Narrative Machines

James Curcio: Artist / Author
Narrative Machines

A podcast on memetics, myth and propaganda: how our narratives define the limits of our political and personal identity, how any era of civilization may be consigned to myth just as it was defined by it. Drawing on over a decade of interdisciplinary research, this podcast examines how ideas spread through the internet, shaping perceptions, reshaping societal norms, and constructing identities and politics—often without conscious awareness.  By analyzing the narratives we create, consume, and reinterpret, Narrative Machines offers a timely exploration of the influence of narratives, encouraging listeners to reflect on how myths shape their lives, both consciously and unconsciously. Previous drafts of many of these ideas were published in 2017 in Narrative Machines (Mythos Media), in 2020 in Masks: Bowie & Artists of Artifice (Intellect/ University of Chicago), and various web publications. It is presented here in audio format for the first time with additional reflections and editorial.  For more of the author’s work in various mediums and formats, visit JamesCurcio.com You can also find more podcasts and articles about RPGs and collective storytelling at ModernMythology.net

Episodes

  1. Narrative Machines Episode 4: Masks All The Way Down

    FEB 7

    Narrative Machines Episode 4: Masks All The Way Down

    Narrative Machines, Episode 4: Masks All The Way Down challenges the notion of identity as a singular, stable essence, instead presenting it as a recursive performance—an interplay of masks, personas, and shifting narratives. From roleplaying games to professional personas, from instinct to artifice, we examine the idea that there is no final, unmasked self—only layers of performance. If identity is constructed through repetition and context, what does that mean for agency? And just as crucially—who is shaping the stage? The episode begins with David Bowie’s prescient reflections on the Internet and anonymity, framing a broader discussion of aesthetic performance as a force in modern political and cultural life. From there, we turn to Yukio Mishima, whose work and life exemplify modern nihilism’s entanglement with theatrical self-creation, foreshadowing the existential crises of the 21st century. Future episodes will explore their respective artistic and ideological trajectories in depth, treating them as case studies in self-mythologizing and narrative control. For now, we take a wide-angle approach, positioning these ideas as a warning against reducing ethics to aesthetics—a concern amplified by AI, social media algorithms, and deepfakes eroding the boundaries of authenticity. The case of Anonymous and their use of the Guy Fawkes mask illustrates how symbols, once fixed in meaning, can be repurposed to forge new collective identities. This phenomenon encapsulates the episode’s central argument: in a world where narratives are weaponized, understanding the layered performance of identity is critical to reclaiming agency. Topics Covered: The Vulgar Nihilism of Our Age: Examines the shared existential void as explored by artists such as Bowie, Mishima, and 20th-century society. Critiques the reduction of ethics to aesthetics. Weaponization of Narrative and the Collapse of Truth: Discusses how propaganda, disinformation, and media manipulation erode a shared consensus reality. Uses the metaphor of ideological “glasses” from They Live to illustrate filtered perceptions of reality. Technology and Narrative Manipulation: Explores the role of AI, social media, and algorithms in reinforcing biases and echo chambers. Highlights the threat posed by deepfakes in blurring the lines between fact and fiction. The Mask as Identity’s Core Symbol: Analyzes masks as representations of the constructed, performative nature of identity. Alternate Reality Games, Roleplaying Games, and a new age of disinformation. Details the reappropriation of the Guy Fawkes mask by Anonymous as a tool for collective narrative. Identity as Performance: Argues that all identities are performances shaped by intersecting social, cultural, and personal narratives, with no singular “true” self. Critical Engagement with Narratives: Calls for a heightened critical awareness in an era of relentless narrative manipulation. Offers strategies to resist control and reclaim agency by scrutinizing the stories that define our reality. Visit Jamescurcio.com/narrative-machines or ModernMythology.net for additional affiliated projects and podcasts.

About

A podcast on memetics, myth and propaganda: how our narratives define the limits of our political and personal identity, how any era of civilization may be consigned to myth just as it was defined by it. Drawing on over a decade of interdisciplinary research, this podcast examines how ideas spread through the internet, shaping perceptions, reshaping societal norms, and constructing identities and politics—often without conscious awareness.  By analyzing the narratives we create, consume, and reinterpret, Narrative Machines offers a timely exploration of the influence of narratives, encouraging listeners to reflect on how myths shape their lives, both consciously and unconsciously. Previous drafts of many of these ideas were published in 2017 in Narrative Machines (Mythos Media), in 2020 in Masks: Bowie & Artists of Artifice (Intellect/ University of Chicago), and various web publications. It is presented here in audio format for the first time with additional reflections and editorial.  For more of the author’s work in various mediums and formats, visit JamesCurcio.com You can also find more podcasts and articles about RPGs and collective storytelling at ModernMythology.net

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