Behind the Shot

Steve Brazill
  • 4.9 (62)
  • Visual Arts
  • Updated Biweekly

Get inside the minds of great photographers by taking a look Behind the Shot.

  1. 1d ago

    Photographing Rock Royalty

    I grew up a fan of rock photography, and the walls of my bedroom were my gallery. Back then, before social media existed, our connection to our favorite bands was to actually go to concerts, or to buy printed posters, or look at the vinyl album jackets. That part of my life influenced me so much that I began a career in radio, because if I couldn’t be the lead singer in a band (society is better for that decision) I might as well play the music. Fast forward to me in my 40s, and my radio career helped jump start me into the world of concert photography, in a wonderful full circle moment in my life. Those iconic photos from my youth have played a role in every phase of my life, and the photographers that captured those images will always hold a special place in my heart. Today’s guest is one of those legends. When talking about the music photographers that created the images that defined rock & roll there are simply too many to list, but a few always come to mind: Jim Marshall, Bob Gruen, Mick Rock, Henry Diltz, Neil Zlozower, Neal Preston, Baron Wolman, and Robert M. Knight – my guest today. Before I go any further into talking about Robert, or my love of his photography, and before someone comments that there are great music photographers today too… yeah, I know. I am lucky to call a few of them friends, and their work inspires my shooting daily, and those current photographers will all tell you that they were influenced by many of the legends I mentioned above. When talking about Robert M. Knight the conversation could go so in many directions. Robert has photographed legendary artists, like The Rolling Stones, Led Zeppelin, Run DMC, Green Day, Jimmy Page, Elton John, Slash, Jimi Hendrix, BB King, Stevie Ray Vaughan, Aerosmith, Eric Clapton, Jeff Beck, Steve Vai, and Carlos Santana. You’ve seen his photos, even if you didn’t know it at the time. I actually tried to come up with a few favorite images of his to ask him about using in the show, but that task was beyond me – I love way too many. His Zeppelin shot in front of the plane is special, then there’s the black and white shot of BB King laughing, or the extensive work he’s done with Jeff Beck. He even has some portrait work, like his shot of the late actor Robert Mitchum, that are just next level. Robert was one of the first photographers to capture Jimi Hendrix and Led Zeppelin, and he was the last to photograph Stevie Ray Vaughan. You can still find his book “Rock Gods: Fifty Years of Rock Photography”, in Hardcover and Paperback, on Amazon, and the 2009 documentary “Rock Prophecies” is a great introduction to not only Robert the photographer, but into some of the more personal areas of Robert’s life. Rock Prophecies was actually my first introduction into Robert and his wife Maryanne’s work with Guitar Center’s Hollywood RockWalk, or his work with up-and-coming guitarists. A few years ago a guitarist friend of mine, Chase Walker, posted photos he did with Robert, and I was so excited for him. I’d photographed Chase many times, and even interviewed him and his band, but for my friend to do a session with Mr. Knight was so cool. I do want to mention that Robert’s wife, Maryanne, is an amazing photographer as well. Be sure to check out their website, linked below, to see both of their work. Join Rock ‘n Roll photographer Robert M. Knight and me as we talk about a few of his shots, and the stories behind them, on this episode of Behind the Shot. Chapter Timestamps 00:00:00 – Intro 00:01:28 – Interview with Robert M. Knight 00:19:32 – Ranking the Importance of Photo Attributes 00:23:47 – Intro Before Discussing Photos 00:25:13 – Photo 1: Led Zeppelin 00:29:00 – Photo 2: John Bonham 00:32:15 – Photo 3: Elton John 00:35:17 – Photo 4: Keith Richards 00:37:03 – Photo 5: Jimi Hendrix at Winterland 00:40:55 – Photo 6: Jimi Hendrix in Hawaii 00:42:29 – Photo 7: Steven Tyler 00:45:32 – Photo 8: Stevie Ray Vaughan Live 00:49:53 – Photo 9: Stevie Ray Vaughan Portrait 00:51:43 – Photo 10: Ringo & Friends 00:55:37 – Photo 11: Brian WILSON & Friends 00:58:27 – Speed Round Q & A 01:07:48 – Robert’s Photographer Picks 01:09:03 – Outro Connect with Robert Website: knightbilham.co.nz Instagram: @robertmknightphoto Documentary About Robert Rock Prophecies: Trailer on YouTube | Wikipedia Robert’s Book Rock Gods: Fifty Years of Rock Photography: amazon.com Robert’s Photographer Picks Maryanne Bilham: knightbilham.co.nz | @maryannebilhamphoto Jenn Devereaux: jenndphotography.com | @jenndphotography | Behind the Shot Episode “Backstage Portraits” Shots From the Show Rock Gods: Fifty Years of Rock Photography Book Covers – Hardcover & Paperback

