Dekmantel Podcast Series dekmantel

Without people like Cashu (@carol-schutzer), São Paulo’s queer community wouldn't be thriving in the way that it is. The Mamba Negra label collective, party and label co-founder has been working tirelessly to provide safe spaces, creative outlets and raise funds for the LGBTQIA+ community for many years. She closely intertwines politics and dancing at events that reclaim urban spaces and now enjoys an international DJ diary that sees her mixing up breaks, techno, dancehall and electro across Amsterdam, Berlin, and places like our own Dekmantel Selectors.

She takes us on a similarly whirlwind tour with this week's mix, including some unreleased gems. It's a full-throttle party selection that fires through several house, club and techno rhythms - some bounce on big bass, some are twisted with raw percussion and some get stripped back to loopy drums and trippy sound designs. These global beats from the likes of DJ Wawa, Nick León, and Lewis Lowe add up to a colourful carnival atmosphere that sounds even better when the sun is shining.

Stella Zekri (@stella-zekri-ouiddir) is based in Berlin but her sound defies the usual expectations of those who dance in the city best known for house and techno. Her sets instead are instead led by soul and emotion and reach far and wide into the worlds of hip hop, house, new beat, trance, jazz, disco and bring rich colours and exultant vibes to the scene. She often likes to play long sets and isn't afraid of twisting and turning through diverse tempos and rhythms along the way, which is something she also does at the Body Language events she founded with Camilla Rae and Caitlin Russell in 2021. They have brought something all new to the queer scene in Berlin, while her monthly Breakfast Show on Refuge Worldwide and her studio work with 80s zouk and boogie band Stella and the Longos are further creative outlets that make Stella a new school star.

All of this is reflected in the sixty-minute selection Stella has put together for us this week: it's a celebration of her eclectic collection that is powered by outgoing pianos, emotive vocals and gleeful grooves. There are old school house jams and silky soul-laced depths, happy 90s tracks and plenty of sensuous voices that all prove Stella Zekri's ability to keep the good times flowing is second to none.

There is nothing ordinary about Sepehr (@sepehr-a): he hails from the Bay Area of San Fran, is based in New York City but has Iranian heritage and takes great pleasure in pulling apart everything you think you know about dance music. His maverick approach results in versatile and genre-defiant sounds that collide EBM, drum & bass, techno, electro, acid and plenty more on some of the finest labels out there. He runs his own Shaytoon Records which is focussed on the Middle Eastern underground, and in May lands on our own Dekmanel Records with Genesis Domain, a varied EP full of intriguing sounds.

The same could be said of his mix for us this week. It's a deep dive into his eclectic and eccentric musical mind that spans several sounds and scenes. Although united by body-moving rhythms, there is everything from club to techno to broken beat and plenty more besides. Each track is packed with detail and surrealist sounds that will keep your head as busy as your heels.

JakoJako (@jakojako_live) always wanted to make music and her self-confessed hyperactivity ultimately led to her getting the most joy out of playing about with machines and patching up synths. These days the Berghain resident is a celebrated live act and DJ who draws on the considerable knowledge she picked up working at Berlin's legendary synth shop SchneidersLaden, but she has also worked on several high-profile motion sensor dance projects at places like The Royal Albert Hall. Her smart sound designs and unique rhythms have landed on Leisure System, Tresor and Figure and she has a new EP coming on Mute this June.

Her mix for us this week features a sneak preview of one of the tracks from that EP as well as mixing up music from Alaric, Siege, Altinbas and many more. It's full of high-speed sounds couched loosely in techno but with moods and textures borrowed from industrial, minimal and even trance as things reach an emotional peak late on. Though she broke through as a live act, this set shows JakoJako can now speak just as freely through the decks.

Answer Code Request (@answercoderequest) has long since mastered the art of mixing up the physical the with cerebral. His broken, industrial-tinged techno drums are powerful enough to have made him a long-time Berghain resident, while his harmonic pads make a lasting impact on your mind. While releasing on the likes of Ostgut Ton, Dolly Deluxe and Monkeytown Records, he has also established his own ACR label and never fails to blur boundaries between sub-genres whenever he steps out with a new sound or set.

He pulls no punches on this week's mix which is a broad showcase of his ability to thread together many different strains of techno and beyond into a coherent whole. There's everything from transcendental and linear rollers to dubby bangers, twitchy rave anthems blissed out deep space minimalism via party starting piano house. It's fun and functional in equal measure and is the sound of a DJ very much in full flow.

In very loose terms, James K's (@jamesk_1 music operates at the fringes of the pop world. It is experimental and industrial, packed with hooks and riddled with dreamy textures that show off her mastery of synths. She has released it in album form with Dial and Incenso, dropped EPs on AD 93 and collaborated with the likes of Drew McDowall and Stefan Maie, and always manages to imbue her adventurous arrangements with real-world emotions and anxieties. This year she will join us at Dekmantel Festival but not before serving up this week's podcast.

It's the sort of rhythmically thrilling workout that has always stood James apart: jittery drum patterns and kinetic grooves that unfold at 100 miles an hour as a barrage of caustic motifs, hypnagogic melodies and hyper-real colours all bounce about the mix. There is an ever-present sense of tension in the way things are assembled - it's as if they might implode or explode at any minute, and it all sounds fantastically futuristic.