Post Script

Post Script

Tori and Dávid explore storytelling, narrative, history, and culture through film. New to our podcast? We recommend starting at the beginning of the current season rather than at episode 1. Season 3—"Recounting Cri$i$"; How mainstream movies changed (or didn't) throughout The Great Recession to reflect cultural views around class and capitalism Season 2—"Patter"; How Gangsters, Hardboiled Detectives, and Tough Guys speak in movies from the 30s, 40s, and 50s (2 Parts) Season 1—"Act 1"; How to write a good or bad Act 1, how the structure works, and what can make an Act 1 unique (4 Parts)

الحلقات

  1. ٢٧‏/٠١‏/٢٠٢٤

    Patter, Part 1: Gangsters, Film Noir, Hardboiled Detectives, and Tough Guys

    In Part 1 (of 2) of this season on "Patter", Tori and Dávid discuss the way that gangsters, hardboiled detectives, and tough guys talk in the movies of the 30s, 40s, and 50s, and how it changed over time. Topics and films mentioned: Little Caesar, 1931, directed by Mervyn LeRoy Scarface, 1932, directed by Howard Hawks The Maltese Falcon, 1941, directed by John Huston The Big Sleep, 1946, directed by Howard Hawks Pickup on South Street, 1953, directed by Samuel Fuller The Public Enemy, 1931, directed by William A. Wellman Frank Sinatra & The Rat Pack The Hays Code (The Motion Picture Production Code) - Original Text Martin Scorsese Double Indemnity, 1944, directed by Billy Wilder ⁠Leslie Nielsen⁠ & ⁠The Naked Gun⁠, 1988 Dead Men Don't Wear Plaid, 1982, directed by Carl Reiner The Cheap Detective, 1978, directed by Robert Moore Murder by Death, 1976, directed by Robert Moore Philip Marlowe Film Noir & Hardboiled 48 Hrs., 1982, directed by Walter Hill Die Hard, 1988, directed by John McTiernan Lethal Weapon, 1987, directed by Richard Donner Dirty Harry, 1971, directed by Don Siegel WASP (White Anglo-Saxon Protestant) Arnold Schwarzenegger, (Quote is from Commando) Raymond Chandler & Dashiell Hammett Columbo, TV Series, 1971-1978 Chinatown, 1974, directed by Roman Polanski Murder, My Sweet, 1944, directed by Edward Dmytryk Detour, 1945, directed by Edgar G. Ulmer

    ٥٨ من الدقائق
  2. Act 1, Part 2: Voiceovers

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    Act 1, Part 2: Voiceovers

    In Part 2 of this season on Act 1, Tori and Dávid discuss how a voiceover can help or hurt Act 1 of a movie. Topics and films mentioned: The Matrix⁠, 1999, directed by ⁠The Wachowski's Die Hard: With a Vengeance, 1995, directed by John McTiernan Christopher Nolan's "Batman movies" (The Dark Knight) and Inception Ghostbusters, 1984, directed by Ivan Reitman Rambo: First Blood⁠, 1982, directed by ⁠Ted Kotcheff "The Rambo where he fights the Russians" = Rocky IV (not a Rambo movie) Double Indemnity, 1944, directed by Billy Wilder Singing in the Rain, 1952, directed by Stanley Donen, Gene Kelly Sunset Boulevard, 1950, directed by Billy Wilder⁠ The Big Lebowski, 1998, directed by Joel Coen, written by Ethan Coen The Muppet Christmas Carol, 1992, directed by Brian Henson American Beauty, 1999, directed by Sam Mendes Palmetto, 1998, directed by Volker Schlöndorff Stranger Than Fiction, 2006, directed by Marc Forster Casino, 1995, directed by  Martin Scorsese Goodfellas⁠, 1990, directed by ⁠Martin Scorsese Blade Runner, 1982, directed by Ridley Scott "Neo Noir" genre "Breaking the fourth wall" Ferris Bueller’s Day Off, 1986, directed by John Hughes The Big Short, 2015, directed by Adam McKay High Fidelity, 2000, directed by Stephen Frears Risky Business, 1983, directed by Paul Brickman Alfie, 1966, directed by Lewis Gilbert Annie Hall, 1977, directed by Woody Allen Monty Python's The Meaning of Life, 1983, directed by Terry Gilliam, Terry Jones Citizen Kane, 1941, directed by Orson Welles Casablanca, 1942, directed by Michael Curtiz Wayne's World, 1992, directed by Penelope Spheeris

    ٤٩ من الدقائق

التقييمات والمراجعات

حول

Tori and Dávid explore storytelling, narrative, history, and culture through film. New to our podcast? We recommend starting at the beginning of the current season rather than at episode 1. Season 3—"Recounting Cri$i$"; How mainstream movies changed (or didn't) throughout The Great Recession to reflect cultural views around class and capitalism Season 2—"Patter"; How Gangsters, Hardboiled Detectives, and Tough Guys speak in movies from the 30s, 40s, and 50s (2 Parts) Season 1—"Act 1"; How to write a good or bad Act 1, how the structure works, and what can make an Act 1 unique (4 Parts)