  2. 06/12/2025

    Remote Cameras at Weddings

    I’ve always been fascinated by the use of Remote Cameras, but it’s not something I’ve had the chance to try, unfortunately. The last time I cover it on the show was on the episode Using Remote Cameras with Canon Explorer of Light David Bergman, and then I also had the legendary Peter Read Miller Miller talking about how he used them in Sports Photography. I, however, had never thought about using them for Wedding Photo Photography, that is until I was talking to Canon Explorer of Light Bob Davis at Imaging USA this year. His presentation on the Canon stage was on just that topic, and after watching how he was using remote cameras, in his case for both wedding and wildlife photo, I knew this would be a conversation a lot of people might find fascinating. Bob & Dawn Davis are an international wedding photography and design husband and wife team based in the Chicagoland area. When I first met them back in 2020 for an interview at WPPI, it was immediately clear that this couple was an amazing team. I’ve since seen them both together, or as part of a panel, or individually, on the Canon stage at a conference multiple times, and the passion they bring to what they teach is amazing. What a lot of people don’t know is Bob’s history behind the camera. Bob began his career in the newspaper industry as a photojournalist, and over drinks one day, while we were looking through his old Chicago Bulls photos on his phone, I was blown away how this guy can shoot anything so damn well. The last time he was on the show was for an episode about Bob and Dawn’s wildlife photography: Photograph in the Wild. Bob & Dawn Davis Photography & Design has a client list reads like a “Who’s Who” of entertainment’s elite. They have had the honor of photographing “A” list weddings such as Eva Longoria & Tony Parker’s wedding in Paris, Salma Hayek & François-Henri Pinault’s wedding in Italy, La La Vazquez & Carmelo Anthony’s TV wedding in New York, Tracey Edmonds & Eddie Murphy’s wedding in Bora Bora, ABC’s TV show The Bachelorette Ashley’s wedding to J.P. in California, along with many other fabulous events with Oprah Winfrey. Bob was also commissioned to work on the book America 24/7 that was featured on the Oprah Winfrey show and was a New York Times Best Seller. Their work has been featured in publications such as People, OK, O Magazine, InStyle, Inside Weddings, Town & Country, Munaluchi, Grace Ormonde, Modern Luxury Brides, The Knot, Ritz-Carlton magazine, Professional Photographer, Rangefinder, Popular Photography and more. Bob is in that small and highly elite group of photographers known as Canon Explorers of Light, along with being a member of the Westcott Top Pro Elite, SanDisk Extreme Team, and a ProMedia Gear Influencer. Together Bob and Dawn are the authors of two books, Lights Camera Capture, and We’re Engaged! Earlier I used the word “passion” when talking about their willingness to teach and share their craft, but that word can be used to describe many areas of Bob and Dawn’s world. They are passionate about their faith, their marriage, their family, and making the best of their lives. This a power couple. Bob and Dawn also lead wildlife photo workshops to places around the world, like Africa, or Alaska for their Alaska Brown Bear Adventure Workshop, which at the time of this writing still has 3 spots left for their next trip in Sept of 2025. Join Canon Explorer of Light Bob Davis and me as we do a deep dive into how Bob and Dawn use remote cameras on their wedding shoots, and we’ll touch a little on how they use them for wildlife shoots too, on this episode of Behind the Shot. Connect with Bob & Dawn Wedding Website: bobanddawndavis.com Wildlife Website: inthewild.bobanddawndavis.com Blog: bobanddawndavis.info Facebook: @bobanddawndavis Instagram: @bobanddawndavis Instagram: @bobanddawn_inthewild YouTube: @bobanddawndavis Workshops Alaska Brown Bear Adventure: inthewild.bobanddawndavis.com Bob’s Photographer Pick Art Streiber: artstreiber.com | @aspictures Behind the Shot Episode: Complex Photo Shoots with Art Streiber Shots From the Show More of Bob & Dawn’s Work

