DISGRACELAND Double Elvis

Jake comes in hot from a cold studio in snowy New England with this week's bonus episode. Flashback to Jake's hardcore zine days for a key Paul McCartney take, find out the ties between all the Season 8 episodes now binge-able in your feed, hear your calls, texts and Disgo community feedback, and share your pop culture recommendations with Jake at 617-906-6638.
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In 1960s London, for young guitar enthusiasts, believing that “Clapton is God” was practically the 11th Commandment. In 1970 he lent his big, sticky tone to yet another band: Derek and the Dominos. The group’s white-hot blues burned bright for barely more than a year, but their impact was massive. Guided by drug, alcohol and heartbreak free-fall, Eric Clapton created one of rock’s most recognizable guitar riffs, while drummer Jim Gordon contributed God’s great piano coda. Except Gordon was guided by something far more sinister — something that started with incessant voices in his head, and ended with a hammer, a butcher knife, and a dead mother.
To see the full list of contributors see the show notes at www.disgracelandpod.com.
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The original Woodstock was a literal disaster, declared so on its first day by the state of New York. There were fights, onstage, armed black-shirted hippie gestapo on patrol, and most notably, two dead kids on record. The festival was born of violence, sparked into existence out of organizer Michael Lang’s standoff with hillbilly armed guards and cops from down in Florida. The lasting image of Woodstock as a time of idyllic harmony is a nostalgic gimmick, as is the 1970 documentary about the events that took place up in Bethel, New York that fateful weekend. If any director were to make a truly realistic movie about Woodstock, their film would be an unhinged disaster movie.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
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Woodstock is remembered as the generation-defining moment when the baby boomers demonstrated to the world the power of peace, love and communalism. In reality, what went down at Old Man Yasgur’s farm in August 1969 involved extortion, deaths, countless overdoses, near-mass electrocution, and a state of emergency. Not to mention a restless crowd that doubled in size seemingly every time festival producer Micheal Lang lifted his head to survey the drug-addled chaos. All he wanted was a new kind of festival—a celebration of utopian hippie idealism. Instead, for three long, lawless days, Lang got much more than he bargained for during one of the messiest moments in American music history.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
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Black Sabbath are solely responsible for conjuring the diabolical power of heavy metal. When guitarist Tony Iommi lost his fingertips as a teenager, he turned to a less painful style of playing— a style that produced a new, genre-defining type of gloom and heaviness. The band climbed through the seven circles of British podunk hell to international rock star success, but the lore of their dark imagery compelled the freaks to flood out of the woodwork and to their shows. Despite composing songs that warned against the evils of the occult, Black Sabbath attracted legions of devil worshippers, occultists and 1970s freak-flag-flying practitioners of the dark arts. Kids went mad for their metal. Critics hated it. And much to the band’s dismay, Satanists found their battle cry in the heavy gloom that Black Sabbath had awakened.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
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Fleetwood Mac’s mid-’70s merger with the musical duo of Lindsey Buckingham and Stevie Nicks changed the course of the band forever, propelling them to Top 40 mega-fame and cocaine-fueled excess. At the core of it all were rampant Rumours — both the album and the literal gossip. Breakups, divorce, drama: the same intra-band personal dynamics that stressed the group simultaneously led to the creation of one of the top-selling albums of all time. For Fleetwood Mac, Rumours was how the truth came out. And over 40 years later, there’s still a lot that needs clearing up.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
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