Your Next Draft Alice Sudlow

Don’t lose your readers. Just tell them what time it is.The passage of time seems intuitive. It just happens, right? (Like, whether you want it to or not. Time and tide wait for no man, etc.)Here’s the thing, though. If you don’t tell your readers that time is passing in your novel . . .. . . they won’t know.It seems wild, I know. It feels like time passing should be obvious. But I promise you, it’s not.Luckily, conveying the passage of time to your readers is simple (and it doesn’t take a lo...

This is often overlooked, but it’s essential for great stories.How do you make time pass?Well, when you’re living your regular life in the real world, you don’t have to do anything.Time is constantly passing, no matter what you do. And when a timer goes off, or you look outside and see the sun’s gone down, or you feel your stomach growl with hunger, you notice time has passed.You hardly have to think about it. It’s just happening, all around you, all the time.In your novel, though—well, there...

Write your best stories—and know when to let go and publish them.In order to write great books, you first have to learn how to write great books.But when it comes to writing, there’s always something more to learn.So how do you know when to practice your writing skills—and more importantly, when to publish the stories you’re creating?That’s what I’m talking about in this episode.In it, you’ll learn:2 benefits and 1 danger of spending focused time learning new writing skillsThe joy—and risk!—o...

Before you can master writing great stories, you have to learn to craft great stories. When I was fifteen, I got my learner’s permit and began learning how to drive a car.This made me very unhappy.See, I wanted to know how to drive a car. I didn’t want to learn to drive a car.Knowing how to drive a car was fun, freeing, and exciting. Learning to drive a car was dangerous, tedious, dangerous, difficult, and also dangerous.Writers, I find, feel the same way about writing great books.Writers wan...

Because working with an editor should be delightful, not scary.Let's be honest. When you start working with an editor for the first time, it can feel a little scary.You’re sharing your manuscript, the project you’ve worked so hard on, with a stranger on the internet. You’re inviting another person into a process that up until now has been entirely solo.And you’re entering an industry of professionals that’s probably entirely new to you. What should you expect? And what’s expected of you?In th...

What you need to know BEFORE you start working with an editor—and how to tell if they’re the right fit for your novel.Working with a developmental editor can be the most rewarding part of your editing process.But if you’ve never worked with an editor before, it can also be . . . intimidating. Confusing. Scary.After all, you’ve got to hand your manuscript that you’ve worked so hard on to a stranger on the internet and hope their feedback will be helpful and not soul-crushing.If you’ve ever won...