1,262 episodes

Interviews with Scholars of African America about their New Books
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New Books in African American Studies New Books Network

    • Society & Culture
    • 4.5 ‱ 135 Ratings

Interviews with Scholars of African America about their New Books
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    Robin M. Morris, "Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right" (U Georgia Press, 2022)

    Robin M. Morris, "Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right" (U Georgia Press, 2022)

    Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right (U Georgia Press, 2022) is a statewide study of women’s part in the history of conservatism, the New Right, and the Republican Party in the state of Georgia. Robin M. Morris examines how the growth of the Republican Party in the 1960s and 1970s was due in large part to the political activism of white women. The book begins with the African American women who established the Georgia Federation of Republican Women and follows how they lost the organization and the party to white women moving to the Sunbelt South. Conservative white women developed a language and strategy of family values that they deployed to battle school busing, defeat the Equal Rights Amendment, and elect Republican leaders even in Jimmy Carter’s home state.
    Morris uses original interviews and archival research in personal papers of women activists in the Georgia New Right movement, including Lee Ague Miller, Beth Callaway, Kathryn Dunaway, Lee Wysong, and Hattie Greene, to reveal the motivations and actions that transformed the state from blue to red. In this era, perceived threats to family life and traditional values spurred women-led grassroots organization that enabled broad political shifts on the state level. Conservative women carved out their political niche as they consolidated and expanded their power and influence. Rather than a male-dominated, top-down approach, Morris centers her historical account on the middle-class white women whose actions changed the political landscape of the state and ultimately the country.
    Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1.
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    • 44 min
    Aaron Spencer Fogleman and Robert Hanserd, "Five Hundred African Voices: A Catalog of Published Accounts by Africans Enslaved in the Transatlantic Slave Trade, 1586-1936" (APS, 2022)

    Aaron Spencer Fogleman and Robert Hanserd, "Five Hundred African Voices: A Catalog of Published Accounts by Africans Enslaved in the Transatlantic Slave Trade, 1586-1936" (APS, 2022)

    The importance of published accounts by African slave ship survivors is well-known but not their existence in large numbers. Fogleman and Hanserd catalog nearly five hundred discrete accounts and more than 2,500 printings of them over four centuries in numerous Atlantic languages. Short biographies of each African, print histories of the complete or partial life story. Five Hundred African Voices: A Catalog of Published Accounts by Africans Enslaved in the Transatlantic Slave Trade, 1586-1936 (American Philosophical Society, 2022) is an invaluable resource for scholars, teachers, students, and others wishing to study transatlantic slavery using African Voices.
    Aaron Spencer Fogleman is professor of history at Northern Illinois University.
    Robert Hanserd teaches African, Afro-Atlantic, and African-American history at Columbia College Chicago.
    Caleb Zakarin is the Assistant Editor of the New Books Network.
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    • 38 min
    Woody Holton, "Liberty Is Sweet: The Hidden History of the American Revolution" (Simon and Schuster, 2021)

    Woody Holton, "Liberty Is Sweet: The Hidden History of the American Revolution" (Simon and Schuster, 2021)

    A “deeply researched and bracing retelling” (Annette Gordon-Reed, Pulitzer Prize–winning historian) of the American Revolution, showing how the Founders were influenced by overlooked Americans—women, Native Americans, African Americans, and religious dissenters.
    Using more than a thousand eyewitness records, Liberty Is Sweet: The Hidden History of the American Revolution (Simon and Schuster, 2021) is a “spirited account” (Gordon S. Wood, Pulitzer Prize–winning author of The Radicalism of the American Revolution) that explores countless connections between the Patriots of 1776 and other Americans whose passion for freedom often brought them into conflict with the Founding Fathers. “It is all one story,” prizewinning historian Woody Holton writes.
    Holton describes the origins and crucial battles of the Revolution from Lexington and Concord to the British surrender at Yorktown, always focusing on marginalized Americans—enslaved Africans and African Americans, Native Americans, women, and dissenters—and on overlooked factors such as weather, North America’s unique geography, chance, misperception, attempts to manipulate public opinion, and (most of all) disease. Thousands of enslaved Americans exploited the chaos of war to obtain their own freedom, while others were given away as enlistment bounties to whites. Women provided material support for the troops, sewing clothes for soldiers and in some cases taking part in the fighting. Both sides courted native people and mimicked their tactics.
    Liberty Is Sweet is a “must-read book for understanding the founding of our nation” (Walter Isaacson, author of Benjamin Franklin), from its origins on the frontiers and in the Atlantic ports to the creation of the Constitution. Offering surprises at every turn—for example, Holton makes a convincing case that Britain never had a chance of winning the war—this majestic history revivifies a story we thought we already knew.
    AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
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    • 53 min
    Alvin Hall, "Driving the Green Book: A Road Trip Through the Living History of Black Resistance" (HarperOne, 2023)

