A Blog Of Ill Repute

KUCI Review Team
A Blog Of Ill Repute

KUCI plays underground indie music and that's what we do with this podcast. We review music we like and hope you will too.

  1. 2009/08/07

    The Bran Flakes - "What's It All About"

    review by Suzanne Casazza The Bran Flakes continue their quirky pop mash-ups with their short but striking song, “What’s It All About” off their album I Have Hands released February 2009. The Bran Flakes’ album art features two people with giant purple paper mâchéd heads. It sets the tone for the kooky album of collage audio fun. “What’s It All About” combines samples of orchestral sounds, horns, beat boxing, Japanese singing, pop vocals, and a kicky drum line. Barely over a minute long, the song shifts about every 10 seconds or so and keeps up a fast pace of genre shifts. It begins with an upbeat horn beat, mixes in exotic-sounding Japanese vocals, and then seconds later switches to sweeping Disney-style orchestra. The song closes with a man speaking about morals and life lessons against an understated backbeat that is reminiscent of the sagacity of Baz Luhrmann’s, “Sunscreen Song.” His last words, “Your style won’t survive you, but your substance will. It is eternal, and it is what it is all about,” ends the song abruptly, and makes listeners wonder what other substance The Bran Flakes have in store. Although you can’t call I Have Hands a concept album, “What It’s All About” certainly upholds the consistently playful theme. What begins as an eclectic mix of seemingly random sounds grows on listeners and becomes infectiously zany, leaving us wondering what unexpected twist is coming next. Buy at iTunes Music Store What It's All About (mp3)

  2. 2009/07/14

    Little Brother - "Breakin' My Heart"

    review by Kristine Ugalde Little Brother is one of those underground hip hop groups that gained critical acclaim a couple years back, but never received widespread attention. While it may seem like an odd collaboration, I don’t know why I’m still surprised that Weezy is on the track. It's certainly the right direction to go, not only because the self-proclaimed “Best Rapper Alive” has established himself as a formidable emcee, but also his ability to blow up the track. However, unlike other artists who collaborated with Lil’ Wayne in the past, Little Brother doesn’t take a backseat. They hold their own weight. Wayne’s verse is saturated with clever metaphors, and many might easily dismiss the verse as a freestyle cipher from the 90’s. I found that the “She loves me, she loves me not” cut in the beginning as well as the hook lacked creativity. It sounds like an old school R&B song bordering trite, holding no emotional resonance. While personally I’m not usually drawn to songs about relationships, the specificity of the lyrical content is honest and on-point. Phonte’s line “Cause a woman's life is love, a man's love is life” on the surface sounds like a gendered stereotype, it speaks volumes about the dynamics between women and men. Although it’s a romantic track, the track ends with Phonte’s commentary on the younger generation’s misguided consumption and critiques how the ethnic majority are the benefactors of hip hop materialism, proof that Little Brother manages to put out evocative, honest music, which is the basic foundations of hip hop as a musical medium. Buy at Rhapsody Breakin My Heart feat. Lil' Wayne (mp3)

  3. 2009/07/07

    Vetiver - "Blue Driver"

    review by Monica McCallum The opening chords of Vetiver’s cover of Michael Hurley’s “Blue Driver” evoke, in my mind, a very particular image. Driving through the desert, in an old beat up van with bad coffee, sporadic air conditioning, and stops at shady diners planted haphazardly in the middle of nowhere – I can understand why folk music is so popular out here. Of course, if you’ve never made the drive yourself, you can get pretty close simply by listening to this song. The steady tap of the drum and repetitive bass line in the background lend a sense of perpetual motion to the tune as it progresses steadily from start to finish, without a care in the world, ending only when a vocal siren wail pulls the song over for being too awesome. Vetiver’s Andy Cabic first brought the group together in Greensboro, North Carolina where he met his fellow musicians Sanders Trippe (guitar and vocals) and Brent Dunn (bass). Since the group’s move to San Francisco, they have collaborated with numerous artists, including the delightfully original Joanna Newsom, amongst other local musicians, to produce a string of whimsical, earthy, indie-folk albums. “Blue Driver” can be found on Vetiver’s June 2008 release, Things of the Past, which boasts a wonderful collection of folk/rock covers from the late 60s and early 70s, revitalized by Cabic without destroying their originality. If you are looking for a mellow, blast from the past for your daily commute, be sure to listen to “Blue Driver” – you won’t be disappointed. Buy at Rhapsody Blue Driver (mp3)

  4. 2009/05/18

    Presto - "Pour Another Glass"

    review by Kristine Ugalde No stranger to the game, Presto has been producing and DJing for almost 20 years. He describes his sound as “hip hop with a soul backdrop and jazz edge.” It is almost too easy to guess his influences: DJ Primo, Pete Rock, Jay Dee, Tribe--yet, he brings to the (turn)table a definitive edge. Although State of Art was released June 2008, hip hop heads continue to sleep on Presto. Why? Because the digital age has led to saturation of wanna-be artists/producers now that hip hop has imploded the music industry and American culture. His album does justice to the hip hop luminaries before him and his collaborations on “State of the Art” with such influential hip hop greats such as Large Professor, CL Smooth, and Sadat X is an indication that hip hop, even with its explosion in the mainstream, is still capable of producing quality music. His sound is jazzy, soulful, organic, old-school with refreshing enough to keep it contemporary. The layered instrumentation of jazzy keys, echoing horns, easy-going drum composition, and the inclusion of sleigh bells in a meticulous, yet subtle synthesis of samples shows his skill as a producer. And so the age old question still remains: what is hip hop? Is it flashy videos, blatant misogyny, violence and brutality, or reinforcing materialistic values? To avoid sounding like a diatribe, the answer remains ambivalent. One consolation is that Presto takes us back to the fundamental sounds of the early 90’s. Sampling jazz and soul music using a keyboard rather than an MPC gives the production a sense of intimacy and live instrumentation. Blu still doesn’t disappoint. A favorite in the underground scene, his consciousness and ability to illustrate day-to-day vignettes demonstrates how the resurgence of West Coast hip hop deviated away from gangsta rap and into an art form used to contextualize his environment. His flow displays his excellent storytelling skills about how he emerged from being a eager amateur to internet/underground success. Blu balances his cockiness while still maintaining his cool against the jazzscape background. His album does justice to the hip hop luminaries before him and his collaboration on his album “State of the Art” with such influential hip hop greats such as large professor, CL Smooth, and Sadat X is an indication that hip hop, even with its explosion in the mainstream, is still capable of producing quality music. Buy at iTunes Music Store Pour Another Glass (mp3)

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KUCI plays underground indie music and that's what we do with this podcast. We review music we like and hope you will too.

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