Electronic Music

Sound On Sound
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Electronic Music

Welcome to the Sound On Sound Electronic Music podcast. On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo

  1. Robert Aiki Aubrey Lowe

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    Robert Aiki Aubrey Lowe

    Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on. Chapters00:00 - Introduction01:35 - Finding A Musical Voice04:38 - Choosing Modular Synthesis10:18 - Avant Garde Artistry17:14 - Current Modular Setup23:19 - Other Favourite Modules 28:11 - Composing For TV And Film34:03 - Combining Hardware And Software #morphagene #spectraphon #dxg #optomix #proworkout #arbhar Robert Aiki Aubrey Lowe BiogRobert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad. Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others. https://robertaikiaubreylowe.bandcamp.com/ Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day. URL: http://carocsound.com/ Twitter: @carocsoundInst: @carocsound FB: https://www.facebook.com/carocsound/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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  2. Tony Rolando - My Life in Modules

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    Tony Rolando - My Life in Modules

    In this occasional series exploring modular synthesis and live performance, William Stokes talks to Tony Rolando, electronic musician and founder of modular company Make Noise. Tony talks about his beginnings in the industry and how Make Noise has relaunched in 2025 with a new team and a brand new module release, which he then showcases in an exclusive performance alongside four additional modules. Chapters00:00 - Introduction05:22 - Creating Social Media Posts12:10 - Recent Innovations In Modular14:02 - Revisioning Jettisoned Music Technology21:08 - Module 1: Maths 30:17 - Module 2: Morphagene47:42 - Module 3: Qpas 57:57 - Module 4: Bruxa01:12:52 - Module 5: New Universal Synthesizer System01:27:40 - The Performance Tony Rolando BiogTony Rolando is a self-taught musician and electronic musical instrument designer who started his career building electronics for artists, such as the light controlled mixer for Simon Lee’s “Bus Obscura,” working for Moog Music and playing in bands. He has recently released music with Important Records and the Asheville, NC based Ceremony of Seasons. Tony is the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008, known for modules such as the Morphagene and 0-Coast, popular with artists like Thom Yorke and Robert Lowe, aka Lichens. They operate out of Asheville, NC and have global distribution through a number of music tech dealers.https://tonyrolando.bandcamp.com/www.makenoisemusic.com William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more.  As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom.  Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.”  Stokes currently lectures in Music Production at City, University of London. https://www.vokagentle.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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  3. Emulator II 40th Anniversary

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    Emulator II 40th Anniversary