  3. 05/01/2025

    Elevating Your Photojournalism

    There have been so many times that I’ve made a mental note that I need to include more photojournalism on the show, only to have a mental dog eat my homework. Finally, today, I am checking that off the list. Still, if I’m being honest, it wasn’t my mental note that made this show happen. It was a series of events that include an email, a referral, and a conference. It ends out that today’s guest had reached out to me directly back in August of last year. His email started with “Hey Steve. I have been a loyal listener to your podcast for years. It’s been my favorite photo-related podcast by far. I’d love to be featured on your show.”, but unfortunately at the time I wasn’t in need of any guests – I try not to book too far out these days. Still, I checked out his work and figured someday I needed to follow up. Then, a few months ago, my buddy Kersten Luts, of the Camera Shake Podcast, mentioned a guest that he’d had on his show, and suggested I should get him on my show. When he mentioned the name, Kevin Painchaud, I had the feeling I had heard of him. Still, I was a bit busy at that point, so I didn’t really pursue it. Which brings us to the conference part of the story… In February I want to Imaging USA in Texas, mainly to see some friends, like Larry and the gang from Platypod, and Kersten, who was traveling in from London. While there I met Kevin, and that meeting finally got this show off the ground. Kevin is a photojournalist for Lookout Santa Cruz, or more to the point he’s THE photojournalist for the all digital daily news organization. His road to, and through, photojournalism is an interesting one. He fell in love with photography in High School, but then, just shy of his 16th birthday, he was a passenger in a car that hit a tree and rolled down a hill. Kevin ended up badly injured, and in a coma for four days. He woke up on his 16th birthday with a new found gratitude to be alive, and an appreciation for people and their stories. Fast forward to 2023, when Santa Cruz County was battered by relentless atmospheric rivers, and destruction as a result, and Lookout Santa Cruz’s newsroom of 10 people was tasked with documenting the devastation and providing critical updates. A year later, that hard work would pay off. The Managing editor, Tamsin McMahon, had spent weeks secretly compiling all the articles, photos, and videos, to create a beautiful timeline of their coverage. Why? She was entering the coverage for a chance at the Pulitzer Prize. That had to be one hell of a Zoom meeting when she told the staff, that had no clue she’d done this, that they had won. Now, with 25 years of experience, Kevin has shot for numerous magazines and newspapers, and his work has been featured on prominent news outlets including ABC News, CBS, The Washington Post, NPR, CNN, and MSNBC. His videos were also featured on ABC’s World News Tonight. Kevin has produced several feature films, directed TV show pilots, and even earned an Emmy nomination for his music-focused TV show, Muzic on the Edge. One of Kevin’s projects that really intrigues me is that he directed PSAs for Aerosmith. Join Pulitzer Prize-winning photojournalist Kevin Painchaud and me as we discuss his road to photojournalism, and as we dissect his award winning image of the CZU Lightning Complex Fire, on this Behind the Shot. Connect with Kevin Portfolio: kevinpainchaud.com Instagram: @painchaudkevin Kevin’s Photographer Picks Shumel Thaler: shmuelthaler.com | @shmuelthaler Patrick Tehan: tehanphotography.com | @tehanpatrick John Hefti: johnhefti.com | @johnp.hefti Kevin’s Other Work

