Weird Studies

Phil Ford and J. F. Martel
Weird Studies

Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."

  1. 2월 5일

    On David Lynch

    David Lynch passed away on January 15th, 2025, leaving behind a body of work that reshaped the landscape of cinema and television. Few artists have delved as deeply into the strange, the beautiful, and the terrifying as Lynch, and few have had as profound an influence on Weird Studies. His films have long been a touchstone for JF and Phil's discussions on art, philosophy, and the nature of the weird. To honor his memory, they decided to devote an episode to Lynch's work as a whole, with special attention paid to Eraserhead—the nightmarish debut that announced his singular vision to the world. A study in dread, desire, and the uncanny, Eraserhead remains one of the most disturbing and mysterious works of American cinema. In this episode, we explore what makes it so powerful and how it connects to Lynch’s larger artistic project. To enroll in JF's new Weirdosphere course, It's All Real: An Inquiry Into the Reality of the Supernatural, please visit www.weirdosphere.org. The course starts on Thursday, Feb 6, at 8 pm Eastern. A video for the piece For David Lynch is available on Pierre-Yves Martel's YouTube channel. REFERENCES David Lynch, Eraserhead David Lynch: The Art Life Victorian Nelson, The Secret Life of Puppets Norman Mailer, An American Dream Laura Adams, "Existential Aesthetics: An Interview with Norman Mailer” George P. Hansen, The Trickster and the Paranormal Carl Jung, The Red Book Jack Arnold (dir.), The Creature from the Black Lagoon Noel Caroll, The Philosophy of Horror Gilles Deleuze, The Logic of Sense Jack Smith, “The Perfect Filmic Appositeness of Maria Montez” David Foster Wallace, “David Lynch Keeps his Head” in A Supposedly Fun Thing I’ll Never do Again Arthur Machen, The White People William Shakespeare, Macbeth

    1시간 42분
  2. 2024. 11. 20.

    The Player: On the Magician Card in the Tarot

    The Magician card likely graces more front covers of books on the tarot than any of the other major arcana. In many ways, it symbolizes the tarot itself, or the individual who has mastered the art of manipulating the cards to divine their meanings. Yet, the Magician is a profoundly ambiguous figure. From one perspective, he is the Magus, piercing through the illusions of ceaseless becoming to glimpse the hidden depths of reality. From another, he is all surface without depth, a carnival huckster ready to empty your coin purse while you’re transfixed by his crystal ball. In this episode, JF and Phil continue their on-again, off-again journey through the major trumps with a discussion of the card that—deservedly or not—proudly calls itself Number One. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Our Known Friend, Meditations on the Tarot Weird Studies, Episode 24 on “The Charlatan and the Magus” Weird Studies, Episode 109 and Episode 110 on The Glass Bead Game Weird Studies, Episode 179 with Lionel Snell Friedrich Nietzsche, On the Geneology of Morals Louis Sass, Modernism and Madness Gilles Deleuze, Pure Immanence Richard Wagner, Parsifal William Irwin Thompson, The Time Falling Bodies Take to Light Participation mystique Aleister Crowley, The Book of Thoth Leigh Mccloskey, Tarot Re-visioned

    1시간 22분
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Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."

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