    Alvin Hall, "Driving the Green Book: A Road Trip Through the Living History of Black Resistance" (HarperOne, 2023)

    For countless Americans, the open road has long been a place where dangers lurk. In the era of Jim Crow, Black travelers encountered locked doors, hostile police, and potentially violent encounters almost everywhere, in both the South and the North. From 1936 to 1967, millions relied on The Negro Motorist Green Book, the definitive guide to businesses where they could safely rest, eat, or sleep.
    Most Americans only know of the guide from the 2018 Green Book movie or the 2020 Lovecraft Country TV show. Alvin Hall set out to revisit the world of the Green Book to instruct us all on the real history of the guide that saved many lives. With his friend Janée Woods Weber, he drove from New York to Detroit to New Orleans, visiting motels, restaurants, shops, and stores where Black Americans once found a friendly welcome. They explored historical and cultural landmarks, from the theatres and clubs where stars like Duke Ellington and Lena Horne performed to the Lorraine Motel where Dr. Martin Luther King, Jr. was assassinated. Along the way, they gathered memories from some of the last living witnesses for whom the Green Book meant survival--remarkable people who not only endured but rose above the hate, building vibrant Black communities against incredible odds.
    Driving the Green Book: A Road Trip Through the Living History of Black Resistance (HarperOne, 2023) is a vital work of national history as well as a hopeful chronicle of Black resilience and resistance.
    Nicole Trujillo-Pagån is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles.
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    • 1 hr 11 min
    Magdalena J. Zaborowska, "James Baldwin’s Turkish Decade: Erotics of Exile" (Duke UP, 2009)

    Magdalena J. Zaborowska, "James Baldwin’s Turkish Decade: Erotics of Exile" (Duke UP, 2009)

    Between 1961 and 1971 James Baldwin spent extended periods of time in Turkey, where he worked on some of his most important books. In this first in-depth exploration of Baldwin’s “Turkish decade,” Magdalena J. Zaborowska reveals the significant role that Turkish locales, cultures, and friends played in Baldwin’s life and thought. Turkey was a nurturing space for the author, who by 1961 had spent nearly ten years in France and Western Europe and failed to reestablish permanent residency in the United States. Zaborowska demonstrates how Baldwin’s Turkish sojourns enabled him to re-imagine himself as a black queer writer and to revise his views of American identity and U.S. race relations as the 1960s drew to a close.
    Following Baldwin’s footsteps through Istanbul, Ankara, and Bodrum, Zaborowska presents many never published photographs, new information from Turkish archives, and original interviews with Turkish artists and intellectuals who knew Baldwin and collaborated with him on a play that he directed in 1969. She analyzes the effect of his experiences on his novel Another Country (1962) and on two volumes of his essays, The Fire Next Time (1963) and No Name in the Street (1972), and she explains how Baldwin’s time in Turkey informed his ambivalent relationship to New York, his responses to the American South, and his decision to settle in southern France. 
    James Baldwin’s Turkish Decade: Erotics of Exile (Duke UP, 2009) expands the knowledge of Baldwin’s role as a transnational African American intellectual, casts new light on his later works, and suggests ways of reassessing his earlier writing in relation to ideas of exile and migration.
    Magdalena J. Zaborowska is Professor of Afroamerican and American Studies and the John Rich Faculty Fellow at the Institute for the Humanities at the University of Michigan

    Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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    • 1 hr 1 min
    Jessica Wilson, "It's Always Been Ours: Rewriting the Story of Black Women's Bodies" (Hachette Go, 2023)

    Jessica Wilson, "It's Always Been Ours: Rewriting the Story of Black Women's Bodies" (Hachette Go, 2023)

    In It's Always Been Ours: Rewriting the Story of Black Women's Bodies (Hachette Go, 2023) eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy's hold on us and reimagine the ways we think about, discuss, and tend to our bodies.
    A narrative that spans the year of racial reckoning (that wasn't), It's Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture's fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs.
    With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It's Always Been Ours is a love letter that celebrates Black women's bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy.
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    • 59 min

Customer Reviews

4.5 out of 5
135 Ratings

135 Ratings

jayshawnking ,

love

love the podcast, very engaging. both of tremendous scope and depth but would like to hear air sirens, funk flex dropping bombs or similar signs of life amidst the scholarly discourse.

😉💙🙃 ,

15 January 2023

Very informative, thank you.

Jan 122 ,

How do you have a show about African American centered literature and only highlight white authors?

Echo chamber of white authors speaking from their white perspective on black history, when there are plenty of Black established authors writing on the same topics. White liberalism at its peak. do better

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