  4. 04/17/2025

    Music & Tour Photography

    To say I’m excited for today’s show is a huge understatement. I first met today’s guest 6 years ago, when our mutual friend Adam Elmakias asked us both to help him with his Live Music Photography Workshop. I’m sure you know that feeling of “if this is their friend, then they must be a good human” – that’s what I felt that whole day in San Diego. Looking back, I don’t think I knew at that first meeting just how good this person is at what she does. I’d suggest that she is one of the absolute best photographers working today, both in the live music & touring world, and in the commercial & editorial world. Anna Lee is someone I have wanted to get on the show for a long time. Anna is a Los Angeles-based music and portrait photographer, with a specialty in touring, and she has done a lot of touring! She has been touring since 2013 with artists in the alt, rock, and pop categories – from small clubs to stadiums. As the current tour photographer for Coldplay, I think she has been creating some of the best work out there, and in both her live music and commercial work, like the campaigns she’s shot for Tom Delonge’s To The Stars, I think her eye for composition and angle is second to none. Anna did mention to me a project she is working on for a possible fall date in LA, and while I can’t get into it here yet, trust me, you’ll want to follow her so you’ll hear about it as soon as the details are locked in. Please join me in welcoming tour photographer Anna Lee to the show to break down what she told me is her personal favorite Coldplay image from tour, and as we dive into her style of shooting both live music and commercial images, on this Behind the Shot. Connect with Anna Lee Portfolio: annaleemedia.com Instagram: @annaleemedia Anna’s Best of Series Best of 37: annaleemedia.com Anna’s Photographer Pick Skyler Barberio: skylerbarberio.com | @skylerbarberio Anna’s Other Work

  5. 04/03/2025

    Light Up Your Adventure Photos

    Over the last few years I have been lucky enough to have the agency Wonderful Machine suggest a few photographers for the show, and every single time I’ve been blown away by the level of artists that they represent. Today is one of those times. Today’s guest is Ben Girardi, and his work, across all areas from active lifestyle to landscapes, and portraits to sports, is stunningly good. On Ben’s website, he refers to himself as a professional commercial and editorial outdoor photographer who tells stories in the outdoor world. Yeah, that’s a spot-on description of his body of work, yet… it’s so much more than that. His images seem to jump off the page. I’ve actually spent a good deal of time going through every image on his site, trying to figure out what that magic sauce is, what the common thread is, and I think it’s a combination of things. He clearly has a passion for his subjects, and his love of the outdoors allows him to present each image in a way that tells such a concise story. There is also a wonderful, subtle processing that brings emotion to his images. His passion has elevated his craft to a level where he is working with elite athletes, and top global brands. Ben found photography back in high school, and he was instantly hooked. That love for photography, combined with his passion for snowboarding as he started capturing riding with his friends. For a lot of kids that age, that interest would fall off after awhile, being replaced by the next dream, but not for Ben. He graduated from RIT with a degree in photography, and then was off to Utah, looking for bigger mountains. After meeting his Canadian wife in the Argentine Andes he moved to Pemberton, BC. Splitting his time between British Columbia and Utah allows him to work on projects in both of those spots, and anywhere in between. His client list is a Who’s Who of outdoor life and sport, working with companies like: Pelican Sport      Whistler Resort      GORE-TEX Head Skies      Vail Resort      and Talisker Whisky Join commercial and editorial outdoor photographer Ben Girardi and me as we discuss dive into how you can up your game with your nighttime outdoor adventure images. Connect with Ben Portfolio: bengirardi.com Instagram: @bengirardi Ben’s Photographer Pick Isami Kiyooka: ikiyooka133.myportfolio.com | @isami_kiyooka Ben’s Other Work

