the media industry, including: layoffs at NBC, Vox, NPR, Spotify, Insider, News Corp, ABC, and Gannett; the closure of MTV news; bankruptcy at Vice. But the end of BuzzFeed News in particular symbolized the end of an era. BuzzFeed's rapid rise and success in the late aughts and 2010s helped define the style and format of digital media. In 2013, BuzzFeed was getting 130 million unique viewers a month. Disney made an offer to buy BuzzFeed for half a billion dollars that same year, which Peretti turned down. In 2016, BuzzFeed was valued at $1.7 billion. And then, last fiscal quarter, BuzzFeed reported $106 million in net losses. In this conversation, Brooke talks with Ben Smith, the Editor-in-Chief and co-founder of Semafor and author of the new book, Traffic: Genius, Rivalry, and Delusion in the Billion-Dollar Race to Go Viral, about his goals in building a newsroom at BuzzFeed, the lessons he learned, and what he thinks about the future of of news.

This week, the CEO of OpenAI testified at a senate hearing about the dangers of artificial intelligence and called for its regulation. On this week’s On the Media, how long-term fears about AI are shaping perceptions of the technology today, and steps Congress could take to fix problems with internet platforms. Plus, debunking myths about the writers’ strike. 1. Will Oremus [@WillOremus], technology and the digital world reporter for The Washington Post, on the fears and hopes circulating around AI in Congress and Silicon Valley. Listen.

2. Emily St. James [@emilystjams], TV critic turned TV writer, on the age-old myths around Hollywood writers' strikes. Listen.

3. Cory Doctorow [@doctorow], journalist, activist, and the author of Red Team Blue, on solutions to the enshittification of the internet. Listen.

 

On Tuesday we entered the third week of one of the largest entertainment strikes in recent memory, the first TV writer's strike since 2007. More than 11,000 people are participating in the action by the Writers Guild of America, resulting in shows like The Tonight Show and Last Week Tonight going dark. 

At the heart of the strike are concerns about the changes streamers like Netflix have presented for writer pay and career development. For one, the streamers don’t pay writers residuals, the cut of money they would traditionally get every time their show was rerun on television. Now writers are more likely to be paid for the number of days they work on any given show. But while writer's fight for a new contract some old myths are resurfacing about the strike's impact, including the idea that when writers stopped working in 2007, there was an explosion of reality tv shows. For this week's podcast extra, Brooke speaks with former TV critic turned TV writer Emily St. James about some of the less than true notions about the current strike and previous strikes and why they keep circulating. 

This week, E. Jean Carroll was awarded 5 million dollars in damages in a trial that found Donald J. Trump liable for sexual abuse and defamation. Shortly after, Trump mocked Carroll in a town hall on CNN. On this week’s On the Media, hear what Carroll’s case, and its coverage, tells us about the progress of the Me Too Movement. Plus, how Big Tech has made the internet harder to use.

1. Our host Brooke Gladstone [@OTMBrooke] on what the CNN town hall actually revealed. Listen.

2. Rebecca Traister [@rtraister], writer-at-large for New York Magazine, and author of Good and Mad: The Revolutionary Power of Women’s Anger, on what E. Jean Carroll's case can tell us about the #MeToo movement. Listen.

3. Cory Doctorow [@doctorow], journalist, activist, and the author of Red Team Blue, on the political attitudes and technical mechanisms that lead to the decline of platforms online. Listen.

 

If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME! For our longtime listeners who have heard these episodes before, your weekly dose of On the Media will be available as ever, on Friday afternoon. Enjoy!

 

Episode 5: There's Something About Radio

Highly politicized, partisan companies like Salem have a hold on the airwaves — and they don’t plan to give it up. Senior Vice President of Salem, Phil Boyce speaks candidly to Katie about the personalities he handpicked to spread Salem’s message and about the company’s plans to expand into the media world off the airwaves. And in this final episode of the series we ask the perennial question: peddling election denialism seems to be a solid business model — but is it legal? 

 

The Divided Dial is hosted by journalist and Fulbright Fellow Katie Thornton. Her written articles and audio stories have appeared in The Atlantic, 99% Invisible, The Washington Post, BBC, NPR, WNYC, Minnesota Public Radio, The Guardian, Bloomberg’s CityLab, National Geographic, and others. She is a lifelong radio nerd who got her start in media as a teenager, volunteering and working behind the scenes at radio stations for many years. You can follow her work on Instagram or on her website.


The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. 

With support from the Fund for Investigative Journalism.