Singing the Prophet's Praise Ottoman History Podcast
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Episode 462 with Oludamini Ogunnaike hosted by Shireen Hamza Reading and writing poems in praise of the prophet Mohammad is no simple matter in West Africa. Their composition was a vehicle for intellectual debate, just as their recitation was a means of spiritual transformation for the listener. In this episode, we speak to Dr. Oludamini Ogunnaike, the author of a recent book about praise or "madih" poetry in West Africa, and we listen to recordings of several recitations. Madih poetry is widely recited by Muslims in West Africa; we learn of several major authors from the 18th century to now, including Sheikh Ibrahim Niasse and Cheikh Ahmadou Bamba. Professor Ogunnaike explains the complex Sufi cosmologies and epistemologies intrinsic to the memorization and recitation of madih poetry, which make this such a powerful and widespread practice in Muslim communities. Finally, we discuss why these poems -- manuscripts of which can be found in every collection in West Africa -- remain so little studied. While part of this can be explained by the colonial legacy of considering Islam to be essentially Arab, and thus a foreign importation to Africa, there are other epistemological issues at stake. Professor Ogunnaike's work thus broadens our understanding of a form of embodied knowledge in Islam. « Click for More »
Episode 462 with Oludamini Ogunnaike hosted by Shireen Hamza Reading and writing poems in praise of the prophet Mohammad is no simple matter in West Africa. Their composition was a vehicle for intellectual debate, just as their recitation was a means of spiritual transformation for the listener. In this episode, we speak to Dr. Oludamini Ogunnaike, the author of a recent book about praise or "madih" poetry in West Africa, and we listen to recordings of several recitations. Madih poetry is widely recited by Muslims in West Africa; we learn of several major authors from the 18th century to now, including Sheikh Ibrahim Niasse and Cheikh Ahmadou Bamba. Professor Ogunnaike explains the complex Sufi cosmologies and epistemologies intrinsic to the memorization and recitation of madih poetry, which make this such a powerful and widespread practice in Muslim communities. Finally, we discuss why these poems -- manuscripts of which can be found in every collection in West Africa -- remain so little studied. While part of this can be explained by the colonial legacy of considering Islam to be essentially Arab, and thus a foreign importation to Africa, there are other epistemological issues at stake. Professor Ogunnaike's work thus broadens our understanding of a form of embodied knowledge in Islam. « Click for More »