46 episodes
The Saad Haddad Show Saad Haddad
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- Music
Saad Haddad is a composer that chats casually with composers and musicians that are into making new sounds, no matter the aesthetic.
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Composing as a Cathartic Process (ft. Camila Agosto)
An avid collaborator, Camila Agosto is an electroacoustic composer and interdisciplinary artist currently based in New York City. Camila seeks to discover intersections of her work with additional artistic fields through partnerships with other musicians, visual artists, choreographers, instrument builders, and creators. Her projects range from acoustic and electroacoustic concert works and orchestral scores to interdisciplinary projects incorporating visual media and dance, and from solo instruments and larger ensembles to fixed media works. Her music is both fully notated and improvisational and often employs extended instrumental techniques, exhibiting a particular emphasis on the exploration of different timbral and textural elements. Within her works, Camila is interested in uncovering the sonic potentialities of acoustic instruments through highlighting and exposing the human element of live performance.
🌐 https://www.camilagosto.com/
💿 The Memory of Water: https://www.camilagosto.com/the-memory-of-water
💿 Transparent Balance: https://soundcloud.com/camilagosto/transparent-balance?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
💿 Paracusia III.descry: https://www.youtube.com/watch?v=kzKVFxVtSkQ
📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic
👨🏻🏫 BOOK a virtual lesson with me here: https://www.saadnhaddad.com/lessons.html
📰 NEWSLETTER that shares the latest news about my music and shows: https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6
📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras
🕒 Timestamps
06:50 "The Memory of Water," for solo viola and electronics
25:40 "Transparent Balance," for solo piano
37:38 "Paracusia III.descry," for saxophone and electronics -
Can Music Foster Change? (ft. Mary Kouyoumdjian)
Mary Kouyoumdjian is a composer and documentarian with projects ranging from concert works to multimedia collaborations and film scores. As a first generation Armenian-American and having come from a family directly affected by the Lebanese Civil War and Armenian Genocide, her compositional work often integrates recorded testimonies with resilient individuals and field recordings of place to invite empathy by humanizing complex experiences around social and political conflict. She has received commissions from such organizations as the Kronos Quartet, New York Philharmonic, Carnegie Hall, the Metropolitan Museum of Art, Alarm Will Sound, Beth Morrison Projects, and Bang on a Can. Kouyoumdjian is a cofounder of the annual new music conference New Music Gathering, is on faculty at the Peabody Institute at Johns Hopkins University and The New School, is proud to have her music published on Schott’s PSNY, and is based in Brooklyn, NY.
🌐 www.marykouyoumdjian.com
💿 Bombs of Beirut: https://youtu.be/pNegch1_dyU?si=hwHmZzPgqPIQq_ST
💿 Paper Pianos: https://youtu.be/Llxtb_0HNt0?si=OMY0aR1bT-bDhKvh
💿 Adoration: https://youtu.be/70YnbYCyu0I?si=M1MXJeRcTRLbJB82
📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic
👨🏻🏫 BOOK a virtual lesson with me here: https://www.saadnhaddad.com/lessons.html
📰 NEWSLETTER that shares the latest news about my music and shows: https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6
📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras
🕒 Timestamps
05:26 "Bombs of Beirut," for string quartet and electronics
17:30 "Paper Pianos," for chamber orchestra and electronics
30:55 "Adoration," an opera for voices, string quartet and electronics -
Turtle Rhythms, Sloppy Unisons, and Physicality (ft. Carrie Frey)
Carrie Frey is a New York City-based violist, teacher, improviser, and composer focused on inquisitive collaborations and encouraging creativity in her students. An enthusiastic proponent of new music, she has premiered over 250 pieces. Frey is the violist of the Rhythm Method (“a group of individuals with distinct compositional voices and a collective vision for the future of the string quartet” - I Care If You Listen) and a founding member of string trio Chartreuse and string quartet Desdemona. She has performed with many of New York City’s notable contemporary ensembles, including Wet Ink Large Ensemble, AMOC*, Talea Ensemble, Wavefield, Cantata Profana, and the International Contemporary Ensemble. Frey improvises as a member of Simone Baron’s genre-bending Arco Belo ensemble and with electroacoustic trio Hierophant (with Alex van Gils and Alec Goldfarb). Her compositions, described as “a moldering compost heap” (I Care if You Listen), have been performed by the Rhythm Method, Arco Belo, Adrianne Munden-Dixon, and Kal Sugatski. Her debut sonata album, The Grey Light of Day, with pianist Robert Fleitz, was released in 2016, and her first solo album will be released on Gold Bolus in December 2023. Carrie is a graduate of Oberlin Conservatory and the Manhattan School of Music Contemporary Performance Program, and is currently pursuing a doctorate at the Graduate Center of the City University of New York.
