STAGES with Peter Eyers Peter Eyers

As one of our finest actors, Keith Robinson carved a career on stages around the country. As a  wit and treasured talisman, he kept us informed and in stitches with his regular postings on social media.Keith’s repertoire of characters included the great clowns of Shakespeare. He was admired for his tremendous physicality in realising these endearing fools and jesters …. and for his dependability in affecting an audience.As a member of the ensemble at Belvoir Theatre, he contributed to the success of milestone productions such as Hamlet, The Tempest, The Alchemist, Night On Bald Mountain and Picasso at the Lapin Agile. Keith’s extensive theatre credits also included the Dickensian epic Nicholas Nickleby with the Sydney Theatre Company ……  and ventures into musical theatre with the premiere Australian production of Les Miserables. As performer and playwright -  Keith co-authored (with Tony Taylor) the silly, comic romp The Popular Mechanicals - a fond valentine to the determined amateur acting troupe of Shakespeare's A Midsummer Night's Dream. In 2006 his life upon the boards looked like being snatched away when he was diagnosed with a neurological condition, called Guillain-Barre syndrome. His personal expression as an actor became compromised with limited mobility and the necessity of a wheelchair. But Keith was a determined thespian …. and in 2016 he returned to the Belvoir stage as a wise and moving Feste …. in a production of Twelfth Night. As well as a phenomenal talent, Keith was immensely entertaining and terrific company. Passionate, funny and tremendously informed, Keith traversed an eventful life on and off the stage. His legacy of compelling screen performances are fortunately preserved in television productions such as the anthology series Summer Love, season 2 of The Twelve and in a much discussed TVC for Australia post, where we may still be able to find him at various point of sale.This conversation, recorded for the STAGES podcast, took place in May 2021 when Keith was preparing to play Leonid Gayev in The Cherry Orchard at the Belvoir street theatre. It was to be the final time we would see Keith light up a stage. I hope this return episode brings you some comfort - and joy - relishing in Keith’s wonderful anecdote, insightful wisdom - and that enormous laugh that instantly embraced it’s listener.Vale Keith Robinson - you will be greatly missed.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Entertainer Doug Lucas has been delighting audiences around the country for several decades as a comic, a creative and much loved drag performer. Chiefly his performance stage has been found in various Melbourne venues. Doug is a pioneer of these establishments, commencing Melbourne's first gay disco in 1975 and the legendary show evening, Pokeys, in 1977.

“It was only going to be a little Sunday night show but it grew and grew”, Lucas recalls. “We started without any sets or props, then started doing little simple sets”. As its popularity grew, those simple sets became increasingly elaborate, as did the costumes and staging. “We used to do a massive, massive show. They were the biggest drag shows Melbourne has seen.”

Doug has been performing and running events ever since. Most recently with the very popular Broadside entertainments.He is a legend of the Melbourne scene and a most charismatic fellow. You’ll quickly discover in this terrific conversation with the fabulous Doug Lucas.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Iain Sinclair is one of Australia’s finest, award winning theatre directors specialising in new writing and contemporary international work.

Iain established the critically acclaimed theatre company Elbow Theatre in Canberra, where he received four Critics Circle Awards. He received a Sydney Theatre Award for his production of The Seed by Kate Mulvaney and is also an AWGIE Award nominated director.

He has directed a number of highly praised main stage productions in Sydney including Our Town  by Thornton Wilder for The Sydney Theatre Company, which was described as “a triumph”. His production of Arthur Miller’s, All my Sons was described as “A rock solid production of a play that makes you shake your head in wonderment”. 

Iain has also directed for The Melbourne Theatre Company, The Ensemble, The Queensland Theatre Company, Belvoir and Sport for Jove with celebrated productions of Who’s Afraid of Virginia Woolf? By Edward Albee, The Caretaker by Harold Pinter, A View From The Bridge by Arthur Miller, Mojo by Jez Butterworth, Blood Wedding by Federico Garcia Lorca (translation by Sinclair), The Beast by Eddie Perfect, A Midsummer Night’s Dream by William Shakespeare and Berlin by Joanna Murray Smith.

Iain graduated with distinction from the RADA Masters Program and Kings College, London. He is the associate artist and resident dramaturge for Playwriting Australia and has been assistant director to Cate Blanchett and Max Stafford Clark. Iain was invited by Max Stafford Clark to tour the UK as a member of his company “Out of Joint” teaching principles of new play making and Max Stafford Clark’s legendary process based on actioning.