    In celebration of the 40th anniversary of the groundbreaking E-mu Systems Emulator II sampler, Dave Rossum, Kevin Monahan and Paul Wiffen share inside stories of the development and manufacture of the instrument, their struggles to get around the technological limitations of the time and how the instrument was widely adopted by bands, artists and pop culture. Chapters00:00 - Introduction01:50 - The Origins Of The Emulator03:59 - The E-mu Name 04:57 - Kevin's Background08:09 - Paul's Background11:19 - The Motivation For Creating Emulator II 16:26 - Specific Challenges25:19 - The Challenges Of Adding Hard Drives30:35 - How Did The Iconic Industrial Design Come About?35:11 - Having Two Disc Drives 38:22 - How Artists Responded To The Emulator II46:46 - Using Sampling To Create Novelty Sounds 56:08 - Kevin's Contribution To Ferris Bueller's Day Off 57:37 - The Legacy Of The Emulator II And Sampling #EmulatorII #Drumulator #SP12 "This is all part of musical creativity, which is what I love about my job so much, is that I get to be at the forefront of inventing these tools that then the musicians can go figure out what to do with and blow my socks off" - Dave Rossum Dave Rossum BiogDave Rossum is a pioneering figure in the field of electronic music and audio technology, celebrated as the co-founder of E-mu Systems. Rossum’s early interest in engineering and music led him to study at the University of California, Santa Cruz, where he developed a deep understanding of both electronic circuits and music theory. In 1971, Rossum co-founded E-mu Systems with Scott Wedge. Initially focusing on modular synthesizers, the company became a cornerstone of the burgeoning electronic music scene. Rossum’s technical brilliance was pivotal in designing groundbreaking instruments, including the E-mu Emulator, one of the first affordable digital samplers, and the E-mu SP-1200 drum machine, which played a critical role in the development of hip-hop and electronic music. Rossum’s work extended beyond instruments to innovations in sound synthesis and sampling technologies, many of which remain influential. After E-mu was acquired in the 1990s, Rossum continued to innovate. In 2016, he launched Rossum Electro-Music, a company dedicated to creating advanced modular synthesizer tools, such as the Morpheus filter and Assimil8or sampler, which appeal to contemporary electronic musicians. Renowned for his combination of scientific rigour and musical sensitivity, Dave Rossum is regarded as a visionary who helped shape the sound of modern music and remains an influential force in the industry. https://www.rossum-electro.com/ Kevin Monahan BiogKevin Monahan was a key figure at E-mu Systems, contributing to the company’s legacy of groundbreaking innovations in electronic music technology. Monahan played a pivotal role in the development and marketing of E-mu’s iconic products during the company’s peak in the 1980s and 1990s, helping bridge the gap between technical engineering and the creative needs of musicians. As a product specialist and public face for E-mu Systems, Monahan was instrumental in introducing instruments like the E-mu Emulator series, the SP-1200 sampler, and the Proteus sound module to musicians around the world. His deep understanding of the technology, combined with his ability to communicate its potential to artists and producers, made him a vital part of E-mu’s success in both the professional and consumer music markets. Beyond his technical expertise, Monahan’s passion for music and sound design made him a respected voice in the industry, helping to shape the culture and tools of electronic music during a transformative era. His contributions to E-mu’s success are remembered as an important chapter in the evolution of music technology. Paul Wiffen BiogPaul Wiffen is a renowned keyboard player, sound designer, and music technologist. With a career spanning decades, Wiffen has worked as both a musician and a consultant for leading synthesizer manufacturers, blending his technical expertise with a keen musical sensibility. At the height of the Emulator II's success, he was London's most prominent programmer of the instrument. As a keyboardist, Wiffen has collaborated with prominent artists like Paul McCartney and Peter Gabriel, as well as recording the bass line on the Band Aid single. As a sound designer he's been involved in several film scores, from Blade Runner with Vangelis to Jungle Fever with Stevie Wonder. His sound design work for manufacturers is equally notable —he played a significant role in programming and demonstrating groundbreaking synthesizers such as the Elka Synthex, OSCar and the Korg Z1, helping to shape the sound palettes of the 1980s and 1990s. Known for his engaging live demonstrations at trade shows and clinics, Wiffen has also been an advocate for electronic music technology, helping musicians unlock the potential of new instruments and old. Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology. www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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  4. Suzanne Ciani: Space, Time and Buchla

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    Suzanne Ciani: Space, Time and Buchla

    Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes, including early performance struggles due to her determination to present shows in quadraphonic, a career resurgence thanks to Moogfest and why she loves working with the Buchla interface. Chapters00:00 - Introduction01:06 - The First Female To Score A Movie04:01 - Having More Than 20 Albums04:36 - Golden Apples Of The Sun07:55 - Live Performance Struggles11:57 - A Love Of Programming14:09 - Interacting With A Buchla17:14 - A New Way Of Performing Music22:32 - The Buchla 250 MARF25:36 - Making A Comeback At Moogfest29:36 - Creating Spatial Content38:40 - A Meeting Of Art And Science 41:36 - Future Plans "I didn't build the machines, I certainly didn't design them, but I could interact with them and use them, you know, and that's what I liked". #buchla #moog Suzanne Ciani BiogSuzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well.  She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla and Dave Smith and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM, The Golden Ear Award and the SEAMUS Award. Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola’s pop-and-pour sound, designed logos for Fortune 500 companies and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani’s life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms.  Ciani is a graduate of Wellesley College and holds a Masters in Music Composition from the University of California, Berkeley. http://sevwave.com/https://transversales.bandcamp.com/album/golden-apples-of-the-sun-3 William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more.  As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom.  Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.”  Stokes currently lectures in Music Production at City, University of London. https://www.vokagentle.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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  5. Krust - Drum & Bass Pioneer

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    Krust - Drum & Bass Pioneer