  6. 03/21/2025

    Light Painting Abandoned Places

    For this show, we have a returning guest, night photographer Ken Lee. I’ve known Ken for awhile, and the way he ended up as a guest for the show Capturing the Slowing of Time is one of my fave Behind the Shot stories. Ken Lee, along with being an accomplished photographer, is also a regular watcher, or listener, of Behind the Shot. Years ago, when I was giving away Red River Paper Sample Packs, Ken was one of the winners. He also won the How to Build Real Influence e-course from Trey Ratcliff and Lauren Bath. As I did with every winner, I checked out Ken’s work at that time and made a mental note I wanted to get him on the show, but I got sidetracked. One of the downsides of only doing a show on your own is that potential guests back up quickly. Then, when I was at The NAMM Show in Anaheim CA back in 2020, I met up with another Behind the Shot watcher (or listener – I really need to find an easier way to get through that variable), Mike Martin of Casio. Mike is great guy, and we had fun chatting in-between him actually working. Next thing I knew, Mike tagged me in a tweet to tell me about a friend of his that he thought would be a good guest on the show. This friend had just released a new book, and the cover image was awesome. When I saw the name on the cover I had to do a double take, it was Ken’s book! Well, Ken has another new book out, Abandoned Roadside Attractions: Under a Southwest Moon (Abandoned Union), and once again we need to chat about the cover shot. I introduced Ken above as a “night photographer”, which isn’t a genre you hear often, so let me let him explain: “I drive long hours in a dusty car listening to weird music, stay out all night creating photos, get dirty, hang out with other creative sleep-deprived weirdos, see the stars drift across the sky, and always find the best taco stands.” Let me interrupt Ken for a second. I need to know the names of some those taco stands Ken. You need to write that up somewhere. Sorry for the break… back to Ken… “I have been exploring the Southwestern United States as well as parts of the East Coast for over nine years, brandishing a camera, tripod, and colored flashlight. I especially love creating night photos of abandoned historical places, unique features, and beautiful landscapes. These are experiences that I absolutely cherish.” I mentioned Ken is an accomplished photographer, and I meant it. His images have appeared in outlets like NatGeo.com, National Geographic Books, Omni Magazine, The Los Angeles Times, Westways Magazine, and numerous other publications. He’s also won numerous awards. Join Light Painting, Long Exposure, Night Sky, and Abandoned Site photographer and author Ken Lee to discuss the cover image from his new book, on this episode of Behind the Shot. Connect with Ken Website: kenleephotography.com BlueSky: @kenleephotography Instagram: @kenleephotography Facebook: @kenleephotography Flickr: @kenleephotography Twitter: @blueberrybuddha Ken’s Books Abandoned Roadside Attractions: Under a Southwest Moon (Abandoned Union): amazon.com Route 66 Abandoned: Under a Western Moon (America Through Time): amazon.com Abandoned Planes, Trains and Automobiles: California Revealed (America Through Time): amazon.com Abandoned Southern California: The Slowing of Time (America Through Time): amazon.com Ken’s Photographer Pick Lance Keimig: Flickr.com Troy Paiva: lostamerica.com | @troypaiva Charles Peterson: charlespeterson.net | @charles.peterson.photographer Herman Leonard: hermanleonard.com | @hermanleonardphotography Sebastiao Salgado: @sebastiaosalgadooficial

