The Pertwee I Have in My Head

Saturday 3 January 1970

Spearhead from Space

In the first week of the 1970s, Doctor Who is back, with a new Doctor, a new alien threat, new companions and a new earthbound premise. So what makes it the same show?

Notes and links

Jon Pertwee’s Doctor is well known for regularly going into a coma to heal himself. He does that in this story, in The Dæmons, in Planet of the Daleks, in The Monster of Peladon and in Planet of the Spiders. (I’ve probably left some out.) This phenomenon is so well known that is has a name — the Pertwee death pose — characterised by Pertwee lying flat on his back with one knee bent. Flight Through Entirety named its Jon Pertwee retrospective after this — Episode 31: One Knee up for Pertwee.

When Peter and Simon refer to “625-line Pertwees”, what they mean is the episodes that still existed in their original PAL format, as opposed to episodes that only existed as film transfers. The 625-line Pertwees were the only episodes repeated by ABC-TV in Australia in the late 70s, which meant, roughly speaking, that we would go from Spearhead from Space straight to Day of the Daleks, and then to Seasons 10 and 11, skipping Planet of the Daleks and Invasion of the Dinosaurs, each of which had one episode that only existed as a film transfer. You can find an account of the history of Doctor Who repeats in Australia on this page from BroaDWcast, and you can find details of the state of our collection of colour Pertwee episodes on this page from The Destruction of Time.

Malcolm Hulke’s novelisation of the Season 8 story Colony in Space was called Doctor Who and the Doomsday Weapon (1974). Colony in Space was Jo Grant’s fourth story on TV, but the novelisation describes her arrival at UNIT and her boredom in the job until she is whisked away by the Doctor to an alien planet. It’s not until the following year that we get the novelisation of Jo’s actual first story in Doctor Who and the Terror of the Autons.

The sting is the screaming sound that leads into the music of the closing credits of the Classic Series, starting with The Ambassadors of Death, two stories after this. (It can now be heard at the beginning of the opening credits as well.)

Startling Barbara Bain is our commentary podcast on Space: 1999, a lavishly expensive British TV show from the mid-70s shot entirely on 35mm film, with lots of visual effects done in-camera (including the famous model sequences).

ADR is part of the post-production process: actors are brought into a recording studio to record dialogue for scenes that have already been shot.

Flight Through Entirety discussed Spearhead from Space in Episode 21: They’ve Cancelled My Show.

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