Neil discusses the pleasure of medical touch. Designer/entertainer Isaac Mizrahi consoles us that at least Stephen Sondheim isn't the best bridge player. ABOUT THE GUEST Isaac Mizrahi has worked extensively in the entertainment industry as an actor, host, writer, designer, and producer for over 30 years. He is the subject and co-creator of Unzipped, a documentary following the making of his Fall 1994 collection which received an award at the Sundance Film Festival. He hosted his own television talk show The Isaac Mizrahi Show for seven years, has written two books, and has made countless appearances in movies and on television. Mizrahi has directed productions of A Little Night Music and The Magic Flute for the Opera Theatre of St. Louis and has also performed cabaret at Café Carlyle, Joe’s Pub, West Bank Café, and City Winery locations across the country. He currently serves as a judge on Project Runway: All-Stars and his memoir, I.M., was published in February 2019. ABOUT THE HOST Neil Goldberg is an artist in NYC who makes work that The New York Times has described as “tender, moving and sad but also deeply funny.” His work is in the permanent collection of MoMA, he’s a Guggenheim Fellow, and teaches at the Yale School of Art. More information at neilgoldberg.com. ABOUT THE TITLE SHE’S A TALKER was the name of Neil’s first video project. “One night in the early 90s I was combing my roommate’s cat and found myself saying the words ‘She’s a talker.’ I wondered how many other gay men in NYC might be doing the exact same thing at that very moment. With that, I set out on a project in which I videotaped over 80 gay men in their living room all over NYC, combing their cats and saying ‘She’s a talker.’” A similar spirit of NYC-centric curiosity and absurdity animates the podcast. CREDITS This series is made possible with generous support from Stillpoint Fund, Western Bridge, and the David Shaw and Beth Kobliner Family Fund Producer: Devon Guinn Creative Consultants: Aaron Dalton, Molly Donahue Mixer: Fraser McCulloch Visuals and Sounds: Joshua Graver Theme Song: Jeff Hiller Website: Itai Almor & Jesse Kimotho Social Media: Lourdes Rohan Digital Strategy: Ziv Steinberg Thanks: Jennifer Callahan, Larry Krone, Tod Lippy, Sue Simon, Jonathan Taylor TRANSCRIPTION NEIL: Isaac Mizrahi, thank you so much for being on She's A Talker. I really appreciate it. ISAAC: So happy to do it. NEIL: I'm curious, today, May 15th, what is something that you find yourself thinking about? ISAAC: May 15th. I think about, of course, I think what everybody else is thinking about at the moment. Like, what the hell is going on? Really! What the hell is going on? It's so scary. Like, I was looking at Instagram, I follow this one dancer, this one beautiful dancer called David Hallberg. I love him, he's an old friend of mine. Anyway, so I was following him and I was looking at pictures of him dancing on stage in a costume with other dancers thinking like, “Excuse me? Will we ever get to go to a theater again?” I know that's really what I'm thinking. A lot about theater and how much I love theater, opera, ballet. So that's what I'm thinking about. I'm thinking about David Hallberg in tights. NEIL: That's inspiring. ISAAC: I know. Never will I ever see David Hallberg in tights again. NEIL: May it be soon. May it be soon. ISAAC: I know, may it be soon! Exactly. NEIL: So that's what you're thinking about on May 15th. Do you have kind of like a recurring thought that seems to return to you? ISAAC: You know, I gotta say the recurring thing that I think about, especially in May, is my dog who died on May 12th, 2016, right? Since May 12th, I've been thinking about my first dog called Harry. My screen saver on my phone is still Harry and Dean, who we got, I don't know, six or seven years later. We got a second dog called Dean. And Dean is still with us. And he's aging now. I'd say he's like 14 or 15, and we have a younger dog named kitty. (dogs barking) Oh, there they are on cue! That's funny. All right, Dean, relax. He's a beagle mix so he’s very talkative. NEIL: I love it! Well, it's perfect for the podcast called She's A Talker. ISAAC: I know! She's A Talker! She's A Talker! And it's so funny because kitty, the bitch, is not a talker at all. She rarely opens her mouth. I was going to say that I was thinking about my screensaver and then I was thinking about, Jesus, when he goes, right, I don't know when that's going to happen, five years from now or seven years from now. When he goes, what would my screensaver be? To me, that screensaver is the truth of my life. It's those two dogs together in this house, in Bridgehampton. I have to say, like, I don't have a big fabulous mansion in Bridgehampton. I have a shack that I love! That's my home! And I've been here since the middle of March thinking, “Do I care if I ever see my apartment again?” Which is fabulous, the third-best apartment in the whole city or something, you know? And I keep thinking like, “Do I need to see that place again?” No, I would rather just be here now. But I think a lot about the dog situation! Like, when Dean goes does that mean that my screensaver has to change? Right? Because the truth of my life, the truest moment of my life is being here with Dean and Harry, even though he's still not here. Isn't that weird? His ashes are here. Harry’s ashes are on my shelf, in the den. I know it's a little morbid. Did we expect for She's A Talker to get so morbid today? NEIL: Oh, I'm fully prepared to go there, and also that doesn't feel morbid at all! That feels comforting. And it's interesting, you know, the show is based on these index cards I've been writing down over the years and one of the cards, I can't remember it exactly, is something about the different durations of our pets lives and our own lives. It creates a kind of musical counterpoint in that, you know, my partner is 12 years younger than I am, my husband, and my cat is five years and together we're all operating on these different lifespans. It feels somehow musical to me. ISAAC: Right. You know, I often think, especially, like, I've been writing more and more— I know this sounds insane to you probably. (dog barking) It sounds insane to Dean, but I've been writing a novel. I finished at the Carlyle February 8th or something like that. Then I had like four days off and I felt like, “Okay, what am I going to do?” I feel I’m in postpartum depression, I have to start something. So I started writing this novel that I've been taking notes about and thinking about for 30 years or something. And the more I think about writing, the more I think about what you're saying, which is if you stories going on, if you have simultaneous stories going on, you know the characters affect each other in this way. So the timeline you're talking about, I often think about that. And especially now. Like, you know, my husband and I are not cohabitating through this. My husband is in the city. He preferred to shelter in the city. I couldn't face it. I couldn't do it. NEIL: Yeah. ISAAC: Anytime I talked to him on the phone, I think to myself this thought that you're saying. This timeline thing, this emotional timeline of what's going on in his life. Because he has this whole other 90% of something else that's going on. You know what I mean? Like we think that's going along in parallel lines, but it isn't, and yet it works. My husband and I, we have separate bedrooms and I feel like we need that for a lot of different reasons. And we're comfortable. Like, I always kind of spoke about the fact that I was an insomniac and that's what kind of prescribed the separate bedroom thing. But it's not so much about that as much as, like, really sort of standing for the fact that we have separate lives, you know? I mean that. That's a really, really important part of our partnering. NEIL: Next card is— I'm going to mention this person's name and maybe bleep them out. It's really within the context of adoring their work, but— How the third story in ****’s latest collection is a little bit disappointing, but that feels like a relief from the relentless virtuosity. Do you ever have that feeling about like where something is so masterful, where it falters a little bit it's almost like— ISAAC: And you go like “phew,” yes. Thank goodness they're human. I have, but I can't think of any real examples of it. I will tell you I'm sort of friends with Steve Sondheim, right? Literally, he has never written anything bad. Like you can't find anything bad. But I played Bridge with him a long time ago. We used to play bridge and he wasn't the best bridge player. And that made me feel a little bit better. NEIL: Another card says: The technical differences between a performer being naked versus wearing a bodysuit; How that probably gives rise to a lot of fetishes. ISAAC: What a hilarious question on so many levels. That is a hilarious thing to ask. Dance belts, thongs, sports bras... Talk amongst yourselves, right? That's basically what you're doing. I think that people go to see dance shows not merely because it's an incredible art form or it's beautiful, but also because they're horny and it's like a sexy thing. NEIL: Of course, yeah. ISAAC: It's a really sexy thing to watch people dance. You see like body parts jiggling, you see butts, you see t*****s, you see, like, baskets on men. The weights of these things. I do. Of course, you can scream, you can laugh at me, but I swear, like, a large percent of what I have been doing all these years is that. You know, when I see a woman with beautiful legs and a tutu, I go like, “what?” You know, your legs just can't look any better than if you're wearing a tutu and pointe shoes. It just doesn't get better. Sometimes I design short short short tunics for boys so that when they fly up you get to see the flesh color dance. I mean
