It's a Process

Jennifer Sullivan

Freewheeling interviews with contemporary artists about their processes and inspirations. Hosted by artist Jennifer Sullivan.

  1. SEP 16

    Stephen Maine

    In this episode, I had the pleasure of speaking with painter Stephen Maine, who lives and works in West Cornwall, Connecticut, and whom I recently visited in his studio (though we spoke remotely for this interview). We explore his idea of the “color chord,” how he made peace with colors he once avoided, and his use of plates—a method he invented that is as much about streamlining as it is about surrendering control. We also discuss his ideas of mimesis and residue, the shifts in his work over time, what makes a painting truly satisfying, and the pleasures of discord and the off-kilter. I float the idea that his work might be involved in a kind of psychedelic transcendence (though he’s not convinced), but we have a very lively conversation and find a lot of points of interest and connection. I am reminded of innards, intestines and digestion by the marks in some of his most recent large scale work, and of some image of creation itself. We also touch on his enjoyment of funk music, and how it may or may not  be some kind of parallel sensibility to his work. Stephen’s work is currently on view in What’s That Sound Everybody Look What’s Going Down, a group show at Private Public Gallery in Hudson, NY, through October 5th. I hope you enjoy our conversation as much as I did! https://www.stephenmaine.com/ https://privatepublicgallery.net/ https://twocoatsofpaint.com/2023/02/stephen-maines-hands-off-abstraction.html Funkadelic, (Not Just) Knee Deep:https://youtu.be/diLayOqVYUs?si=S6BelNO-Tjb9fluF

    1h 47m
  2. Raychael Stine, Susan Rothenberg, and The Tenderness

    09/19/2024

    Raychael Stine, Susan Rothenberg, and The Tenderness

    Raychael Stine is a painter who lives and works in Albuquerque, NM. She received her BFA at UT Dallas in 2003, and her MFA at UIC in Chicago in 2010. Raychael is currently an Associate Professor of Painting and Drawing at the University of New Mexico, where she has taught since 2013. Raychael and I are currently showing alongside each other in a 2-person show titled The Tenderness at Emma Gray HQ in Los Angeles (on view through October 5th) which features new paintings which were all made with paint that was gifted from the studio of the late and wonderful painter Susan Rothenberg. In this episode, we talk about the amazing story of how the paint came to Raychael, how she came to share the paint with me, the impact of Rothenberg on both of our work, Raychael’s process and inspirations, of which dogs are a big part of,  as well as music, color, and light. Other topics include hiddenness and surprise, animals as a doorway to love, sensuality, and feeling, following your instincts, painting the interconnectedness of things, intellect vs physicality, handling criticism, a defense of tenderness and Celine Dion, Howard Hodgkins, and the ruinousness of irony. The title of the show “The Tenderness” comes from a quote by Rothenberg: “In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would.” The Tenderness at Emma Gray HQhttps://emmagrayhq.com/the-Tenderness-Raychael-Stine-Jennifer-Sullivan Raychael Stine websitehttps://raychaelstine.com/home.html Susan Rothenberg: Emotions, Art21https://youtu.be/PPOkhiIWHHg?si=gIbZ-yZizdtuDiso Oral history interview with Susan Rothenberg, 1987 May 22-June 2https://www.aaa.si.edu/collections/interviews/oral-history-interview-susan-rothenberg-12631 Susan Rothenberg interview by Grace Glueck, July 22, 1984https://www.nytimes.com/1984/07/22/magazine/susan-rothenberg.html

    1h 38m
4.9
out of 5
44 Ratings

About

Freewheeling interviews with contemporary artists about their processes and inspirations. Hosted by artist Jennifer Sullivan.