    Krust, also known as K or DJ Krust, chats about his early involvement in the Bristol music scene in the late 80s to early 90s, the development of the Drum & Bass sound and setting up the Full Cycle and Dope Dragon labels with Roni Size. Chapters00:00 - Introduction01:28 - Early Influences And Getting Started07:28 - Getting Immersed In Rave08:45 - Launching A Label10:23 - Learning The Equipment12:12 - Jungle DJ / Producers16:11 - Creating A Sound Palette17:58 - Making Use Of Hardware19:52 - Preparing A Track23:23 - Dealing With Burnout28:20 - Helping Musicians31:06 - Crafting The New Album41:15 - The Current Jungle / DnB Scene48:36 - Current And Future Projects Interviewee BiogBristol-born b-boy Kirk Thompson is best known as DJ and producer Krust, an artist whose ideas and frequencies rumble and resonate deep within jungle’s DNA. With an indelible legacy as a key figurehead in the Bristol sound, he has never compromised since emerging in 1989 as a member of Fresh 4. As a founding member of Full Cycle, the first non-London label to truly mould and manipulate the jungle schematic, and Reprazents, one of the first D&B acts to infiltrate the popular psyche and win critical Mercury Music Prize acclaim, his designs continue to help shape our understanding of what drum & bass is. He is regarded as one of drum & bass and jungle's founders and pioneers noted for his unique musical style. Epic experimentalism of Krust’s  can be heard in his 1997 single ‘Soul In Motion’ and similarly ground-breaking ‘98 single ‘True Stories’ for Talkin Loud. An in-demand remixer, Krust has reworked tracks for Bjork, Korn, Moloko, Claude VonStroke, DJ Krush, Adam F, Shy FX, Alex Reece, DJ Ron, DJ Rap and many more. His recent album entitled Edge of Everything was released in 2020 on Crosstown Rebels and received critical acclaim. It was nominated for a album of the year with AIM Award and DjMag. In addition to making music Krust has helmed Adapt The Canvas, a lifestyle coaching consultancy that holds workshops and seminars giving advice on time management, overcoming personal challenges, creative thinking, wellness and the development of the working mindsets, which have taken place in music colleges, universities and The Barbican, London. His Weekly podcast Conversation for Creatives reaches a global audience of creatives and can be checked out on his Instagram and Spotify profiles. https://crosstownrebels.bandcamp.com/album/the-edge-of-everythinghttps://www.instagram.com/dj_krust/https://podcasters.spotify.com/pod/show/adaptthecanvas Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day. URL: http://carocsound.com/ Twitter: @carocsoundInst: @carocsound FB: https://www.facebook.com/carocsound/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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  6. Using Effects Pedals With Synths

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    Using Effects Pedals With Synths

    Pedals are not just for guitars. Here Paul White connects his extensive pedal collection to a modular synth system, effectively using the pedals as additional modules and suggesting some creative ways of setting up and combining them to create a range of sounds for different applications. (00:00) - Introduction (00:42) - Connecting Your Pedals (01:31) - Using A Delay Or Reverb (03:49) - Adding Some Overdrive (04:38) - Adding Effects With Pitch Shift (05:37) - Using Chorus To Thicken A Sound (06:28) - Tremolo And Vibrato (06:54) - Phasers And Flangers (08:10) - Adding An Envelope Filter (09:21) - Creating Textures With Granular Delay (10:26) - Ring Modulator Effects (11:52) - Combining Effects (14:33) - Adding In An Arpeggiator (15:23) - Creating A Softer Sound Chapters00:00 - Introduction00:42 - Connecting Your Pedals01:31 - Using A Delay Or Reverb03:49 - Adding Some Overdrive04:38 - Adding Effects With Pitch Shift05:37 - Using Chorus To Thicken A Sound06:28 - Tremolo And Vibrato06:54 - Phasers And Flangers08:10 - Adding An Envelope Filter09:21 - Creating Textures With Granular Delay10:26 - Ring Modulator Effects11:52 - Combining Effects 14:33 - Adding In An Arpeggiator15:23 - Creating A Softer Sound#StrymonCloudburst Paul White BiogPaul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.  He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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  7. Scanner - My Life In Modules

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    Scanner - My Life In Modules

