From its beginnings, the eugenics movement has looked to music: for foundational figures like Francis Galton and contemporaries like Charles Murray, the child-prodigy composer or violinist could serve to demonstrate that talent was innate and inherited, and thus could be bred. The horrendously racist implications of such a vision have long been understood, but the relationship between music and eugenicist thought has received scant attention. In this dark but important conversation, musicologist Alexander Cowan reveals the central role of music to eugenicist philosophy, and how myths of musical talent have undergirded myths of racial supremacy.
Show notes and more over at soundexpertise.org!
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資訊
- 節目
- 頻率每週更新
- 發佈時間2024年11月26日 上午7:00 [UTC]
- 長度49 分鐘
- 季數4
- 集數7
- 年齡分級兒少適宜