Heart Sutra Symphony Mov 2 《格•心经》Composer: Austin Huang黄晓枫，performed by Haerbin哈尔滨 Symphony Orchestra，Conductor：YU Xuefeng 于学锋

这部交响乐作品有三个乐章。第三乐章包括了260字的心经合唱。心经是佛教的，是普世的，不想局限于中国味。依靠感性是无法挣脱来自本身成长环境的精神束缚的。只有依靠理性才能达到理想的彼岸。勋伯格序列自然成为了选择。我选择了12音阶里的最基本音阶，即半音阶的关系，以此构成的12音阶序列。如此序列（6组半音的关系）没有任何国家和民族特性，但是它又属于每一个国家和每一个民族，因为它是音乐的最基本元素。正所谓“色不异空、空不异色，色即是空，空即是色”。在第一乐章里，应用了中国太极里的概念，阴和阳始终是动态的平衡。其实事物始终都包含着两个因素。而阴里的核心是阳，阳里的核心是阴。第二乐章只是想跟第一乐章的慢板形成对立的快板。 This symphony work has three movements. The third movement includes a 260-character Heart Sutra chorus. The Heart Sutra is Buddhist and universal, so I do not want to be limited to Chinese flavors. It is impossible to break free from the spiritual shackles of one's own growth environment by relying on sensibility. Only by relying on rationality can we reach the other side of the ideal. The Schoenberg sequence naturally became the choice. I chose the most basic scale in the 12-tone scale, the relationship of the chromatic scale (half step), to form a 12-tone scale sequence. This sequence (the relationship of groups of 6 semitones) does not have any national flavors and national characteristics, but it does belong to every country and every nation, because it is the most basic element of music. As the so-called "form is not different from emptiness, emptiness is not different from form, form is emptiness, and emptiness is form". In the first movement, the concept of Chinese Tai Chi is applied, yin and yang are always in dynamic balance. In fact, things always contain two factors Yin and Yang, while the core of yin is yang, and the core of yang is yin. The second movement just wants to form an allegro as opposed to the adagio of the first movement.