The VHS Strikes Back

Whatever Entertainment

Nostalgic movie review show hosted by Whatever Entertainment team, Dave and Chris. The guys go back in time to review some wonderful and truly awful movies from the days before streaming and even DVD's and had to go to the video store to pick up the latest entertainment. If you want to email the show please contact us on: thevhsstrikesback@gmail.com

  1. Sworn to Justice (1996) | Cynthia Rothrock’s 90s Martial Arts Vigilante Thriller | VHSSB

    2D AGO

    Sworn to Justice (1996) | Cynthia Rothrock’s 90s Martial Arts Vigilante Thriller | VHSSB

    Sworn to Justice (1996) was chosen by friend of the show and Patreon supporter Leigh, and is a prime example of mid-90s direct-to-video action thrillers built around martial arts credentials and late-night cable appeal. Produced by PM Entertainment — a studio known for churning out low-budget, high-concept action films — the movie was designed specifically for the booming VHS rental market rather than theatrical release. Director Paul Maslak leaned into the studio’s house style: fast-paced action, neon-lit cityscapes, and a blend of crime, thriller, and exploitation elements. The film was shot quickly and economically, typical of PM’s efficient production model, which prioritized practical stunts and tight schedules over polish or prestige. The production’s biggest selling point was its lead, Cynthia Rothrock, already a well-established martial arts star with multiple Hong Kong and American action credits. Her real-life fighting background allowed the filmmakers to stage fight scenes with minimal doubles, keeping the choreography grounded and physical. Filming took place largely around Los Angeles, using recognizable streets and interiors to stretch the budget while maintaining a contemporary urban feel. Like many PM Entertainment titles, Sworn to Justice found its audience through home video, cable rotation, and word of mouth, eventually earning cult status among fans of 90s action cinema and martial arts B-movies. Today, it’s remembered as a quintessential slice of direct-to-video action filmmaking — scrappy, stylish, and unapologetically of its era. Checkout Leigh on The Movie Vent. If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. Referral links also help out the show if you were going to sign up: ⁠⁠⁠NordVPN⁠⁠⁠ ⁠⁠⁠NordPass⁠⁠⁠ Trailer Guy Plot Summary A city drowning in crime… a system that’s failed… and one woman who’s had enough. When the law can’t protect the innocent, justice goes underground. Trained to fight, driven by vengeance, and armed with nothing but her fists and her will, one relentless warrior takes the streets by storm — tearing through criminals, conspiracies, and anyone foolish enough to stand in her way. *Sworn to Justice* — no badge… no backup… no mercy. Fun Facts Sworn to Justice is often categorized as an “erotic thriller meets martial arts action” hybrid, a niche genre that was surprisingly popular in the mid-1990s video market. The film was released during the peak VHS rental era, when action titles like this regularly outperformed small theatrical releases in video stores. Cynthia Rothrock performs nearly all of her own fight choreography, showcasing authentic Tang Soo Do and karate techniques rather than stylized wire work. The movie blends martial arts with noir-style detective elements, giving it a darker tone compared to Rothrock’s earlier Hong Kong films. Several supporting cast members were real stunt performers, which helped make the fight scenes feel more physical and less choreographed. The film developed a late-night cable TV following on networks like USA Network and HBO Zone throughout the late 1990s and early 2000s. Rothrock fans often rank this among her most “adult-oriented” American roles, marking a tonal shift from her earlier PG-13 action vehicles. The movie features a synth-heavy 90s action score, typical of direct-to-video thrillers of the era. Collectors consider original VHS and DVD releases of the film minor cult items within martial arts movie circles. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

