The Keyboard Chronicles David Holloway

It’s hard to overstate Eric Mouquet’s impact on music during the 1990s, and he’s still going strong. We cover Eric’s seminal work with Deep Forest but also his extensive recording, performing and collaboration with everyone from Peter Gabriel to David Foster and Herbie Hancock.

To listen / watch:



* Audio-only: click on the play button in the audio player above, or:

* Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel





Discussion topics covered during the show (links will open in new tab):  

Eric’s introduction to music (thank you Deep Purple!)

Welson electric organs

The Farfisa VIP 500 organ

Commencing studio work and learning from the pros

Joe Hammer and Eric Mouquet

Computers and MIDI lead to Deep Forest

The formation of Deep Forest with Michel Sanchez

Electronic music inspirations

Approach to recording the first Deep Forest album

The iconic Akai s900 sampler

Erics go-to synths on the first album

The Roland JD-800

How Australia kicked off Deep Forest’s wider success

Taking a different approach to the second Deep Forest album (Boheme)

Deep Forest’s third album Comparsa

The passion for musical exploration 30 years later

Eric’s work with Japanese artist Mell: repeat – Deep Forest Remix

Eric’s work with Japanese artist Chitose Hajime on the album Music Detected – Will You Be Ready

Working with Chinese artist Sa Dingding 

The joy of improvising and creating with a singer

Working with Josh Groban and David Foster – Remember When It Rained

Josh Groban – Awake

Josh Groban – Machine (with Herbie Hancock)

Collaboration with Peter Gabriel – While The Earth Sleeps

Admiration for Joe Zawinul

The technology Eric uses to create albums now

Why the Expressive E Osmose is the keyboard Eric had been waiting for

Desert Island Discs: Black Market – Weather Report, Piano Concerto in G – Ravel, Close to the Edge – Yes, A Love Supreme – John Coltrane, Blue Lines – Massive Attack

Key links:

a href="https://www.redbubble.com/people/metaverseoz/shop?artistUserName=metaverseoz&asc=u&collections=3036076&iaCode=u-shower-curtain&sortOrder=re...

Phillip Golub is a Brooklyn-based pianist, improviser, and composer. We talk on Phillip’s career and his work in transcribing Wayne Shorter’s work, as well as some thoughts on the increasing challenges musicians face industrially. All in all a fascinating chat!

To listen / watch:



* Audio-only: click on the play button in the audio player above, or:

* Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel





Discussion topics covered during the show (links will open in new tab):  

Phillip’s musical upbringing

Establishing a career in music

Phillip playing with Layale Chaker and the Sarafand Ensemble

Tropos – Fronk

Breaking down the binary of composition and improvisation

Approaching transcription and realising the work of others

Steinberg Dorico

Why Phillip prefers Dorico over Sibelius

How Phillip came to be the transcriber of Wayne Shorter’s works

Esperanza Spalding

Attempting to assess Wayne Shorter’s impact on music

Phillip Golub – It’s Beginning To Look A Lot Like Christmas

Phillip’s approach to creating music the past decade

The importance of working with other people and sustained collaboration

Phillip’s work with the Music Worker’s Alliance and the industrial challenges musicians face

Session pay versus recording for ‘pizza and beer’

Artificial intelligence and keeping music human

Phillip’s favourite non-piano keyboards

Phillip’s Pianoteq inspired instrument, the Flexichord

How lower quality key beds can be a creative opportunity

Tag a Keyboard Player: Dana Saul

Desert Island Discs: Junk Magic – Craig Taborn, Silent Tongues – Cecil Taylor, Autotrophs – Cory Smythe, Dusk – Andrew Hill, Open, To Love – Paul Bley, Largo – Brad Mehldau

Key links:

Buy some keyboard related merchandise







Drop us a line via the website, Facebook, Instagram, Threads, Twitter, TikTok or LinkedIn

Complete our a href="https://surveys.

Anna Lapwood is a British organist, conductor, and broadcaster. Currently Director of Music at Pembroke College, Cambridge, Anna has a full schedule as both organist and conductor. We go in-depth in relation to some of the amazing instruments Anna has performed on, as well as a wide-ranging discussion on Anna’s career and the challenges of classical music in the modern era more broadly.

To listen / watch:



* Audio-only: click on the play button in the audio player above, or:

* Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel





Discussion topics covered during the show (links will open in new tab):  

Anna’s musical upbringing

First exposure to the organ

The approach to intensive practice of up to 8 hours per day

Becoming Director of Music at Pembroke College at 21

How teaching music works at Cambridge

A week in the life of Anna Lapwood and Pembroke College

Developing as a conductor

Releasing one’s own work

Insights into performance anxiety and ‘getting out of one’s head’

Anna’s love for film music and re-interpreting film music for the organ

Anna performs ‘Cornfield Chase’ from the movie Interstellar 

The power of film music as a ‘gateway’ to classical music

Anna explores the Royal Albert Hall Organ

The largest organ in the world in Atlantic City USA

Macy’s Philadelphia Wanamaker Organ

Comparing thoughts on the organ as an instrument now, to when Anna was first introduced to the instrument

Anna and Bonobo perform together

Thoughts on keeping classical music fresh in the 21st Century and beyond

A discussion on organist footwear – Organ Master shoes

The Cambridge Organ Experience

Bachathon for Zambia

A tip for young players wanting to work in the music industry

Three emerging artists Anna calls out: Toril Azzalini-Machecler, Lucy Walker, Jess Gillam

Desert Island Discs: My One and Only Thrill – Melody Gardot, Soundtrack – Pirates of the Caribbean, Metamorphosen – Strauss, Bring Us, O Lord God – Sir William Harris, Intermezzo in A Major – Brahms

Key links:

Buy some keyboard related merchandise







Drop us a line via the website, a href="https://www.facebook.

