Story Behind the Story Clara Sherley-Appel

Tedd Siegel retired from his career as an academic administrator in late 2019 after wrestling with extreme stress, burnout, and PTSD — caused, in part, by the conditions of work as it is formulated today. He wrote Signs of the Great Refusal: The Coming Struggle for a Postwork Society in part to work through his own experiences and, more broadly, to understand what it was about contemporary work that felt so untenable and unsustainable. Throughout the book, Tedd leans into his background as a political philosopher (he attended the Ph.D. program in philosophy at the New School), grounding his understanding of “work-as-we-know-it” in the political and economic critiques of capital going back to Marx in the 19th century, putting them into dialog with philosophical understandings of work and labor in the 20th century from Arendt and others. The result is an exploration not only of the role and function of work in contemporary society, but what it might take to build a post-work politics out of the nascent anti-work movements alive today.

Novelist, screenwriter, and translator Katya Apekina returns to Story Behind the Story to talk about her latest novel, Mother Doll — an intergenerational ghost story, tying together a Russian revolutionary and her great-granddaughter, adrift in her 20s in LA.
Special Guest: Katya Apekina.

Marcus Gazaway got his start as a writer right here on the central coast, when he joined the staff of CSU Monterey Bay’s student newspaper, The Otter Realm. Today, he works as a full-time author in Sarasota, Florida, where he can be seen reading and writing in coffee shops across the Gulf Coast. His first novel, the sci-fi thriller Bridgewater, follows a neurologist whose desperation to give his Deaf daughter a voice leads him down a dark and destructive path. It is the topic of our conversation today.

This month, host Clara Sherley-Appel talks to poet and educator Xochitl-Julisa Bermejo. A former Steinbeck Fellow and Poets & Writers California Writers Exchange winner, Xochitl’s writing has been featured in the Academy of American Poets’ Poem-a-Day, On Being’s Poetry Unbound, and Poetry Unbound: 50 Poems to Open Your World. She has received residencies from Hedgebrook, Ragdale, Yefe Nof, and the National Parks Arts Foundation in partnership with the Getty National Military Park and Poetry Foundation. In 2011, she co-founded Women Who Submit, a literary organization that uses social media and community events to empower women and non-binary authors to submit work for publication, with Ashaki Jackson and Alyss Dixon, and she currently serves as the organization’s director.


Xochitl wrote her debut collection, Posada: Offerings of Witness and Refuge, while living in a house in the shadows of Dodger Stadium in historic Solano Canyon. Today we are discussing her second collection, Incantation: Love Poems for Battle Sites, which explores US monuments, memorializes Black and brown bodies murdered by state-sanctioned violence, and shares love poems to family, friends, and dalliances in rituals of resistance and resilience.

Sam Sax is a queer Jewish poet, writer, and educator. Their debut poetry collection, madness, won the National Poetry Series Competition when it came out, and their second collection, bury it, won the 2017 James Laughlin Award from the Academy of American Poets. They are the two time Bay Area Grand Slam Champion with poems published in The New York Times, The Atlantic, Poetry Magazine, and Granta, to give just a few highlights. Sam has received fellowships from The National Endowment for the Arts, The Poetry Foundation, Yaddo, Lambda Literary, and MacDowell, and they are currently serving as an ITALIC Lecturer at Stanford University.


In this conversation, Clara talks to Sam about the purpose of filth in their poetry, their use of histories and etymologies as poetic techniques, and how to write a pandemic poem that doesn't feel dated.
Special Guest: Sam Sax.

Jenn Shapland's first book, My Autobiography of Carson McCullers, was a finalist for the 2020 National Book Award and the Southern Book Prize, and it won the 2021 Lambda Literary Award, the Judy Grahn Award, and the Christian Gauss Award. In her new essay collection, Thin Skin, Shapland explores the porousness of boundaries between humans and the environments we inhabit, between us and other people, and between us and the social constructs we create.


What does it mean to be sensitive when we live in a toxic environment? How do we navigate the difference between taking responsibility and assuaging our guilt? Between resisting injustice and coping with it? And how do we reckon with what's happening in the world when no one wants to talk about it? Shapland answers these questions and more in this month's episode of Story Behind the Story.
Special Guest: Jenn Shapland.