    56 min
  2. Red Sonja (1985) | 80s Sword & Sorcery Fantasy Cult Classic | VHSSB

    FEB 4

    Red Sonja (1985) | 80s Sword & Sorcery Fantasy Cult Classic | VHSSB

    Red Sonja (1985) was chosen by Dave, and it represents one of the most high-profile attempts to expand the sword-and-sorcery boom that followed the success of the early 1980s fantasy epics. Produced by Dino De Laurentiis and directed by Richard Fleischer, the film was developed as a companion piece to the popularity of Conan-style fantasy cinema, drawing inspiration from the Marvel Comics version of the character rather than directly adapting Robert E. Howard’s original prose stories. The production was mounted as an international co-production, with a sizeable budget for the genre and a clear goal of building a new fantasy franchise centered around a female action lead — something still relatively rare in big-budget fantasy filmmaking at the time. Filming took place primarily in Italy, using large-scale practical sets, location shooting, and practical effects typical of mid-1980s fantasy productions. The movie featured a mix of established stars and European genre actors, and leaned heavily on physical stunt work and elaborate costume design rather than visual effects, which were still limited for fantasy filmmaking at the time. Despite heavy promotion and strong name recognition tied to the wider sword-and-sorcery trend, the film struggled critically and commercially on release. However, over time, Red Sonja has developed a cult following, particularly among fans of 1980s fantasy cinema, and is often discussed as part of the era’s broader push toward larger-scale, effects-driven fantasy storytelling. If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. Referral links also help out the show if you were going to sign up: ⁠⁠⁠NordVPN⁠⁠⁠ ⁠⁠⁠NordPass⁠⁠⁠ Trailer Guy Plot Summary In an age of dark magic… one warrior will rise to defy it. Forged by tragedy and driven by vengeance, a lone fighter sets out across a brutal fantasy world where tyrants rule and power is taken by force. With steel in her hand and fire in her heart, she will face impossible odds, deadly warriors, and ancient forces that threaten to consume everything. Red Sonja — where legends are born… and only the strongest survive. Fun Facts Red Sonja was Brigitte Nielsen’s film debut, launching her short but memorable 1980s action-fantasy career. Arnold Schwarzenegger appears in the film as Lord Kalidor, rather than Conan, due to character licensing and rights issues. The movie is based primarily on the Marvel Comics version of Red Sonja, not directly on Robert E. Howard’s original literary character. The film’s fantasy score was composed by Ennio Morricone, one of the most famous film composers of all time. Arnold Schwarzenegger later joked in interviews that he used Red Sonja as a way to punish his children — by making them watch it. The film has become a cult favorite among 80s fantasy fans, despite its mixed reputation on release. Several weapons and props from the film were reused in other European fantasy productions during the mid-1980s. The movie was heavily marketed through fantasy magazines and comic-book advertising, targeting existing genre fans. Red Sonja is often grouped with films like Krull, Beastmaster, and Ladyhawke as part of the mid-80s fantasy boom. The character of Red Sonja has continued to appear in comics, reboots, and reboot discussions for decades, keeping the film culturally relevant. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

    1h 2m
  3. Pumping Iron (1977) | Muscles, Ego & the Birth of Gym Culture | VHSSB

    JAN 28

    Pumping Iron (1977) | Muscles, Ego & the Birth of Gym Culture | VHSSB

    George Butler and Robert Fiore, the film was conceived at a time when bodybuilding was still a niche subculture, largely unknown to mainstream audiences. The production followed key figures in the bodybuilding world in the lead-up to the 1975 Mr. Olympia and Mr. Universe competitions, with the filmmakers aiming to humanise the athletes and demystify the sport. Shot on a relatively small budget, the documentary combined cinéma vérité techniques with carefully staged interviews, helping to create a more dramatic and accessible presentation than traditional sports films of the era. The production became particularly notable for how it shaped public perception of bodybuilding, largely through its editing and character-focused storytelling. Pumping Iron played a significant role in launching Arnold Schwarzenegger into mainstream celebrity, positioning him as a charismatic and media-savvy figure beyond competitive bodybuilding. Upon release, the film found unexpected success in arthouse cinemas and on college campuses, eventually crossing over into wider pop culture. Its long-term impact is difficult to overstate: Pumping Iron helped popularise fitness culture in the late 1970s and 1980s and is frequently cited as a foundational text for modern bodybuilding, gym culture, and sports documentaries alike. If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. Referral links also help out the show if you were going to sign up: ⁠⁠⁠NordVPN⁠⁠⁠ ⁠⁠⁠NordPass⁠⁠⁠ Trailer Guy Plot Summary From a world few people understood… came a film that changed how strength was seen forever. Inside the gyms, under the lights, and behind the poses, a group of elite competitors prepare their bodies and their minds for the ultimate test. It’s a journey of discipline, ego, rivalry, and obsession — where confidence is as important as muscle, and winning is a state of mind. Pumping Iron — where legends are forged, limits are tested… and the body becomes the battlefield Fun Facts Pumping Iron (1977) is widely credited with bringing bodybuilding into mainstream pop culture for the first time. The film helped turn Arnold Schwarzenegger into a global celebrity, paving the way for his Hollywood acting career. Pumping Iron is frequently listed among the greatest sports documentaries ever made by outlets like ESPN and Rolling Stone. The movie popularised now-iconic gym phrases and bodybuilding terminology that are still referenced today. Many modern fitness influencers and bodybuilders cite Pumping Iron as their first exposure to competitive bodybuilding. The documentary blends real competition footage with stylised interviews, a format that influenced later sports films. Pumping Iron performed unexpectedly well in arthouse cinemas, an unusual achievement for a niche sports documentary. The film played a major role in the 1970s fitness boom, contributing to the rise of commercial gyms worldwide. Several scenes from Pumping Iron are still used in motivational workout videos and gym culture montages. Nearly five decades later, Pumping Iron remains a cultural touchstone for bodybuilding, fitness, and sports cinema. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

