The Director's Cut - A DGA Podcast Directors Guild of America

Director Ti West discusses his new film, MaXXXine, with fellow Director Sean Baker in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses filming his X trilogy without pause, working with Actor Mia Goth to develop her characters between each film, and using familiar film production steps as horror setpieces.

The third entry in West’s trilogy of X films tells the story of Maxine, an adult film star looking to break into mainstream cinema in 1980s Hollywood. But when a mysterious killer begins stalking starlets on the strip, a trail of blood threatens to reveal her sinister past.


See photos and a summary of this event below:

https://dga.org/Events/2024/August2024/MaXXXine_QnA_0724

Director Tony Goldwyn discusses his new film, Ezra, with fellow Director Michael Pressman in a Q&A at the DGA theater in New York. In the conversation, he discusses accurately casting the role of Ezra, utilizing selective shooting styles to capture the emotion he aimed for, and working with his friend and screenwriter - whose own experience the film is based on - to craft this story.

The film tells the story of Max, a stand-up comedian struggling to co-parent his autistic son, Ezra, with his ex-wife. But when he’s forced to confront difficult decisions about his son’s future, Max and Ezra embark on a cross-country road trip that has a transcendent impact on both their lives.


See photos and a summary of this event below:

https://dga.org/Events/2024/August2024/Ezra_QnA_0624

Director David Leitch discusses his new film, The Fall Guy, with fellow Director Jerry Zucker in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses striking a balance with the tension between jokes and action sequences, working with his actors to allow space for improvisation, and filming a meta-narrative feature that reveals how the magic tricks of movie stunts are accomplished.

The film tells the story of Colt, a stuntman trying to win back his ex-girlfriend while recovering from a nearly career-ending accident. But after the star of her movie disappears, he’ll have to search for the missing actor, solve a conspiracy and try to win back the love of his life, all while getting beat up at his day job.


See photos and a summary of this event below:

https://dga.org/Events/2024/July2024/FallGuy_QnA_0524

Director George Miller discusses his new film, Furiosa: A Mad Max Saga, with fellow Director Edgar Wright in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses utilizing Unreal Engine in his storyboarding process, utilizing a mixture of authentic locations and digital effects to achieve his vision, and the evolution of the series leading up to this installment.

The prequel to Mad Mad: Fury Road tells the origin story of Furiosa, who was snatched from her idyllic birthhome at a young age and enslaved by the warlord Dementus. But when Dementus encounters opposing warlord Immortan Joe, Furiosa strattles the line of freedom and fury as the two tyrants clash for dominance over the wasteland.


See photos and a summary of this event below:

https://dga.org/Events/2024/July2024/Furiosa_QnA_0524

Director Chris Pine discusses his new film, Poolman, with fellow Director Patty Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with Actors as a Director who came from acting, his preference of shooting on film instead of digital, and learning to be intuitive when working with a small budget.

The film tells the story of Darren, an unwavering optimist who spends his days looking after the pool of  an LA apartment block. But when a femme fatale asks him to look into a shady business deal, Darren uncovers hidden truths about his beloved city and himself.

See photos and a summary of this event below:

https://dga.org/Events/2024/July2024/Poolman_QnA_0524

Director Yance Ford discusses his new film, Power, with fellow Director Kristi Jacobson in a Q&A at the DGA theater in New York. In the conversation, he discusses the endeavor of going through hundreds of years of archival material, how he wanted to challenge the notion of traditional experts in a documentary by approaching people from police-impacted communities, and the post production journey that led him to include his narration in the documentary.

The film investigates the American policing system, which has exploded in scope and scale over hundreds of years. Driven to contain threats to social order, now it can be described by one word: Power.