  7. 03/06/2025

    Bird Photography Tips & Tricks

    I sometimes wonder, while writing these guest photographer posts, how many listeners or viewers actually read them. The truth is it doesn’t matter to me, I write them for myself more than anyone else, and I find that trying to put someone’s talent into written words really helps me distill my thoughts about their work. Take today’s guest, Melody Mellinger, for example… I think my first introduction to Melody’s work was back in February of 2020, for Episode 4 of the monthly Behind the Shot Critique shows I used to do with Don Komarechka – damn I miss doing those. After that, I think Melody must have had an image in at least 7 of the critique shows. What she doesn’t know is that in every critique show, 28 in all, I always tried to have a mix of shots, so that there would be a few that we might have a lot to contribute to, and others that could work as a reference point, a baseline for what a great shot looks like. Her images were part of that later category. One image I distinctly remember was in critique show 5. It was called Open Wide, and it is a magnificent shot. My first thought was that I wouldn’t have anything to say about it – yeah, it’s that good – but when I brought it on screen during the show a few things came to mind, and Melody actually went and redid the image with our suggestions. Here’s the BEFORE and AFTER for you. Since those first introductions to Melody’s work I have become such a fan. What I find fascinating is that Melody’s adventures in nature photography didn’t begin until 2015, with her first DSLR, a Canon Rebel T6i. What led her to bird photography? Her children. She knew they were going to get tired of being models much faster than she was going to master that Canon, so she moved on to flowers and butterflies, before moving on again to the challenge of backyard songbirds. Since 2022 she has used a Canon 5D Mark IV, and for her bird photography she pairs it with a 100-400mm and a 1.4x extender. Yes, you read that right… a DSLR, not some new mirrorless body, and the shots she is making with it will blow your mind. Next time you think you need new gear, go browse Melody’s Instagram. You’ll quickly realize that you probably don’t, and you can thank her for saving you money. Back in January, Melody posted that she’d won something from FStoppers, and the shot that was featured in their Best Images of 2024 Critique show stopped me in my tracks. I mean, wow… just wow. I knew right then I needed to get her on the show. Join nature and wildlife photographer Melody Mellinger and me as we discuss her amazing bird photography, and as we take a deep dive into the shot that she had featured in the FStoppers Best Images of 2024 Contest. Connect with Melody Portfolio: melodymellingerphotography.mypixieset.com BlueSky: @melodymellinger.bsky.social Instagram: @melody_anne_m X / Twitter: @MelodyAnneM FStoppers Contest Best Images of 2024: fstoppers.com Melody’s Photographer Pick Issac Grant: isaacgrantphotography.com | @isaacagrant Melody’s Other Work