    1h 26m
  4. Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) | Peak TMNT Mania & 90s Nostalgia | VHSSB

    JAN 21

    Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) | Peak TMNT Mania & 90s Nostalgia | VHSSB

    Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) was chosen by Patreon supporter Gareth, and it represents a very deliberate shift in tone and approach from the original 1990 film. Following the massive commercial success of the first movie, New Line Cinema moved quickly to produce a sequel that would appeal more directly to younger audiences. This resulted in a noticeably lighter, more comedic production, with strict limitations placed on violence and darker elements after parental groups raised concerns about the original film’s intensity. Director Michael Pressman replaced Steve Barron, and the creative mandate was clear: brighter visuals, broader humor, and a more Saturday-morning-cartoon-friendly feel. The production once again relied on Jim Henson’s Creature Shop to bring the Turtles to life, though the suits were redesigned to allow for improved mobility and clearer facial expressions. Filming took place primarily in North Carolina, with large soundstage work used to accommodate more elaborate set pieces and controlled environments. The movie also leaned heavily into merchandising synergy, closely aligning its release with toy lines, tie-in products, and promotional partnerships. While critically divisive upon release, The Secret of the Ooze was a significant box-office success and stands as a textbook example of early-90s franchise filmmaking — where commercial considerations, brand management, and audience accessibility increasingly shaped creative decisions. If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. Referral links also help out the show if you were going to sign up: ⁠⁠⁠NordVPN⁠⁠⁠ ⁠⁠⁠NordPass⁠⁠⁠ Trailer Guy Plot Summary Heroes in a half-shell… are back — and this time, things are about to get oozy. The Teenage Mutant Ninja Turtles return with bigger laughs, louder villains, and a mysterious new substance that could change everything. As old enemies resurface and new threats rise, the Turtles must band together, sharpen their skills, and fight to protect the city they call home. *Teenage Mutant Ninja Turtles II: The Secret of the Ooze* — powered up, totally radical, and ready to kick shell. Fun Facts Teenage Mutant Ninja Turtles II was released at the peak of TMNT mania, when the franchise dominated cartoons, toys, comics, and fast-food promotions worldwide. The film introduced new Turtle allies and villains that were created specifically to expand the movie universe rather than directly adapt comic storylines. Vanilla Ice’s song “Ninja Rap” was written exclusively for the movie and became a pop-culture time capsule of early-90s hip-hop crossover marketing. The movie was one of the highest-grossing independent films of 1991, despite receiving mixed critical reviews. Many of the film’s stunt performers were professional martial artists, including members of the Hong Kong stunt community. The Turtles’ signature weapons appear far less frequently than fans expected, becoming a frequent talking point among viewers. The Secret of the Ooze was heavily promoted through pizza-brand tie-ins, reinforcing the Turtles’ long-standing connection to pizza culture. Over time, the film has become a nostalgia favorite for fans who grew up during the early 1990s TMNT boom, often remembered as the “most quotable” entry in the original trilogy. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