    In this first part of an occasional series exploring modular synthesis and live performance. William Stokes talks to experimental electronic musician Scanner about his career, the choice of his favourite modules he'll showcase in his closing performance and the friendliness of the modular community. Chapters00:00 - Introduction01:13 - The Tate Modern Installation02:52 - Working With Laurie Anderson06:40 - The Origin Of The Name Scanner10:47 - Module 1: Morphagene14:30 - Module 2: Mimeophon18:52 - Module 3: Equation Composer24:08 - Module 4: QU-Bit Prism26:51 - Finding Your Sound With Modular29:22 - Module 5: QU-Bit Nano Rand31:16 - Module 6: Instruō øchd DivKid 33:12 - Modular Social Community 35:31 - Modular Aesthetics38:38 - Module 7: Bela Gliss42:37 - The Performance Morphagene - https://www.makenoisemusic.com/modules/morphagene/Mimeophon - https://www.makenoisemusic.com/modules/mimeophon/Equation Composer (discontinued) QU-Bit Prism - https://www.qubitelectronix.com/shop/p/prismQU-Bit Nano Rand - https://www.qubitelectronix.com/shop/p/nano-rand Instruō øchd - https://www.instruomodular.com/product/ochd/Bela Gliss - https://uk.shop.bela.io/products/glissRobin Rimbaud BiogScanner (British artist Robin Rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music.  To date he has scored 65 dance productions, including the hit musical comedy Kirikou & Karaba Narnia, Qualia for the London Royal Ballet, and the world’s first Virtual Reality ballet, Nightfall, for Dutch National Ballet. More unusual projects have included designing sound for the Philips Wake-Up Light (2009), the re-opening of the Stedelijk Museum, Amsterdam in 2012 and the new Cisco telephone system used in many offices around the world. His work Salles des Departs is permanently installed in a working morgue in Paris whilst Vex, the residential house by Chance de Silva architects, featuring his permanent soundtrack, won the RIBA London Award 2018. Committed to working with cutting edge practitioners he collaborated with Bryan Ferry, Wayne MacGregor, Mike Kelley, Torres, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others. http://www.scannerdot.com William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more.  As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom.  Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.”  Stokes currently lectures in Music Production at City, University of London. https://www.vokagentle.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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  8. Jason Singh - Sounds Of Nature

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    Jason Singh - Sounds Of Nature

    Jason Singh is a sound artist, producer and performer. His creative output is an exploration of the natural world, voice and a wide range of music technologies. Works include live performance, immersive installations, studio recordings, broadcasts and sound walks.  In this show he talks about how he makes music using the MIDI Sprout interface, a device that senses the electrical voltage of plants and converts it into MIDI information. He then uses the notes to control Ableton to produce the sounds he used in his recordings and immersive installations. Chapters00:00 - Introduction01:48 - Getting Started in Audio06:17 - Collaborating With Other Creatives09:46 - Studio Toys12:48 - Custom Built Instruments And Interfaces14:08 - Live Performances19:41 - Collaborating With Nature Using Biofeedback25:07 - Using The MIDI Sprout and PlantWave29:47 - Experiencing Nature Sounds In Real-Time31:44 - Creating An Immersive Installation For Womad40:54 - Opening Your Ears To Everyday Sounds Audio Credits:Afternoon - a commission by National Trust to create an entirely vocal piece which mimics the sounds of a woodland area in Tatton Park in Cheshire.Passing Light - an Ambient Jazz piece featuring trumpet player Yazz Ahmed. Rhubarb  - is a biosonfication track from the latest release "The Hidden Music of Plants and Trees", created in collaboration with a Rhubarb plant. MIDI Sprout - https://www.midisprout.com/PlantWave - https://plantwave.com/en-gb Jason Singh Biog Jason Singh is sound artist, nature beatboxer, producer, dj, curator, facilitator and performer. Jason’s life and work is rooted in listening - he follows a multi-sensory and cross-species approach to sound and music. His creative output is an exploration of the natural world, voice and a wide range of music technologies. Works includes live performance, immersive installations, studio recordings, music for film and theatre, deep listening and well being experiences, sound walks, broadcasts, music workshops, podcasts, soundtapes and immersive DJ sets.  Collaborations and commissions include a diverse range of organisations and artists including BBC, Yorkshire Sculpture Park, V&A Museum, Earthshot Prize, WOMAD, Kew Gardens, Chester Zoo, SONOS, Luke Jerram, BFI, Celtic Connections, RNLI, National Trust, Tate Britain, Nitin Sawhney, George Ezra, Big Narstie, Yazz Ahmed, Shabaka Hutchings, Sebastian Rochford, Leafcutter John, Graham Massey (808 State), Natacha Atlas, Sarathy Korwar, Talvin Singh and Rokia Traore to name just a few. Jason is an associate Soundscape artist with D&B audiotechnik. https://jasonsinghthing.com/ Credits:Afternoon - was a commission by National Trust to create an entirely vocal piece which mimics the sounds of a woodland area in Tatton Park in Cheshire, England.  Passing Light - Ambient Jazz piece featuring trumpet player Yazz Ahmed  Rhubarb  - is a biosonfication track from the release "The Hidden Music of Plants and Trees" created in collaboration with a Rhubarb plant. Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day. URL: http://carocsound.com/ Twitter: @carocsoundInst: @carocsound FB: https://www.facebook.com/carocsound/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

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Welcome to the Sound On Sound Electronic Music podcast. On this channel we feature some of the pioneers of the industry, interview musicians and talk about retro and current gear. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo

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