🌐 https://freyaviol.tumblr.com/
💿 a chorus like distant screaming: https://youtu.be/paNHWcMPlvQ?si=dKhr80sRBL-XYrq2
💿 Seaglass/Pebble: https://www.youtube.com/watch?v=oeVIT8mKhTM
💿 Gone / Back: https://www.youtube.com/watch?v=1661SnhWKvk
📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic
👨🏻🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html
📰 NEWSLETTER that shares the latest news about my music and shows: https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6
📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras
🕒 Timestamps
02:18 “a chorus like distant screaming,” for string quartet
14:35 “Gone / Back,” for string quartet
25:16 “Seaglass/Pebble,” for string quartet -
Vulnerability, Sampling, and Interactive Media (ft. Christian Quiñones)
Christian Quiñones is a Puerto Rican composer who explores personal and vulnerable stories through the lens of cultural identity. From sampling to auto-tune, and to interactive multimedia, Christian is interested in interacting with existing music to create intertextual narratives.
Recently Christian was selected as a composer in residence at the Copland House, and as a fellow for the St. Louis Symphony Orchestra Workshop, Cabrillo Festival, and the Bang on a Can Summer Festival. In 2020 he was selected for the Earshot Underwood Orchestra Readings where he worked with the American Composers Orchestra.
He has received commissions from the New York Youth Symphony, Dogs of Desire (Albany Symphony), Transient Canvas, the icarus Quartet, the Bergamot String Quartet, Chromic Duo and the Victory Players where Christian was the 2018-2019 composer in residence.
His music has been performed by leading ensembles and performers such as Alarm Will Sound, Dal Niente, Hub New Music, Loadbang, Charlotte Mundy, Dither Quartet, Bergamot Quartet, Yarn/Wire, Onix Ensemble, Chromic Duo, Unheard-of Ensemble, Trio Sanromá, Victory Players, Chromic Duo, the American Composers Orchestra, and René Izquierdo.
He obtained his BM in Music Composition at the Conservatorio de Música de Puerto Rico, studying composition and orchestration with Alfonso Fuentes, and in 2019 Christian was a recipient of the Graduate College Master’s Fellowship at the University of Illinois at Urbana-Champaign, where studied with Carlos Carrillo and Reynold Tharp. Currently, Christian is a Ph.D. President’s fellow at Princeton University where he studies with Steve Mackey, Donnacha Dennehy, Nathalie Joachim, Juri Seo, and Tyondai Braxton.
🌐 https://christianquinonesmusic.com/
💿 “Hasta que no pueda,” for amplified sinfonietta and sampler: https://on.soundcloud.com/mDPSC
💿 “My voice is a broken chorus,” for amplified soprano and electronics https://youtu.be/RJwd4_F42NI?si=35zzgDTRZeqgfPLj
📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic
👨🏻🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html
📰 NEWSLETTER that shares the latest news about my music and shows: https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6
📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras
Touch Designer: https://derivative.ca/
🕒 Timestamps
01:45 “Hasta que no pueda,” for amplified sinfonietta and sampler
21:55 “Artifacts,” for laptop, keyboard, live electronics, and visuals
40:30 “My voice is a broken chorus,” for amplified soprano and electronics [II. waning crescent] -
This Violinist is "The Living American" (ft. Timothy Schwarz)
Since his solo debut with the legendary Philadelphia Orchestra at age nine, violinist Timothy Schwarz has had a brilliant career as a soloist, chamber musician, and pedagogue. His many accomplishments include solo and chamber music CD’s under the Naxos, Albany, Centaur and IBM labels. Schwarz served as an Artistic Ambassador for the United States from 1996 – 2001, bringing American music throughout the Middle East, North Africa, and Southeast Asia. These tours started a decades-long dedication to performing American compositions, with an emphasis on female and minority composers. An avid educator, Schwarz is currently Associate Professor and Head of Strings at Rowan University, President of the New Jersey chapter of the America String Teachers Association, Artistic Director and Founder of Techne Music, and Visiting Professor of Performance at the London College of Music. He owns several fine violins and bows, including a J. B. Vuillaume, a Carlo Antonio Testore, and a Dominique Peccatte.