    1h 6m
  5. The Breakfast Club (1985) | 80s Teen Classic That Defined a Generation | VHSSB

    JAN 14

    The Breakfast Club (1985) | 80s Teen Classic That Defined a Generation | VHSSB

    The Breakfast Club (1985) was chosen by Patreon supporter Lucky LouLou Green, and it stands as one of the defining films of 1980s American cinema. Written, produced, and directed by John Hughes, the movie was made during an incredibly prolific period for the filmmaker, as he reshaped teen movies with a more honest, character-driven approach. Shot on a modest budget of around $1 million, the film was produced quickly, with Hughes deliberately stripping away flashy set pieces to focus on dialogue, performance, and atmosphere. Principal photography took place at Maine North High School in Des Plaines, Illinois — a real, unused school that Hughes would return to multiple times throughout his career. The production schedule was famously short — just 28 days — and Hughes encouraged collaboration, allowing the young cast to contribute ideas and personal experiences to their roles. Several moments of dialogue were improvised or rewritten on set, helping give the film its natural, conversational feel that set it apart from other teen movies of the era. Composer Keith Forsey provided the now-iconic soundtrack, perfectly capturing the mood of mid-80s youth culture. Upon release, The Breakfast Club became both a commercial and cultural success, cementing Hughes’ reputation and turning its cast into defining faces of a generation. Today, the film is widely regarded as a landmark of 1980s filmmaking — proof that a small budget, a single location, and strong creative confidence can produce something timeless. 🎙️ Trailer Guy Plot Summary Five students. One Saturday. And nothing in common… except everything. From writer and director John Hughes comes a generation-defining film that locks a group of teenagers inside a school — and lets the walls come down. As the hours tick by, labels are challenged, barriers break, and voices finally get heard. The Breakfast Club — where growing up means speaking up… and detention becomes unforgettable. 🎒 Fun Facts The Breakfast Club was the first John Hughes film to focus entirely on teenagers, without adults driving the story. The movie’s iconic final song, “Don’t You (Forget About Me)” by Simple Minds, was written specifically for the film and became a global hit. Molly Ringwald later said she was initially unsure about the film, not realizing it would become culturally iconic. The movie helped define the concept of the “Brat Pack,” a media label applied to its young cast and their contemporaries throughout the 1980s. Emilio Estevez was originally considered for a different role before being cast as Andrew Clark. John Hughes reportedly wrote the screenplay in just two days. The film is frequently ranked among the greatest teen movies of all time by outlets such as Rolling Stone, Empire, and the American Film Institute. In 2016, the main cast reunited publicly for the first time in over 30 years, cementing the movie’s lasting cultural impact. ❤️ Support the Show If you enjoy the show and would like to support us, we have a Patreon here — every bit of support helps keep The VHS Strikes Back rolling. If you’re listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It’s quick, free, and makes a huge difference. Referral links also help out the podcast if you were already planning to sign up: NordVPN NordPass 📧 thevhsstrikesback@gmail.com 🔗 https://linktr.ee/vhsstrikesback

    1h 7m
  6. Better Off Dead (1985) | Surreal Cult Teen Comedy, Maximum 80s Energy | VHSSB

