That Shakespeare Life

Cassidy Cash

Hosted by Cassidy Cash, That Shakespeare Life takes you behind the curtain and into the real life of William Shakespeare.

  1. 1d ago

    Barbary Pirates, Captivity, and "Turning Turk" in Shakespeare's England

    Hamlet wagers 6 Barbary horses against 6 French swords. Falstaff talks about fighting with a Barbary hen. Bassanio in Merchant of Venice talks about travelling merchants going to foreign lands including "Tripolis, Mexico and England, Lisbon, Barbary, and India" There are also an additional 5 references to Barbary horses.   The Barbary States were Algeria, Tunisia, Tripolis, and Morroco. These were powerful coastal societies tied in various ways to the Ottoman world, and in Shakespeare's day they were central to English fears about piracy and captivity. Ships were seized. Sailors were enslaved. Families, merchants, churches, and governments negotiated over the price of a human life.  English first hand accounts of the Muslim world and the Barbary States in particular were sparse, even non-existent prior to Richard Knolles publication in 1603 where he writes the History of the Turks, the same year Shakespeare publishes his Ottoman-heavy play with a Moor in the title role, Othello.   Today we are joined by Daniel Vitkus, editor of Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England, and Abdulhamit Arvas, Associate Professor of English at the University of Pennsylvania and expert on early modern Muslims, Barbary pirates, and Shakespeare. They are here to help us explore the place of the Barbary Coast in Shakespeare's England, to understand the culture of hostages and holding someone ransom, what was happening to Britons that were taken captive and sold into slavery by the Barbary pirates, as well as to explain the surprising dichotomy of being afraid of the Barbary nation while admiring their products, like horses.

  2. Jul 6

    Elaborate Masque Costumes in Shakespeare's England

    Elaborate theatrical performances in Shakespeare's lifetime presented before the reigning monarch were known as court masques.  These intricate and complex stories were presented in grand fashion, sparing no expense on costumes, props, and special effects. The most famous masque has to be that of Robert Dudley who hired actual performers from the Comedia del Arte in Italy to perform amazing feats of light, sound, and performance in an effort to propose marriage to the Queen of England.  While it makes sense that Dudley would go out of his way to be over the top in his endeavors, the other masques taking place in Shakespeare's lifetime were no less sensational.  From Ben Jonson to Inigo Jones and the decorated halls of Whitehall Palace, masques of any stripe were the creme del creme of performances. For this reason, their costumes were not only breathlessly expensive, but they often pushed the boundaries of what was acceptable to wear in public, and included fabric, accessories, design, and presentation that showcased art and story as primary. In many ways, court masque costume and clothing were the high fashion world of Shakespeare's England.  This week, our guest, Sarah Jane Downing, fashion historian and author of Fashion in Shakespeare's England, takes us back to the 16-17th century court masques under Elizabeth I and James I to take an up close look at the outfits, the scandals, and the expensive price tag that went along with costuming the most opulent nights of entertainment in all of early modern England.

  3. Jun 22

    Dark Renaissance and The Death of Christopher Marlowe

    Christopher Marlowe is one of the most fascinating—and mysterious—figures of Shakespeare's lifetime. A university-educated playwright at a time when that alone set him apart, Marlowe rose quickly through London's theater world, dazzling audiences with bold language, ambitious characters, and stories that pushed the boundaries of what the stage could do.  But Marlowe's life wasn't confined to poetry and playhouses. Evidence suggests he was also moving in far more dangerous circles—working as a government agent in the shadowy world of Elizabethan espionage, where loyalty, religion, and politics were matters of life and death.  And then, just as suddenly as he rose to fame, his life came to a violent end—killed in a Deptford lodging house under circumstances that remain deeply suspicious. Officially, it was a dispute over a bill. But for a man entangled in secrets, intrigue, and power, that explanation has never quite been wholly satisfying, nor completely accepted.   Today, we're diving deep into the underworld to look inside the extraordinary life and abrupt death of Christopher Marlowe—from the university halls of Cambridge to the murky underworld of espionage, and onto the stages that helped shape the future of English drama.  Our guest is Stephen Greenblatt, author of Dark Renaissance a book that portrays Marlowe as the father of Renaissance theater and as innovative as he was intriguing. Stephen's work brings together history, literature, and the hidden forces that shaped the Renaissance world Marlowe inhabited, and we're delighted to have him be our guide this week as we step into the brilliant, dangerous, and ultimately tragic life of Christopher Marlowe.

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Hosted by Cassidy Cash, That Shakespeare Life takes you behind the curtain and into the real life of William Shakespeare.

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