🌐 https://cpa.rowan.edu/_bios/schwarz-timothy.html
💿 “Fantasia on Lama badaa yatasana,” by Steven Sametz: https://youtu.be/c_K8YBX2JUY?si=O-QJatdCprv1fMCr
💿 “Rhapsody No. 2,” by Jessie Montgomery: https://www.youtube.com/watch?v=8IArdVEniFQ
💿 “Sonata No. 2 for Violin and Piano,” by Avner Dorman: https://youtu.be/T0_Td4yi554?si=EuX5Ul6dbqdW2pTY
💿 “Darshan,” by Reena Esmail: https://www.youtube.com/watch?v=HrAs8W5eV1E
📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic
👨🏻🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html
📰 NEWSLETTER that shares the latest news about my music and shows: https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6
📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras
🕒 Timestamps
08:54 “Fantasia on Lama badaa yatasana,” by Steven Sametz
18:00 “Rhapsody No. 2,” by Jessie Montgomery
29:50 “Sonata No. 2 for Violin and Piano,” by Avner Dorman
49:40 “Darshan,” by Reena Esmail -
Tonality, the Orchestra, and Ballet (ft. Polina Nazaykinskaya)
The music of award-winning composer Polina Nazaykinskaya is performed regularly in the United States, Russia, and Europe. Her first symphonic poem, "Winter Bells," is in high demand every season by orchestras such as the Minnesota Orchestra and the Russian National Orchestra, among others.
In the 2023-2024 concert season, Polina's orchestral music will be performed by the Utah Symphony, Portland Youth Philharmonic, Grays Harbor Symphony Orchestra, and Maryland Classic Youth Orchestra. In April 2024, Ms. Nazaykinskaya's new ballet for MorDance will be premiered at the Chelsea Factory in New York. In May 2024, Ms. Nazaykinskaya's chamber opera, "Her New Home" will performed at the Garth Newel Center. The 2022-2023 season highlights included the premiere of two new ballets, "The Rising" and "Emily," performed by the San Francisco Ballet and MorDance in New York City.
Polina's collaborators include internationally renowned choreographers Pascal Rioult, Yuri Possokhov, Jonah Bokaer, Morgan McEwen, and Ulyana Bochernikova. Polina works closely with the world's leading conductors, such as Osmo Vänskä, Teodor Currentzis, Fabio Mastrangelo, Sarah Hicks, Toshiyuki Shimada, Lawrence Loh, Hannu Lintu and David Hattner. Polina's compositions are actively performed by internationally acclaimed soloists such as trombonist R. Douglas Wright, violinist Elena Korzhenevich, and pianist Anton Nel.
Polina's musical language embodies the diversity of multi-cultural education. She graduated from the Tchaikovsky Conservatory College in Moscow as a composition/violin double major, studying with Konstantin Batashov and Vladimir Ivanov. Polina earned her Masters' and Artist Diploma in composition at the Yale School of Music with Christopher Theofanidis and Ezra Laderman. Currently, Polina is a Doctorate Candidate at The Graduate Center CUNY under the mentorship of Tania León.
Polina is an Adjunct Lecturer of Composition at Brooklyn College Conservatory and a Teaching Artist at the Educational Center for the Arts in New Haven.
🌐 https://polinacomposer.com/
💿 “Invocation on Lel,” for chorus and chamber ensemble: https://on.soundcloud.com/nkKok
💿 “Songs for Tasya,” for piano trio: https://youtu.be/blEazGtHNqY?si=9axeCuRLtsfjXGJu
💿 “Fenix,” for orchestra: https://www.youtube.com/watch?v=_uWXDsQxAhA
💿 “Nostalghia,” for ballet: https://youtu.be/amEfi7Q1aoA?si=4uWz46vjwCKahes0
📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic
👨🏻🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html
📰 NEWSLETTER that shares the latest news about my music and shows: https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6
📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras
🕒 Timestamps
00:00 Yale, CUNY Graduate Center, and Tania León
01:27 “Invocation on Lel,” for chorus and chamber ensemble
07:35 “Songs for Tasya,” for piano trio
20:21 “Fenix,” for orchestra
30:53 “Nostalghia,” for ballet