    JAN 7

    Better Off Dead (1985) | Surreal Cult Teen Comedy, Maximum 80s Energy | VHSSB

    Better Off Dead (1985) was chosen by supporter Susan, and it’s one of the most distinctive teen comedies to come out of the mid-1980s. Written and directed by Savage Steve Holland, the film was conceived as a deliberately off-kilter alternative to the more conventional John Hughes–style comedies dominating the era. Holland drew heavily on surreal humor, cartoon logic, and exaggerated visual gags, aiming to make a live-action movie that felt closer to a Looney Tunes short than a traditional teen film. Produced by Warner Bros. on a modest budget, the movie was shot primarily in California and embraced a heightened, artificial look that matched its absurd tone. The production itself was famously contentious. Studio executives reportedly struggled to understand Holland’s surreal approach, and star John Cusack later distanced himself from the film, feeling the final cut leaned too far into absurdity. Despite this, the filmmakers were given enough freedom to fully commit to the bizarre visual style, rapid-fire jokes, and unconventional editing choices. While Better Off Dead underperformed theatrically and received mixed reviews on release, it found a second life on VHS and cable television, where audiences embraced its oddball humor. Over time, the film has become a cult classic, celebrated for its unapologetic weirdness and its refusal to play by the rules of standard 1980s teen comedies. Checkout Susan’s podcast Geek Girl Soup here. If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. Referral links also help out the show if you were going to sign up: ⁠⁠⁠NordVPN⁠⁠⁠ ⁠⁠⁠NordPass⁠⁠⁠ Trailer Guy Plot Summary This winter… high school gets weird. From the twisted mind of Savage Steve Holland comes a teen comedy where nothing behaves like reality, logic takes a holiday, and every problem is dialed up to cartoon levels of insanity. When heartbreak hits and humiliation follows, one teenager spirals into a snow-covered nightmare filled with bizarre neighbors, aggressive paperboys, and challenges that demand absolute commitment. Better Off Dead — where teenage angst meets surreal chaos… and giving up is not an option. Fun Facts Better Off Dead features several stop-motion and animated sequences, including the famous dancing hamburgers scene, created to mimic cartoon physics in live action. The aggressive paperboy character was played by Demian Slade, whose brief but intense performance became one of the most quoted elements of the film. Actress Kim Darby, who played the protagonist’s mother, was already famous for her role in True Grit (1969), making her casting an unexpected generational crossover. Curtis Armstrong (later known for Revenge of the Nerds and Risky Business) appears in one of his early comedy roles, adding to the film’s cult appeal. The movie’s synth-heavy soundtrack, composed by Rupert Hine, became a cult favorite and was later released as a standalone album. The fictional foreign exchange student characters were deliberately written with exaggerated stereotypes to heighten the film’s absurdist tone. Many of the film’s jokes are delivered entirely visually, with minimal dialogue, reinforcing its reputation as a comedy that rewards repeat viewings. Better Off Dead is frequently cited by comedians and filmmakers as a precursor to modern surreal comedies, influencing later offbeat humor in film and TV. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

    55 min
  7. Bloody New Year (1987) | Low-Budget 80s Horror That Time Forgot | VHSSB

    12/31/2025

    Bloody New Year (1987) | Low-Budget 80s Horror That Time Forgot | VHSSB

    Bloody New Year (1987) was chosen by co-host Dave as the final movie pick in the Year of the Stitch-Up, and what a note to end on. The film was directed by Norman J. Warren, a cult British filmmaker best known for low-budget horror and exploitation fare like Satan’s Slave and Inseminoid. By the late 1980s, Warren was working with extremely limited resources, and Bloody New Year was produced on a modest budget aimed squarely at the VHS and late-night rental market. The production leaned heavily on atmosphere, strange concepts, and practical effects rather than polish, embracing the scrappy DIY ethos of British horror in the post-slasher boom era. Shot largely on location along the Welsh coast, the film made creative use of abandoned buildings and seaside settings to create an eerie, off-kilter mood without the expense of large sets. Like many British genre films of the time, it struggled with distribution, receiving little theatrical exposure before finding its audience on home video. While largely ignored on release, Bloody New Year has since gained a cult reputation among horror fans who enjoy obscure, unconventional oddities from the VHS era. As the closing chapter of the Year of the Stitch-Up, it’s an appropriately strange, divisive, and deeply VHS-coded selection — the kind of movie that feels discovered rather than released. If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. Referral links also help out the show if you were going to sign up: ⁠⁠⁠NordVPN⁠⁠⁠ ⁠⁠⁠NordPass⁠⁠⁠ Trailer Guy Plot Summary From a quiet coastal town… to an island where time itself has gone horribly wrong. A group of unsuspecting teenagers arrive at a deserted hotel expecting nothing more than a getaway — but what they find is something far more twisted. As reality fractures, clocks stop making sense, and unseen forces close in, the line between past, present, and pure nightmare begins to dissolve. Bloody New Year — where the party never ends… and time is out to get you. Fun Facts Bloody New Year was also released in some territories under the alternate title “Time Bomb”, which caused confusion among VHS collectors. The film became far more well-known on home video than in cinemas, thriving during the late-80s VHS horror boom. Many fans mistakenly associate the movie with the “Video Nasties” era, even though it narrowly missed official banning in the UK. The eerie fairground setting was created using abandoned seaside attractions, adding an unintentional layer of decay to the visuals. Several special effects were achieved using camera tricks and editing rather than gore, due to budget limitations. The movie’s synth-heavy soundtrack is frequently cited by fans as one of its most memorable elements. Bloody New Year gained renewed attention in the 2000s thanks to cult horror forums and late-night TV screenings. Today, the film is often discussed alongside other late-80s British horror oddities like Uncle Sam and The Outing as a cult curiosity. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

