New Books in Literary Studies

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New Books in Literary Studies

Interviews with Scholars of Literature about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

  1. HACE 1 DÍA

    Tabish Khair, "Literature Against Fundamentalism" (Oxford UP, 2024)

    Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism. Literature is a mode of thinking, stories being one of the oldest thinking 'devices' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material ('language') and its subject matter ('reality'). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism (Oxford UP, 2024) argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive. Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in 'a call to arms'. Tabish Khair is an Indian writer, academic and journalist, born (1966) and educated in the small town of Gaya in Bihar, India. After finishing his MA from Gaya, he completed a PhD at Copenhagen University and a DPhil at Aarhus University, Denmark, where he is now an Associate Professor. He has been a visiting professor or research fellow at various universities and has received Carlsberg, Leverhulme, and other academic grants. Khair is also an internationally published novelist. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

    1 h y 19 min
  2. HACE 1 DÍA

    Peter Ramey, "The Word-Hoard Beowulf: A Translation with Commentary" (Angelico Press, 2023)

    Beowulf is the product of a profoundly religious imagination, but the significance of the poem’s Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien’s theory of language as the repository of myth—opens the hood to track the poem’s inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien’s, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien’s ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem’s religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

    57 min
  3. HACE 2 DÍAS

    Preetha Mani, "The Idea of Indian Literature: Gender, Genre, and Comparative Method" (Northwestern UP, 2022)

    Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature. In this episode, we discuss Mani’s 2022 publication, The Idea of Indian Literature: Gender, Genre, and Comparative Method, which won the MLA Aldo and Jeanne Scaglione Prize for South Asian Studies, received the ACLA René Wellek Prize Honourable Mention for best overall book in comparative literature, and was shortlisted for the MSA First Book Prize. In The Idea of Indian Literature : Gender, Genre, and Comparative Method, Mani examines the paradox that a single canon, here being Indian literature, could be written in multiple languages. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. The homogenising term ‘Indian Literature’ is re-visited via an in-depth historical and literary investigation of multilingualism in pre- and post-Independent India. Dr. Preetha Mani is an Associate Professor of South Asian Literatures at Rutgers University, where she specialises in modern Hindi, Tamil, and Indian literatures. Her research interests include translation studies, feminist and postcolonial theory, and world literature. At Rutgers, Preetha is an active member of the South Asian Studies Program and Critical Translation Studies Initiative, and serves on the executive committees of the Centre for Cultural Analysis and the Institute for Research on Women. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

    56 min
  4. Poetry

    HACE 3 DÍAS

    Poetry

    In this episode of High Theory, Ryan Ruby talks to us about Poetry. Our standard definition of poetry today is an institutional one, much like contemporary art: if art is what artists and museums and collectors call art, poetry is what poets and professors and publishers say is poetry. Ruby argues that this indefinable thing humans have been doing well nigh forever is better understood as a medium than a form. Poetry is a way of storing and transmitting information, a mechanism of entertainment and authority, and a speech act that attends to changes of state. In the episode, Ryan references Eric Havelock, author of The Muse Learns to Write (Yale UP, 1986), who described the Homeric poems as the encyclopedia of Bronze age Greece. He also cites Marcel Detienne’s book The Masters of Truth in Archaic Greece (trans. Janet Lloyd, Zone Books, 1996) who describes poetry as a form of “magico-religious speech.” Ryan Ruby is a writer, most recently of the book length poem Context Collapse: A Poem Containing the History of Poetry (Seven Stories Press, 2024). It got reviewed in The New York Times. He has also written a novel, titled The Zero and the One (Twelve Books, 2017), and book reviews and essays for all the fancy places: The New Yorker, Harper’s, The New York Review of Books, The New York Times, Bookforum, New Left Review, etc. He is currently at work on a nonfiction narrative book about Berlin called Ringbahn for Farrar Straus, and Giroux. The image for this episode is a still from an animation of a supercomputer simulation of a pair of neutron stars colliding, merging and forming a black hole, created at the NASA Goddard Space Flight Center. Image courtesy of the NASA Goddard Photo and Video Flickr account. This image is in the public domain. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

    23 min
  5. HACE 4 DÍAS

    Xian Wang, "Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs" (U Michigan Press, 2025)

    Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history.  This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

    1 h y 3 min
  6. HACE 4 DÍAS

    Peter Boxall, "The Possibility of Literature: The Novel and the Politics of Form" (Cambridge UP, 2024)

    The Possibility of Literature: The Novel and the Politics of Form (Cambridge University Press, 2024) is a collection of Peter Boxall's essays over twenty years, the earliest from 1996. These essays cover a vast timespan, from the 17th century to contemporary times; a multiplicity of authors ranging from canonical, such as Cervantes, to underappreciated, such as Kelman; and various traditions, from realism to 'deathwriting'. Despite the richness of material, Boxall's penetrating and refreshing vision never loses sight of two central questions: what makes literature possible and what does literature generate? The essays are clustered into three sections, 'On Writers', 'On Literary Tradition', and 'On the Contemporary'. Exploring questions such as 'The Idea of Beauty', the nature of 'Mere Being', or the possibilities of Rereading, the author anatomises the myriad forces that shape the literary imagination. At the same time, he gives vivid critical expression to the imaginative possibilities of literature itself – those unique forms of communal life that literature makes possible in a dramatically changing world, and that lead us towards a new shared future.  Peter Boxall is the Goldsmiths' Professor of English Literature at New College, University of Oxford. His publications include Don DeLillo: The Possibility of Fiction (2002), Since Beckett: Contemporary Writing in the Wake of Modernism (2009) and The Prosthetic Imagination: A History of the Novel as Artificial Life (2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

    1 h y 12 min

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Interviews with Scholars of Literature about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

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