The Bulwark Goes to Hollywood The Bulwark

On this week’s episode, I’m joined by April Wright, director of Back to the Drive-In. We discuss the ways in which drive-in theaters kinda-thrived during the pandemic, but also have been hit by some of the same problems plaguing every industry in the post-pandemic era: labor shortages, supply chain issues, and nonsensical mandates from local governments. Make sure to check out Back to the Drive-In, which is on VOD now. And if you enjoyed this episode, share it with a friend!
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On this week’s episode, I’m joined by Bilge Ebiri and Brandon Streussnig to talk about Vulture’s enormous feature on the best stunts of 2022. Part celebration of the year in action, part plea for the Oscars to finally recognize stunt performers and performances as a category worthy of notice, the inaugural Stunt Awards is a feast for any lover of action (and action-adjacent) cinema. Among the issues discussed this week are why some professionals think an Oscar for stunts is a bad—even potentially dangerous—idea, how to think about rewarding these performers, and the sad fact that some of the best, most kinetic action you’ll find never makes it to theaters at all. If you enjoyed this episode, make sure to share it with a friend!
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This week, I’m joined by Michael Schulman to discuss his new book, Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears. What were some of the ulterior motives for making the Oscars? How did the ceremony help break the blacklist? And was Rob Lowe’s duet with Snow White really the worst thing that’s ever happened on the show? Or, you know, in the history of existence? All that and more on this week’s episode. If you enjoyed our chat, make sure to pick up his book and share this episode with a friend!
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This week I’m rejoined by Richard Rushfield—fresh off a nice little profile in Vanity Fair—to talk about the oncoming train of a WGA strike. Seventy days out, Richard put the odds of a work stoppage at 65 percent. What are the two sides looking for? How might the industry change? And is the fate of civilization itself at stake? All that and more on this week’s episode. If you enjoyed this episode, make sure to share it with a friend!
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On this week’s episode, Sonny is pleased to welcome David Thomson back to the show to discuss his new book, Acting Naturally: The Magic in Great Performances. In this episode we discuss the difficulty of describing what, precisely, actors do onscreen; the trickiness of writing about appearances; why Method Acting was the biggest thing since the advent of sound; and why audiences feel uncomfortable when they find out a filmmaker is less-than-perfect in their personal lives. If you enjoyed this episode, make sure to check out Mr. Thomson’s previous appearance to discuss his history of movie directors. And make sure to share the show with a friend! 
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I was very excited to get Julian Schlossberg on the show this week to talk about his new book, Try Not to Hold it Against Me: A Producer’s Life, in large part because he is intimately involved with a part of showbiz that I do not understand at all, at least financially: Broadway and live theater. But Julian’s career stretches beyond the stage: he booked theaters in New York City where he helped Warren Beatty save McCabe and Mrs. Miller from obscurity; he had a radio show that brought him into the orbit of George C. Scott, among others; and he did some time at Paramount, one of his more frustrating experiences in his career. After you listen, make sure to check out his book; Elaine May, the director of Mikey and Nicky and a comedic power, wrote a very nice (and funny!) introduction for it. And, as always, share this episode with a friend!
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