Glass Houses - A Billy Joel Podcast Michael Grosvenor & Jack Firneno

With a new album out and a New York-based band in place, Billy Joel was starting to heat up in 1976. His show at the Bottom Line in Manhattan on June 10th of that year is the proof.
 
The album, Turnstiles, had just come out a few weeks prior. And the orchestra, as Billy was now calling the band, had been on the road for just over two months. 
 
The performance was simulcast on seven radio stations, leaving listeners today with a crystal-clear document of the night. Billy and the band, now featuring Russell Javors and Howie Emerson on guitar, Doug Stegmeyer on bass, Richie Cannata on saxophone and organ, and Liberty DeVitto on drums, was a tight, well-oiled unit. 
 
The night featured a handful of songs from the then-new record as well as concert staples from Piano Man and Streetlife Serenade. Sonically, the band straddled the New York grit of Turnstiles with the west coast feel of the previous two records. 
 
These performances laid the groundwork for The Stranger in 1977, but a listen to this night reveals an energetic, fully-realized sound from a band hungry for success. 
 
Join us as we dig deep into Live at The Bottom Line 1976. 
 
Live remastered audio courtesy of Jamie Tate.
 
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Email us: glasshousespodcast@gmail.com
 
Glass Houses - A Billy Joel Podcast on the web / social media:
Website: http://www.glasshousespod.com
Facebook: https://www.facebook.com/glasshousespodcast/
Instagram: https://www.instagram.com/glasshousespod/
Twitter: https://twitter.com/glasshousespod 
Discord: https://discord.gg/6G6cMRFu7T
 
Support the podcast:
Paypal: https://paypal.me/glasshousespod
Venmo: @MGrosvenor
 
Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing
 

In 2015, Billy Joel wasn't just selling out shows. He was making headlines across the nation. His songwriting was praised by everyone from George Gershwin to Snoop Dogg. He made an unexpected festival appearance, and journalists were diving into his history, introducing him to a brand new generation of fans.
 
It's almost hard to believe that just a few years earlier, it looked like Billy was gearing up for retirement. But with his Madison Square Garden residency, launched in 2014, he was firmly back in the spotlight. 
 
Our year-in-review covers it all: The setlists, reviews, feature articles, and awards. Plus, we've got firsthand memories from one of us who attended a Garden residency show that year.
Join us as we dig deep into Billy Joel in 2015.
 
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Email us: glasshousespodcast@gmail.com
 
Glass Houses - A Billy Joel Podcast on the web / social media:
Website: http://www.glasshousespod.com
Facebook: https://www.facebook.com/glasshousespodcast/
Instagram: https://www.instagram.com/glasshousespod/
Twitter: https://twitter.com/glasshousespod 
Discord: https://discord.gg/6G6cMRFu7T
 
Support the podcast:
Paypal: https://paypal.me/glasshousespod
Venmo: @MGrosvenor
 
Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing
 

Billy Joel’s An Innocent Man album earned him a new generation of fans upon its release in 1983. But the accompanying tour didn’t kick off until the next calendar year. Dubbed “From A Piano Man to An Innocent Man,” the shows were unlike any other Billy had mounted until this point. 
The core band was augmented with backup singers and a horn section. And, with a handful of new hit songs, older concert staples were no longer in the sets.
While some accounts show a rocky start, the band eventually hit its stride. Today, the production is well-documented thanks to a televised show from Wembley Arena in the UK that was broadcast live.
Thanks to our research and contributions from friends of the podcast, we’re bringing you a much more detailed look at the An Innocent Man tour. We’ll look at tour dates, typical setlists, and reviews of the tour that outline its evolution in nearly 70 shows over 6 months. 
Join us as we dig deep into Billy Joel’s From A Piano Man to An Innocent Man Tour of 1984.
 
Live audio courtesy of Eric Fellen.

