This week on Transmissions: Adrian Younge and Ali Shaheed Muhammad, the duo behind the label and concert series Jazz Is Dead. Founded in 2017, Jazz Is Dead began releasing new work by jazz artists frequently sampled in rap and hip-hop in 2020, including releases from legendary players like Roy Ayers, Azymuth, Gary Bartz, Lonnie Liston Smith, Tony Allen, and more. On January 31st, the duo released JID022, featuring new music from 88-year-old Ghanian highlife and afrobeat master Ebo Taylor, and on April 4th, they will release JID023, featuring Brazilian vocalist Hyldon. Recorded in analog at Linear Labs, the Jazz is Dead series does more than pair younger players with established elders; it showcases the powerful link that connects musicians across decades. As producers, musicians, podcasters, and much more, both Ali and Adrian are heavy hitters. Muhammad is of course known for his work with A Tribe Called Quest, Lucy Pearl, and The Midnight Hour, a duo with Younge. And of course Adrian is an accomplished musical force too, check out his work with The Delfonics, Souls of Mischief, Ghostface Killah, and Kendrick Lamar. We taped this conversation in January, in the hazy, strange weeks after the terrible fires that tore through the city of Los Angeles. That’s where our conversation starts—reflecting on history lost, and what it takes to preserve it, and also, why they don’t necessarily think of Jazz Is Dead as an archival or preservationist project in the first place. You can read a full transcript of this conversation at Aquarium Drunkard, where you’ll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here’s to another decade. Subscribe at Aquarium Drunkard. Stream a playlist of bumper music featured on Transmissions, as well as selections from our guests. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.
