This Must Be the Gig

Consequence Podcast Network
This Must Be the Gig

This Must Be the Gig gives backstage access to passionate fans worldwide. Featuring conversations with headlining musicians, up-and-comers, and music industry personalities about the wild wild world of live music - as well as the latest news reports from the biggest tours and the festival scene. Music journalist and festival-globetrotter Lior Phillips captures the feeling of singing along with thousands of other fanatics, the lights flashing, the roar for an encore, the second the whole world outside this perfect moment disappears: This Must Be the Gig.

  1. Tawny Newsome and Bethany Thomas on Ditching Genres and the Power of DIY

    07/10/2020

    Tawny Newsome and Bethany Thomas on Ditching Genres and the Power of DIY

    This Must Be the Gig is joined by Tawny Newsome and Bethany Thomas. You may know Tawny as one of the stars of TV shows like Bajillion Dollar Propertie$, Star Trek: Lower Decks, and Space Force, as well as the co-host of Yo, Is This Racist? and a frequent guest of podcasts like Comedy Bang Bang. You may know Bethany, meanwhile, for her celebrated musical and theatrical work on Chicago stages such as Steppenwolf and the Green Mill, performing everything from a Gershwin opera to alt country. Before all that, Tawny and Bethany spent years together in Chicago as for-hire backup singers for tribute and cover bands, forging an intense friendship and musical connection, including time as members of UK punk hero John Langford's Four Lost Souls. This week, Tawny and Bethany's long history of collaboration culminates in their first album under their own names, the explosive and magnetic Material Flats. In this chat, Lior spoke with Tawny and Bethany about chasing their own sound after supporting other voices for years, how their passion for music thrives alongside acting careers, the influence of Devo and the Talking Heads, the difference between recording dialog for Star Trek: Lower Decks and recording music (hint: tequila is involved), and so much more. Head here for more info on Tawny and Bethany. Head here for more info on Tawny Newsome. Head here for more info on Bethany Thomas. Head here for more information on this week's featured organization, World Central Kitchen. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

    47 min
  2. Black Thought on the Origins of The Roots and Covering DeBarge

    23/09/2020

    Black Thought on the Origins of The Roots and Covering DeBarge

    This Must Be the Gig is joined by Black Thought of The Roots.  Long before he became the voice of one of the most essential hip-hop groups of a generation, Tariq Trotter started performing on the streets of Philadelphia with another young man named Ahmir Thompson. Not long later, the duo stood at the fore of a massively influential band, now going by Black Thought and ?uestlove. The Roots made a splash quickly, kicking off in the early '90s and reaching the platinum echelon with 1999's classic Things Fall Apart. That strength has only continued to grow for decades, with Black Thought's diverse list of credits now including The Roots' role as Jimmy Fallon's house band on Late Night. Now, Black Thought is set to release his third solo project, Streams of Thought Vol. 3: Cain and Abel. Due October 2nd, the record spans a vast array, showcasing Thought's unique vocal skill alongside production from Sean C and features including Pusha T and Portugal the Man. In this chat, Lior spoke with Black Thought about what he and ?uestlove learned while performing on the street, how the pandemic has shifted his pre-show routines at Fallon, setting Bruce Springsteen and the E Street Band as a goal in the Roots' rise, covering Debarge as a teenager, and so much more. Head here for more info on Black Thought. Head here for more information on this week's featured organization, Black Roots Alliance. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

    32 min
  3. The Cranberries on the 25th Anniversary of No Need to Argue

    09/09/2020

    The Cranberries on the 25th Anniversary of No Need to Argue

    This Must Be the Gig is joined by Fergal Lawler and Noel Hogan of The Cranberries. The group formed in 1989 in Limerick, Ireland, along with Noel's brother Mike on bass and later joined by vocalist Dolores O'Riordan. Over the course of eight albums and 20 years, the group wrote some of the biggest, most memorable sing-along anthems of the '90s, from "Linger" to "Dreams" to "Zombie" to "Salvation", becoming a worldwide phenomenon. Tragically, the group's most recent record, 2019's In the End, turned out to be their last, as Dolores sadly passed away prior to its completion. But now, Fergal and the Hogan brothers are honoring their late friend and continuing the strength of their legacy with a 25th anniversary reissue of The Cranberries' second album, No Need to Argue. In addition to the original album, the package will include B-sides, demos, live recordings, a slew of unreleased photos, an essay from the band's archivist, and more.. Lior spoke with Fergal and Noel about looking back at No Need to Argue at 25 years, the beloved song "Yesterday's Gone" making the cut after only previously appearing on MTV Unplugged, seeing Irish heroes U2 as teens, the power of a good cover, and so much more. Head here for more info on The Cranberries. Head here to pre-order the reissue of No Need to Argue. Head here for more information on this week's featured organization, Milwaukee's African American Roundtable. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

    1h 1m
  4. Emily Cross on Being a Death Doula & Musician in 2020

    26/08/2020

    Emily Cross on Being a Death Doula & Musician in 2020

    This Must Be the Gig is joined by Emily Cross of Cross Record. The experimental project focuses on a powerful fusion of visceral muscle and ephemeral glow—most recently culminating in an incredible self-titled record in 2019. In addition, Emily is one third of the band Loma, alongside Dan Duszynski, and Jonathan Meiburg, and Loma is set to release a new record of their own via Sub Pop. And as if that weren't enough, Emily is also a death doula, someone who assists in the understanding and processing of death, aiming to help individuals and families cope with mortality as a natural part of life. Needless to say, her work in that field under the organization name Steady Waves End of Life Services  is particularly pressing and meaningful in the midst of a global pandemic. Lior spoke with Emily about organizing "living funerals" for individuals struggling with the concept of mortality while also touring as a musician, how moving to England may change her work, and bringing essential oils into green rooms. Head here for more info on Cross Record. Head here for more info on Steady Waves End-of-Life Services. Head here for more information on this week's featured organization, Leaders Igniting Transformation. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

    45 min
  5. Dave Bayley of Glass Animals on Falling Off Stages and Baking Cakes

    12/08/2020

    Dave Bayley of Glass Animals on Falling Off Stages and Baking Cakes

    This Must Be the Gig is joined by Dave Bayley, the brilliant and charming frontman of Glass Animals.  The English outfit formed in 2010, and have since grown into one of the most thrilling acts on the festival circuit. Alongside long-time friends Drew MacFarlane, Edmund Irwin-Singer, and Joe Seaward, Bayley and the band have now penned three albums worth of hip-hop tinged psych pop, including the recently released Dreamland. And while fans might be missing out on Glass Animals' canceled tour, the record's blend of intense autobiographical storytelling and woozy soundscapes should keep fans feeling right at home. Plus, stems of the songs and additional graphics are up for grabs in the form of open source files on the band's website, recreating the communal feel. In this episode of This Must Be the Gig, Bayley discusses putting the band's tour on hold, his history in cake-baking, meeting Radiohead, breaking his foot after falling off a stage, and so much more. Head here for more info on Glass Animals. Head here for more information on this week's featured organization, Healthy Hood Chicago. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

    1h 6m

Trailer

About

This Must Be the Gig gives backstage access to passionate fans worldwide. Featuring conversations with headlining musicians, up-and-comers, and music industry personalities about the wild wild world of live music - as well as the latest news reports from the biggest tours and the festival scene. Music journalist and festival-globetrotter Lior Phillips captures the feeling of singing along with thousands of other fanatics, the lights flashing, the roar for an encore, the second the whole world outside this perfect moment disappears: This Must Be the Gig.

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