 
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Email us: glasshousespodcast@gmail.com
 
Glass Houses - A Billy Joel Podcast on the web / social media:
Website: http://www.glasshousespod.com
Facebook: https://www.facebook.com/glasshousespodcast/
Instagram: https://www.instagram.com/glasshousespod/
Twitter: https://twitter.com/glasshousespod 
Discord: https://discord.gg/6G6cMRFu7T
 
Support the podcast:
Paypal: https://paypal.me/glasshousespod
Venmo: @MGrosvenor
 
Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing
 

With An Innocent Man, Billy Joel took an important step forward by taking a big leap backward. Released August 8, 1983, the ten-song album sold a million copies within two months of its release and four million just a year later. And, it boasts a Number One single with two more hitting the Top Ten.
The album, famously, is an homage to the pre-British Invasion music from Billy’s youth. But as stylized as the tracks are, the song cycle is more than just nostalgia. A close listen reveals a unique mash-up of youthful music paired with much more mature, wiser lyrics. 
But analysis aside, it’s easily Billy’s most fun album. And, it’s the one that introduced him to a new set of fans – effectively securing his stardom for the next decade. 
For this album episode, we’re doing something a little different: Along with our biographical information and overall critiques, we did a listen-through where we comment on the songs in real time. Listeners can hear exactly what we’re hearing when we make an observation. 
Join us, as we dig deep into Billy Joel’s An Innocent Man.

 
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Email us: glasshousespodcast@gmail.com
 
Glass Houses - A Billy Joel Podcast on the web / social media:
Website: http://www.glasshousespod.com
Facebook: https://www.facebook.com/glasshousespodcast/
Instagram: https://www.instagram.com/glasshousespod/
Twitter: https://twitter.com/glasshousespod 
Discord: https://discord.gg/6G6cMRFu7T
 
Support the podcast:
Paypal: https://paypal.me/glasshousespod
Venmo: @MGrosvenor
 
Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing
 

In 1987, Billy Joel and his band embarked on an unprecedented tour of the Soviet Union. And, when the original documentary “A Matter of Trust” came out, fans got a behind-the-scenes look at what turned out to be a controversial career move.
 
At the time, the country was still under Communist rule, shrouded in secrecy, and, to put it mildly, deeply mistrusted by the West. Even many of Billy’s fans opposed the tour, even booing him at concerts when he announced the trip. 
 
But, Billy and his companions were greeted by warm, welcoming people behind the Iron Curtain. And, they were introduced to a rich culture steeped in centuries of tradition that was also evolving with the latest trends and styles found in the United States and Europe. 
 
Those people and interactions turned out to be the focus of the tour and film that documented it. Along with plenty of performance footage, including a well-known onstage catastrophe, the bulk of the footage is Billy and the band meeting families, new friends, and fellow musicians from the other side of the world. 
 
For this episode, we’re reviewing the original documentary from 1987 with a new introduction added in 1991. We’re thinking about how the behind-the-scenes footage informs the performances, and what it’s like watching a meeting of disparate cultures today in 2023.
 
Join us as we dig deep into “A Matter of Trust.”
 
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Email us: glasshousespodcast@gmail.com
 
Glass Houses - A Billy Joel Podcast on the web / social media:
Website: http://www.glasshousespod.com
Facebook: https://www.facebook.com/glasshousespodcast/
Instagram: https://www.instagram.com/glasshousespod/
Twitter: https://twitter.com/glasshousespod 
Discord: https://discord.gg/6G6cMRFu7T
 
Support the podcast:
Paypal: https://paypal.me/glasshousespod
Venmo: @MGrosvenor
 
Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing
 

The first song on an album sets the stage for the record, but what about the closer? Should the last song act as a grand finale, leave you wanting more, or exist somewhere in between? 
 
In this episode, we’re finding out what worked best for Billy Joel. We’re ranking    the closing songs on his 12 studio albums, plus the live Songs in the Attic, from our least to most-favorite. 
 
And, this time around, we’re not doing it alone: We’re also including rankings from listeners of the podcast on our discord server. 
 
Join us, as we dig deep into the final grooves on Billy Joel’s records.

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Email us: glasshousespodcast@gmail.com
 
Glass Houses - A Billy Joel Podcast on the web / social media:
Website: http://www.glasshousespod.com
Facebook: https://www.facebook.com/glasshousespodcast/
Instagram: https://www.instagram.com/glasshousespod/
Twitter: https://twitter.com/glasshousespod 
Discord: https://discord.gg/6G6cMRFu7T
 
Support the podcast:
Paypal: https://paypal.me/glasshousespod
Venmo: @MGrosvenor
 
Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing