Mistakes Writers Make about Bladed Weapons with Teel James Glenn - #208

Matty Dalrymple talks with Teel James Glenn about how he got his start as a stuntman and how "the will to push through" physical challenges enabled him to follow his dream; the different varieties of swords; the fact that your first service is to the story; how opponents will never be exactly equal; the fact that tough people don't pose; how to achieve a realistic portrayal of bladed weapon wounds and guidelines for realistic recovery times; and examples of  well-done current-day knife and sword fight movie scenes.

Show notes at https://bit.ly/TIAP208 

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Teel James Glenn has killed or been killed hundreds of times—on stage and screen—as he has traveled the world for forty-plus years as a stuntman, swordmaster, storyteller, bodyguard, actor, and haunted house barker. He is proud to have studied sword under Errol Flynn’s last stunt double, and has made hundreds of appearances in Renaissance festivals, soap operas, and feature films, including having been beaten up by Hawk on the Spenser for Hire TV show. He has also published dozens of novels, and his poetry and stories have been printed in over two hundred magazines including Weird Tales, Mystery, Pulp Adventures, and more. His novel A COWBOY IN CARPATHIA: A BOB HOWARD ADVENTURE won best novel 2021 in the Pulp Factory Award. He is also the winner of the 2012 Pulp Ark Award for Best Author.

Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she’s learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer’s Digest" magazine. She is a member of the Alliance of Independent Authors.