The Bulwark Goes to Hollywood The Bulwark

This week I’m being rejoined by the Los Angeles Times’s Ryan Faughnder to discuss the sale of Paramount to David Ellison. What does this mean for the various arms of Viacom? Then we discussed the collapse of Redbox and the state of the box office. If you enjoyed this episode, please sign up for Ryan’s newsletter, The Wide Shot, here. It’s free! And if you enjoyed this episode, share it with a friend!

On this week’s episode I’m joined by Jennifer Esposito, the director, writer, and star of Fresh Kills, a mob movie told from the perspective of mob wives and mob daughters. We discussed her career in the movies and how that helped prep her to stand behind the camera, why it’s hard to find audiences for original movies telling stories aimed at adults, how social media is helping build a base of support, and the powerfully feral performance of Odessa A’zion. You can watch Fresh Kills right now from the comfort of your own home on your preferred VOD provider. And if you enjoyed this episode, please share it with a friend!

Often, when people discuss television viewing these days they’ll conclude their chat with something like “But we just don’t know what people are watching.” That is an increasingly outdated view of the data, however. On this week’s episode, I’m joined by Dierdre Thomas, the Chief Product Officer for Nielsen’s Audience Measurement business unit. We talked about the evolution of Nielsen’s business measuring market share, how the company captures what people are watching and where, and how overall viewing habits have changed in the streaming age. 

On this week’s episode, I’m joined by Stephen Robert Morse and Seth Porges, the producers and directors of How to Rob a Bank. Streaming now on Netflix, the true-crime doc’s subject, Scott Scurlock (aka, the Hollywood Bandit), calls to mind Point Break in his commitment to living his life however he pleased and funding it through criminal activities. But, as Porges told me in our interview, How to Rob a Bank is also a subversion of the cinematic trope of the noble bank robber, a rejection of that idealized vision of criminality. It’s a reminder that what filmmakers portray has some impact on how we see—and take part in—the world. If you enjoyed this episode, make sure to watch their movie. And if you enjoyed this episode, share it with a friend!

On this week’s episode, I’m joined by John DeVore, author of Theatre Kids: A True Tale of Off-Off Broadway. In addition to discussing his life in the arts and the different species of theatre children—from the stage to politics to religion, theatre kids come in all shapes and size—we also talked a bit about the evolution of media in the post-9/11, pre-iPhone age. And we went back to one of my favorite topics: why no one can behave themselves in public these days! Get off our lawns! If you enjoyed this episode, you should pick up a copy of John’s book; it’s a quick read with just the right amount of melancholy. And please share this episode with a friend!

On this week’s episode, I’m rejoined by Sean O’Connell to discuss his new book, Bruce Willis: Celebrating the Cinematic Legacy of an Unbreakable Hollywood Icon. Breaking down Willis’s career—which has been sadly cut short following his diagnosis of aphasia—by comedies, action movies, work with auteurs, and “Die Hards,” the book is an exhaustive look at, mostly, the highs (and some of the lows) of Willis’s career. If you enjoyed this episode, please share it with a friend!