  8. 01/11/2025

    Canon Auto-Focus Explained – 2025 Update

    NOTE: This is not an official Canon USA show. This is a podcast first and foremost, available in both audio-only or video, and the video is also placed on YouTube. My hope is that by going through all of the AF options one-at-a-time, in extreme detail, you will be able to get more out of the camera system you have. My first show with Rudy Winston, a Technical Marketing Consultant for Canon USA, was back in February of 2022 for “Canon Auto-Focus Explained“, so almost exactly 3 years ago. To date, it’s still one of the favorite shows that I’ve done. I find that as photographers our relationship with auto-focus isn’t always a great one. It’s so easy to say “the camera missed focus”, or “it front or back focused”. The problem is that’s not the case more often than not. Don’t misunderstand me, these issues are real – that’s why micro adjustments exist. Cameras and lenses are not perfect, and the software that runs anything today can have issues, but focus issues often relate to the end user not having the AF system configured correctly, or not understanding how the system really works. That’s how the first show with Rudy came to be, and to say that was popular is an understatement: To date it’s had roughly: 453,000 views on YouTube, in addition to all the views in the video and audio-only podcast feeds. But when we recorded that show the R3 was brand new, and it wasn’t widely available. So I used my R5 for the menu examples in that show, and while we did talk about the AF settings unique to the newer R3, I almost immediately had people asking for an updated video. Since then, we’ve seen the R6 Mark 2 and the R5 Mark 2 come out, and again, lots of people have requested an update to cover all of the newer Auto Focus features. My thing is, it doesn’t make sense to do a video specific to each camera model, there’s too much overlap, so I wanted to wait until the R1 had actually been released – and it was in November of last year, it started hitting stores in Nov of 2024. So today, we are going to do basically the same thing that we did 3 years ago, we’re going to go through all of the AF menus, and describe every single command and option for you in detail. For this show I am going to use the new Canon R1 for the menu examples, which needs a little explanation. When I used the R5 last time I had some people complain that I was using a body out of their price range, while others complained I wasn’t using the R3. So, let me try to explain my decision making process… The higher end bodies have features the lower end bodies don’t – but they also have most, if not all, of the features on the lower end bodies – so to cover as many settings as possible, spanning bodies in all price ranges, the best choice is the higher end body, which today is the R1. Unfortunately, I don’t own an R1… so a HUGE thank you to Canon USA for getting me one to use for this show. Now, if you’re not a Canon shooter.. DON’T RUN AWAY! While we are using the Canon EOS R1 for the examples today, whatever brand you use: Nikon Sony Panasonic Etc Most of today’s cameras will have some equivalent to the settings we talk about… AF option names will change between brands, and even between models in the same brand, some may be more or less granular, or in different places in the menus EVEN for the same brands, but understanding these AF concepts will still help you get the most out of your camera, regardless of the brand. One last disclaimer: I also had some people comment on the last video that they wished I had inserted some B-Roll showing the features in action through the viewfinder, so you could see the AF moving and changing for something like a person running, or a bird in flight etc. Thank you to everyone that made suggestions, but again, with this video, I have made an intentional choice to not do that. There’s a few production reasons for that choice, but the biggest thing for me is that I want this video to be as generic as possible. In a perfect world this could be a replacement for the manual, and I’m hoping that you might have your camera in hand as we go through these options and settings, and then, once you better understand them, that you’ll take your camera out and test them yourself to find what works best for your genre and style of shooting. Join Rudy Winston, Technical Marketing Consultant for Canon USA, and me as we take a deep dive into the amazing auto-focus systems available in the current line of Canon cameras, using the Canon EOS R1 as the example, on this Behind the Shot. Chapter Timestamps 00:00:00 – Intro 00:01:54 – Disclaimers & Expectations 00:06:57 – Introducing Canon Technical Marketing Consultant Rudy Winston 00:08:01 – Canon R1 AF Menu Tab – Page 1: AF Operations / Area 00:08:30 – AF Operation 00:12:27 – AF Area 00:38:04 – Whole Area Tracking Servo AF 00:41:26 – Canon R1 AF Menu Tab – Page 2: Subject Detection 00:41:37 – Subject to Detect 00:52:57 – Eye Detection 00:55:19 – Register People Priority 01:04:07 – Action Priority 01:10:01 – Canon R1 AF Menu Tab – Page 3: Servo AF Character 01:10:38 – Case: Auto 01:15:24 – Case: Manual 01:15:60 – Tracking Sensitivity 01:17:35 – Accel / Decel Tracking 01:19:51 – Canon R1 AF Menu Tab – Page 4: Customize AF Operation 01:21:53 – Servo 1st Image Priority 01:23:38 – One-Shot AF Release Prior 01:24:55 – Preview AF 01:27:55 – Len Drive When AF Impossible 01:30:03 – AF-Assist Beam Firing 01:34:33 – Canon R1 AF Menu Tab – Page 5: Customized Controls 01:34:47 – Limit AF Areas 01:36:22 – Orientation Linked AF Point 01:40:20 – Limit Subject to Detect 01:41:51 – L / R Eye Detection 01:42:25 – Canon R1 AF Menu Tab – Page 6: MF Related 01:42:38 – MF Peaking Settings 01:47:33 – Focus Guide 01:49:55 – Lens Electronic MF 01:59:44 – Canon R1 AF Menu Tab – Page 7: Various Settings 02:00:10 – Register / Recall AF-Related Settings 02:08:15 – AF Setting Guide URL 02:10:39 – Canon R1 Control Customization Menu Tab – Page 3: Customized Controls When Shooting 02:10:59 – AF Area Selection Control 02:13:37 – Sensitivity – AF Pt Select 02:14:56 – Focus Ring Rotation 02:16:32 – RF Lens MF Focus Ring Sensitivity 02:19:09 – Canon R1 Control Customization Menu Tab – Page 5: Customized Controls – Eye Control 02:39:22 – Listener / Viewer Questions 02:59:06 – My Dual-Back-Button AF Setup 03:06:54 – Outro Canon USA Website: usa.canon.com Ask David Bergman Episode on Dual Back-Button AF Canon R5/R6 Fast Eye Autofocus Switching: youtube.com

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4.9
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About

Get inside the minds of great photographers by taking a look Behind the Shot.

Information

  • Creator
    Steve Brazill
  • Years Active
    2018 - 2026
  • Episodes
    201
  • Rating
    Explicit
  • Copyright
    © @2016-2023 Steve Brazill / Behind the Shot, All Rights Reserved
  • Show Website
    Behind the Shot

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