Cable London Cable London

Right place, right time. It's an old cliché, but it's one that's been the definition of New York house legend Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions.  And as a protege of Kerri Chandler, it makes complete sense that Ferrer's current sound lies firmly in the deep house realm laid out by his old teacher years earlier.
Ferrer has brought that anything goes approach to his newest venture, Objektivity. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. And with releases from the likes of the young phenoms the Martinez Brothers (who are going from strength to strength) and classic New York house heads like Timmy Regisford and Quentin Harris, it's obvious that Ferrer doesn't regard the label as a vanity project. Objektivity is a living, breathing thing - one that's set to drop bombs on the dancefloor for years to come.  
So it's with great pleasure that the 6th Cablecast comes from Ferrer himself.  With his Objektivity London showcase ready to drop here at Cable on 11th May, it's perfect timing for you to experience this legend at work.  Enjoy!
This mix was recorded live from Miami.   Talk us through the equipment you use to perform on?
I can recall that it was done on 2 Pioneer CDJ-2000's , A Pioneer DJ-900M Nexus Mixer and my Macbook Pro with Traktor Scratch Pro2 software.  I use USB sticks in the cdj's that contain .wav controller files for controlling Traktor via the cdj's. I also have these USB sticks as a backup with a few months worth of songs just in case my laptop crashes. The show can continue on with hopefully not a hitch.
If travelling constraints and venue specifications weren't an obstacle, What would your ideal gig set up be?
On a beach in Aruba with a killer Funktion One sound system and with a manageable 1,000 people losing their minds dancing and cheering to the likes of us. No fashion statements...No fancy clothes or sneakers on...just a shorts and flip flops or bikini's and flip flops code allowed.
You travel all over the globe to perform, is there anywhere in the world that you would say is your favourite place to play, and why?
I've been asked this countless times and i used to say all these exotic countries and what not.  But honestly NYC is my favourite place to play...why? Because it is my birthplace...it is where I got my start...my heart and soul..my pain and pride.  When you rock it out there and see all the familiar faces and industry people that have been coming out for years smiling and having a good time...you know you've been accepted.  Acceptance after all is what we're all after right? That is part of the prize in life as money isn't all it's cracked up to be some times.
Your Objektivity imprint seems to have a real family vibe about it.   Releases from people close to home in New York such as The Martinez Brothers and Andre Hommen.  How did it all start?
I very much keep to myself. Sort of a loner I'm told....lol. So on the odd occasion that I do let people in I tend to keep them close. You become part of my extended family.  It's a natural progression. So usually if you're in anything having to do with objektivity it's usually because I really like you. We keep it tight and a bit exclusive.
Has it taken the musical direction you expected it would? What's in store for us in the future release wise?
I've never had an intentionally  particular musical direction when it came to Objektivity except that i wanted our records to always be different than what's always going on.  To walk that fine edge between being current and too ahead of the curve.   It'(continued)

Cablecast 005: ALAN FITZPATRICK
The continued rise of Alan Fitzpatrick is the biggest story in UK techno right now. Having enjoyed a rapid ascent since his emergence as the new kid on the techno block in the latter half of 2009, Fitzpatrick now enjoys a status as a highly respected and in-demand producer. His first album, "Shadows in the Dark", released on Adam Beyer's globally renowned imprint, Drumcode, demonstrating his ability to mix pounding techno with more lush, melodic sounds. From that moment he was hotly tipped by some of the biggest names in the game, including Carl Cox, Dubfire, Len Faki, and of course Adam Beyer. At Drumcode, Alan has found a natural home, and this partnership is definitely proving to be a successful one, releasing three chart topping EP's in Static, Face of Rejection and Insurgent Series. His abilities in the studio have not gone unnoticed, with the likes of Digweed, Joey Beltram and Nick Muir demanding his services.His style of immersive Techno has led to a ram packed gig diary worldwide, mixing it with the very best in the scene. A regular at the legendary Jaded After Hours, it only seemed right that Alan would be announced as their new resident.
Where, how and on what was the mix recorded?
This mix was recorded in my new studio which is built in a converted garage at the back of my house. If you follow me on Facebook or Twitter you will have no doubt seen the pictures of me building the studio! I Tech list for this mix included 3 CDJ2000’s an Allen & Heath Xone 92 mixer and a Red Sound sampler. What are your past experiences of Cable and in particular Jaded's Sunday morning affairs? Thinking about it I have only been to Cable for Jaded. I have played 3 times before and been twice for just for a dance after the annual Drumcode warehouse parties on London. In true after party style I can’t say too much about my past experiences as either I can’t remember or its way too classified for an interview but I can confirm for anyone with any doubts that it is the messiest dancefloor in London and a really great club with super sound. Did you think about these when you performed the mix?Yeah, for sure. I love the vibe at Jaded and I love playing on the system at Cable. This is why I was so excited to be offered a residency for 2013 and my memories of being at the events was certainly foremost in my mind when I did the mix. I wanted to make an hour long snapshot of what an Alan Fitzpatrick Jaded set will be like so it starts off deep and on the after hours to and build up to more peak time stuff. You'll be performing for 5 hours (or maybe longer) at Jaded on sunday morning.  What can we expect?It will definitely be a bit of a journey. One of my favorite parts of the past Jaded sessions has been the first hour or so when everyone is just getting into it, whether they have been to another club already or just arrived direct from their beds. It gives me a chance to play deeper, more left-of-centre tracks that I hardly ever get to play in a club. I will of course play a more familiar Alan Fitzpatrick style once my set starts to peak and then I have a few new bits and special tracks lined up for the end too. Anything else coming up that we should know about?Well, Im off on holiday next week for 10 days! When I get back I shall be gearing up for lots more touring including a trip to Colombia before WMC in Miami where I will be playing at the Drumcode showcase. Music wise I have three new remixes that are about to be released, with a remix of Renato Cohen’s classic ‘Pontape’ and Ben Sim’s ‘Riots in London’ for Drumcode and a remix of the new Adam Beyer track ‘Take Me Away’ for Drumcode’s sister label, Truesoul.
Catch Alan this Sunday at Jaded After Hours
Jaded at Cable / Sunday 10th February / 5am - 1pm
DJs: Alan Fitzpatrick (5 Hour Set), Raymundo Rodriguez + Special Guests
Click here for more event info