Iain continues his work as a dramaturge and has worked with the following companies; ASK Los Angeles, New Dramatists New York, The Traverse Scotland, The Royal Shakespeare Company, The Royal Court and The National Theatre England.Iain Sinclair is presently the Head of Acting at 16th Street Actors Studio in Melbourne, where he nurtures a new generation of actors and continues to practice and refine his magnificent craft.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Tim Draxl is an actor and singer with a career spanning more than two decades.Most recently he was seen in the SBS anthology television series Erotic Stories, for which he has received an AACTA Nomination for Best Supporting Actor in a Drama series, and the lead role in ABC’s four-part musical drama In Our Blood, for which he has received both an AACTA Nomination for Best Lead Actor in a Drama Series and TV WEEK Logie Award Nomination for Most Outstanding Actor in a Drama Series.On stage, Tim was most recently seen in Belvoir’s Into The Woods as ‘Cinderella’s Prince/ Wolf’ and in the role of ‘Steve Healy’ for the first overseas tour of Alanis Morissette’s Jagged Little Pill produced by GWB. Other theatre credits include critically acclaimed Only Heaven Knows, Catch Me If You Can and Evie May (all for Hayes Theatre), Torch Song Trilogy (Darlinghurst Theatre Company), Lip Service, Mothers and Sons (Ensemble Theatre), Freeway – The Chet Baker Journey (Sydney Opera House, Melbourne Festival, Brisbane Festival), Nailed (Griffin Theatre Company), A Midsummer Night’s Dream (Belvoir), The Sound Of Music (GFO) and She Loves Me (The Production Company).Other television credits include anthology series Summer Love and critically acclaimed The Newsreader both for the ABC, hit series A Place to Call Home as series regular Henry Fox (FOXTEL), the Molly Meldrum telemovie Molly, the critically acclaimed series Serangoon Road, Reef Break, Mrs Biggs, Home & Away, Miss Fisher’s Murder Mysteries, Crownies, Day One, Tangle, Headland, Supernova, Dynasty: The Making of a Guilty Pleasure and The Shark Net.Tim’s film work includes action film Blacklight alongside Liam Neeson, Guardians of the Tomb, directed by Kimble Rendall, A Few Best Men, Undocumented, Ivory, In My Sleep, Red Canyon, Right Here Right Now, Travelling Light, Swimming Upstream, and Dirty Deeds.He received his first TV WEEK Logie Award Nomination for Most Outstanding Actor in a Drama Series in 2005 for The Shark Net and an ASTRA Award Nomination (later renamed The AACTA Awards) for Most Outstanding Performance by an Actor in a Comedy for Supernova (2006). His one man show Tim Draxl in Concert was nominated for a Helpmann Award for Best Live Music Presentation in 2002 and has received several Sydney Theatre Award nominations for his cabaret and theatre shows winning the award for best cabaret production with Back For Seconds in 2006.He has released four solo albums. ‘Ordinary Miracles’ and ‘Insongniac’ for Sony Music Australia under the Columbia label, the independently released ‘Tim Draxl Live at the Supper Club’ and ‘My Funny Valentine’ released through Ambition Entertainment/EMI which reached number 1 on the iTunes jazz charts.Tim can currently be seen on Australian stages playing the role of Jodie Gillis opposite Sarah Brightman’s Norma Desmond in Andrew Lloyd Webber’s Sunset Boulevard. This will be the musical theatre event of the year. Don’t miss this strictly limited season at Melbourne’s Princess Theatre from May, and at the Sydney Opera House from August, 2024.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Happy Anniversary to the original Australian company of The Rocky Horror Show - the production opened at the New Art Cinema, Glebe on April 19th, 1974. This outrageous musical has a book, musical and lyrics by Richard O’Brien, and is a  tribute to the B-grade Science Fiction and Horror films of the 1930s to early 60s. It’s premiere production was produced and directed by the brilliant Australian creative Jim Sharman, upstairs at the Royal Court Theatre on 19th June, 1973.The iconic Australian production was produced by the legendary impresario Harry M. Miller and directed by the brilliant Jim Sharman.A veritable who’s who of actors filled the roles throughout its first Australian productions. The musical continued to host extraordinary talents in the flamboyant roles through the decades since, and the show has morphed through different production approaches to realise the camp tale of Dr Frank N. Furter and the disturbed, disruptive and decadent inhabitants of his isolated castle.The show awakens a sexuality and excitement in each new generation that witnesses the stage production, or the iconic film The Rocky Horror Picture Show: also directed by Jim Sharman and designed by celebrated Australian designer, Brian Thomson.The STAGES podcast featured Brian Thomson in a thrilling double episode. We’ve also been honoured to traverse the careers of many of the original Australian production’s sensational cast, which include Maureen Elkner, Reg Livermore, Sal Sharah, and Kate Fitzpatrick.In this very special episode of the STAGES podcast, we recall the experiences of those artists in that very first Rocky Horror Show, and salute a musical that has become an intrinsic part of that theatrical form.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Vivid Sydney is an annual celebration of creativity, innovation and technology, which transforms Sydney for 23 days and nights. 

In 2024, for its 14th year, Vivid Sydney will fuse art, innovation and technology in collaboration with some of the most boundary-pushing artists, musicians, thinkers and culinary experts of our time.

Mark the dates 24 May – 15 June 2024 in your calendar and explore the program of Light, Music, Ideas and Food, united by this year’s artistic direction, "Vivid Sydney, Humanity”.

Vivid Sydney 2024 explores what makes us human and how we can make a better world, together.

Vivid Sydney is owned, managed and produced by Destination NSW, the NSW Government's tourism and major events agency.

At the helm of this creative fusion and imagination is Artistic Director, Gill Minervini.For over 35 years Gill has produced some of Australia’s most engaging and successful international events and festivals, creating unforgettable, immersive experiences for diverse audiences. In her time at VIVID, the annual festival has celebrated International recognition and relished record-breaking audience numbers.A mantra which she shares with her production teams is that they are ‘in the business of creating memories’.  We can all recall the first time we shared in the palpable experience of a creative event or festival. Such experiences are an immersion with community, art, humanity and the theatre of life. Essential experiences that feed into the human condition.Gill Minervini is passionate about her job and communicating stories. It’s obvious in this conversation. She provides insight, reflection and passion for the craft of making big art, telling stories with a broad palette, and what it takes to curate a magical experience like VIVID Sydney.This episode of the STAGES podcast is dedicated to the inaugural Creative Director of VIVID Sydney; Ignatius Jones (1957-2024)The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au