It's an episode to savour, as Toby and TJ look back on the always entertaining Book 3 of the Wake, and all the fun we had along the way. With great guests, amazing community, purist support, and laughs aplenty, Book 3 has been all the fun you'd expect from the segment of the Wake set just before the dawn. With discussions that include global simulacra, along with legendary Wakeists like Bernard Benstock, Simon Loekle, Ben Watson, and Richard Harte, we throw the doors wide to encourage you to access the inaccessible here on Wake, where the Tap-Out button is no longer welcome. This week's chatters: Toby Malone, TJ Young Progress: 590 pages complete, 38 pages to go; 93.95% read. Contextual Notes Trent Dalton Brandon Nicklaus’s blog From Swerve of Shore to Bend of Bay r/jamesjoyce r/wakepod WAKE on YouTube WAKE Part 1 Supercut WAKE Part 2 Supercut Benstock, Bernard. Joyce Again’s Wake. Collard, David. Multiple Joyce. London: Sagging Meniscus P, 2022. The legacy of Simon Loekle The Wake in pictures, Peter Quadrino FW as simulacrum Katarzyna Bazarnik JOYCE, LIBERATURE AND WRITING OF THE BOOK Collected Epiphanies of James Joyce: A Critical Edition John Gordon filling the gaps Documents from Furina: i. Christmas Eve, written in Trieste in 1904 as attested to his brother Stanislaus; a short story (finished but fair copy incomplete) intended for Dubliners but withdrawn due to unknown reasons; a fragment was later reincorporated into Clay. ii. The Cat of Beaugency, dit The Cat and the Devil, written on 10 August 1936 in Villers-sur-Mer in a letter to his grandson, the late Stephen James Joyce; epistolary, infantile fable. iii. The Cats of Copenhagen, written on 5 September 1936 in Copenhagen's Turist Hotel in a postcard to his grandson (one may perhaps consider it a sort-of 'sequel' to the previous entry), the late Stephen James Joyce; epistolary, infantile fable. iv. The incipit of the holograph manuscript of The Dead, from the collections of Yale University. v. The original version of the short story The Sisters, as published (under the pseudonym Stephen Dædalus) in the "Our Weekly Story" section of The Irish Homestead on 13 August 1904; as commissioned by George William "Æ" Russell, who later appeared in Ulysses. vi. An extract from a letter (dated 14 August 1925) to Harriet Shaw Weaver: a poem called The Waste Land; a parody of T. S. Eliot's chef d'œuvre of the same name. vii. An extract from a similar, earlier letter (dated 13 June 1925) to the same recipient: a poem called Canto; a parody of Ezra Pound's modernist epic - it is not a parody of any particular canto but a general jab at the style. viii. The history and evolution of the poem "Tilly", the first and 'bonus' poem of Pomes Penyeach; written in Dublin in 1904. ix. A remastered and enhanced version of Joyce declaiming John F. Taylor's oration from the seventh episode, 'Aeolus', of Ulysses. x. A recording of Joyce's only other musical composition (aside from The Ballad of Persse O'Reilly) - Bid Adieu - setting the eleventh entry from his début collection of poetry, Chamber Music. The singer is tenor Kevin McDermott and the pianist is Ralph Richey. xi. The full text - part I and part II - of Finn's Hotel; eleven 'epicleti' which were sketches of the Work in Progress, written in Paris and Bognor Regis in 1923. .pdf available here. xii. C. K. Ogden's 1932 translation of the last four pages of the Anna Livia Plurabelle closing chapter of Book I, as supervised by the artist, intoBasic English, along with the translator's preface. Ben Watson and Frank Zappa Ben Watson: Finnegans Wake vs. Theory Here Comes Everybody’s Karma For early drops, community and show notes, join us at our free Patreon, at patreon.com/wakepod, or check out our Linktree, at https://linktr.ee/wake.pod. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!