    55 min
  8. Look Who’s Talking Now! (1993) | 90s Family Comedy Goes to the Dogs | VHSSB

    12/24/2025

    Look Who’s Talking Now! (1993) | 90s Family Comedy Goes to the Dogs | VHSSB

    Look Who’s Talking Now! (1993) was chosen by Chris, rounding out the unlikely trilogy that began as a surprise hit in 1989. By the early ’90s, the Look Who’s Talking franchise had already proven its commercial appeal, and TriStar Pictures was keen to keep the momentum going. This third entry shifted focus behind the scenes, with original director Amy Heckerling stepping away and Tom Ropelewski taking over directorial duties. John Travolta and Kirstie Alley returned following the success of Look Who’s Talking Too, while the production leaned heavily on the established brand recognition rather than reinventing the formula. The film was produced during a transitional period for Hollywood family comedies, as studios increasingly relied on sequels, celebrity voice work, and broad humor to attract audiences. A major production emphasis was placed on the voice performances, enlisting high-profile actors to give personality and comedic timing to the animal characters through extensive ADR sessions. Despite a solid budget and the continued involvement of its star leads, Look Who’s Talking Now! faced franchise fatigue upon release and struggled to recapture the box-office success of its predecessors. Today, it’s remembered as a curious example of early-’90s sequel culture — a film driven more by brand familiarity than creative necessity, and a reminder of how quickly novelty concepts can wear thin. If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. Referral links also help out the show if you were going to sign up: ⁠⁠⁠NordVPN⁠⁠⁠ ⁠⁠⁠NordPass⁠⁠⁠ Trailer Guy Plot Summary From the creators of a blockbuster comedy franchise… comes the one where the pets finally take over. The family is back, the chaos is louder, and this time the dogs have something to say. With celebrity voices, slapstick mayhem, and 90s family-friendly insanity turned up to eleven, Look Who’s Talking Now! lets the animals loose — commenting on love, loyalty, and household madness like only talking pets can. Look Who’s Talking Now! — when the fur flies, the truth comes out. Fun Facts Look Who’s Talking Now! was the final film in the Look Who’s Talking trilogy, bringing the franchise to an end after three movies in five years. The movie marked one of the rare times Danny DeVito and Diane Keaton voiced animated characters together, even though neither appears on screen. The dogs’ mouth movements were created using subtle animatronics and careful editing, rather than full CGI, which was still limited in the early 1990s. Despite mixed reviews, the film performed strongly on VHS and rental charts, continuing the franchise’s popularity in the home-video market. The movie received several Golden Raspberry Award nominations, including Worst Screenplay and Worst Supporting Actress, reflecting its critical reception. Look Who’s Talking Now! was released during a wave of early-90s “talking animal” movies, alongside films like Homeward Bound and Bingo. This installment shifted the franchise’s focus more toward family-friendly animal comedy, a move that divided fans of the earlier films. The film has since gained a nostalgic cult following, particularly among viewers who grew up watching it repeatedly on VHS and cable television. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

    46 min
4.6
out of 5
24 Ratings

About

Nostalgic movie review show hosted by Whatever Entertainment team, Dave and Chris. The guys go back in time to review some wonderful and truly awful movies from the days before streaming and even DVD's and had to go to the video store to pick up the latest entertainment. If you want to email the show please contact us on: thevhsstrikesback@gmail.com

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