The New Yorker: Fiction The New Yorker

Andrew O’Hagan joins Deborah Treisman to discuss “An Actor Prepares,” by Donald Antrim, which was published in The New Yorker in 1999. O’Hagan is the author of six novels, including “The Illuminations” and “Mayflies,” which was published in 2020 and won the Los Angeles Times Christopher Isherwood Prize.

David Means joins Deborah Treisman to discuss “Face Time,” by Lorrie Moore, which was published in The New Yorker in 2020. Means is the author of a novel and six story collections, including “Instructions for a Funeral” and “Two Nurses, Smoking,” which came out in 2022.

George Saunders joins Deborah Treisman to read and discuss “So Late in the Day,” by Claire Keegan, which was published in The New Yorker in 2022. Saunders is the author of the novel “Lincoln in the Bardo,” and five story collections, including “Tenth of December” and “Liberation Day,” which came out last year.

Ottessa Moshfegh joins Deborah Treisman to read and discuss “Two Ruminations on a Homeless Brother,” by David Means, which was published in The New Yorker in 2017. Moshfegh is the author of four novels, including “My Year of Rest and Relaxation” and “Lapvona.”

Jonas Hassen Khemiri joins Deborah Treisman to read and discuss “A Slice of Life,” by Vladimir Nabokov, translated from the Russian text of 1925, by Dmitri Nabokov, in collaboration with the author, which was published in The New Yorker in 1976. Khemiri is a Swedish fiction writer and playwright whose novels include “The Family Clause” and “Everything I Don’t Remember.”

Saïd Sayrafiezadeh joins Deborah Treisman to read and discuss “Ill Seen Ill Said,” by Samuel Beckett, which was published in The New Yorker in 1981. Sayrafiezadeh is the author of a memoir and two story collections, the most recent of which, “American Estrangement,” was published in 2021.