Jim Sheridan is a hard keyboard player to quantify, as his career has been incredibly diverse. That said, it’s fair  to say he’s a TV production expert from a musical viewpoint, and it’s given him some fascinating perspectives on composition, production and musicianship.

To listen / watch:



* Audio-only: click on the play button in the audio player above, or:

* Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel





Discussion topics covered during the show (links will open in new tab):  

Name That Tune – Fox Network

The process of refining 1400+ songs for a season of the show

The joy of working with Randy Jackson

The intensity of workflow during production of a season of Name That Tune

Jim on the Late Late Show with Ryan Tubridy

Jim’s (non)  musical upbringing, teaching himself to play and his unexpected first audition

The iconic Roland D50 Digital Native Dance

Spyder Simpson – He’s a Businessman

Jim performing with Linda Martin in 1995

Why Jim won’t have a bad word said against pop stars Jedward

Jim on The Lyrics Board

Jedward go acoustic on the Late Late Show

Moving into TV work 

Learning and doing TV composition, and what killed it as a viable career

Becoming a TV house band musical director

Jim and his house band on Tubridy Tonight

Michael Fassbender singing Twist and Shout

Guns, late nights and a train wreck performance worthy of nightmares

Russell Crowe performs on the Late Late Show

Jim with Sinead O’Connor – For One Night Only

Desert Island Discs: Trevor Horn Reimagines The Eighties – Trevor Horn, The Nightfly – Donald Fagen, Hejira- Joni Mitchell, West Side Story – Leonard Bernstein, Film Music Collection – Ennio Morricone

Key links:

Buy some keyboard related merchandise







Drop us a line via the website, Facebook, Instagram, Threads,

David Ryshpan is a multifaceted Canadian musician whose talents extend to being a pianist, keyboardist, composer, arranger, and DJ. Born in Toronto.  David has collaborated with a range of artists, including the likes of Vox Sambou, Jorge Ben Jor, and Trio Bruxo, showcasing his versatility across different musical landscapes. We go from Beijing to Brazil in this discussion, with a side-trip to Tokyo, hope you enjoy it.

To listen / watch:



* Audio-only: click on the play button in the audio player above, or:

* Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel



 

 

Discussion topics covered during the show (links will open in new tab):  



Getting into jazz at the age of 9

 

Playing matinee gigs at The Rex as a teenager



 

Dave Brubeck – Strange Meadow Lark

 

Jeff Johnston – McGill University

 

David’s technique and why it was less than optimal

 

David’s video on avoiding the ‘chicken dance’ with keyboard fingering

 

Indigone Trio – Tonglen

 

On developing a passion for Brazilian Jazz

 

The Banff Centre Jazz & Sonic Arts residency

 

Djavan – Tem Boi na Linha

 

Jorge Ben Jor

 

David performing with Jorge Ben Jor 2013

 

David at Blue Note Tokyo with Jorge Ben Jor 2014

 

Working with Vox Sambou

 



Vox Sambou at Rio das Ostras Jazz & Blues festival 2019



 

The amazing Oktoecho

 

Oktoecho – Transcestral

 

Trio Bruxo in action

Tag a Keyboard Player:  Ric’key Pageot; Camille Gélinas (www.instagram.com/cam.geli); David Osei-Afrifa (www.instagram.com/david.osei.afrifa)

Desert Island Discs: Herbie Hancock – Thrust; Stevie Wonder – Innervisions; Willie Colón & Ruben Blades – Siembra; Djavan – Alumbramento; Guillermo Klein – Carrera

Key links:

Buy some keyboard related merchandise







Drop us a line via a href="https://keyboardchron...

Mikey Rowe is  keyboardist for Noel Gallagher’s High Flying Birds. Rowe’s musical journey with Noel Gallagher extends beyond the High Flying Birds. He was also  a part of Oasis and has an incredibly extensive session and recording career, which we discuss in some depth. And then there’s the train wreck story… A huge thanks to Mikey for his time!

To listen / watch:



* Audio-only: click on the play button in the audio player above, or:

* Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel





Discussion topics covered during the show (links will open in new tab):  

Mikey’s website

Mikey’s past 6-12 months with Noel Gallagher’s High Flying Birds

How the High Flying Birds gig came about

Recording process with Noel and the High Flying Birds

MD role and prepping for translating the new recorded work into the live environment

Getting the gig with Oasis

Mikey with Oasis on MTV Unplugged – Listen Up

Mikey’s approach to covering the huge Oasis / Gallagher back catalogue

Mikey’s Mainstage rig

Mikey’s home studio setup

Working with The Amorphous Androgynous and Future Sound of London

Working with Stevie Nicks

Stevie Nicks – In Your Dreams

Mikey playing with Sheryl Crow – My Favourite Mistake

On not reading music and working with other great musicians

Playing with David Gilmour on Rattle That Lock

Mikey playing David Gilmour’s song Today

Why Mikey thinks he didn’t do a great job on the David Gilmour session

Talking Hammonds and Leslies with Prince

Working with Keith Richards and Mick Jagger

Mikey with Sheryl Crow and Keith Richards – Happy

Mikey’s Train Wreck

Mikey with Rachel Stamp – Hey Hey Michael You’re Really Fantastic

Tag a Keyboard Player: Roger Manning

Desert Island Discs: OK Computer – Radiohead, In It For The Money – Supergrass, Matador – Gaz Coombes, Sea Change – Beck, A Hard Day’s Night – The Beatles

A brief chat on Slade

Slade – Run Runaway

Mikey and Noel Gallagher perform Dead in the Water

Key links:

Buy some keyboard related merchandise







Drop us a line via the website, a href="https://www.