What’s My Thesis?

Javier Proenza

Every week, artists teach Javier Proenza.

  1. APR 13

    256 Worldbuilding Through Memory and Myth: Elias Hernandez on Storytelling, Surrealism, and the Legacy of Conflict

    "Worldbuilding Through Memory and Myth: Elias Hernandez on Storytelling, Surrealism, and the Legacy of Conflict" In this immersive episode of What’s My Thesis?, host Javier Proenza welcomes artist and educator Elias Hernandez, whose deeply narrative visual practice draws from Latin American surrealism, video game aesthetics, and inherited stories of displacement and resilience. A recent MFA graduate from USC and collaborator with cult streetwear label Brain Dead, Hernandez charts a complex universe in his paintings—populated by star-bearing knights, sentient castles, and time-traveling wizards—where memory, mythology, and trauma are rendered in fantastical allegory. Born in Mountain View and raised between the Bay Area and Sunnyvale, Hernandez reflects on a childhood steeped in card games like Magic: The Gathering, which sparked his fascination with visual storytelling. These early interests evolved into a practice that explores “the burden and blessing” of cultural inheritance—from Salvadoran family histories shaped by civil war to folkloric Catholic imagery and Latin American feminist surrealism. In conversation, Hernandez discusses how drawing, teaching, and game-inspired worldbuilding intersect in his creative process. His paintings act as sequential mythologies—each one building upon the last—presenting a nonlinear, symbolic narrative of a hero's journey infused with biblical allusions, cosmic cults, and archetypes of good and evil. These compositions resist linear interpretation, instead inviting viewers into a slow unfolding of meaning that echoes oral tradition and pre-Columbian storytelling. As Hernandez explains, his work is not overtly political, yet it is politicized by its very existence within American contemporary art spaces. Drawing from artists like Otto Dix, Diego Rivera, and Leonora Carrington, his practice embodies a transhistorical dialogue where surrealist aesthetics and contemporary iconography converge—memes, murals, and medieval allegory colliding in a uniquely generational vision. Highlights include: How early exposure to fantasy media and tabletop gaming shaped his narrative sensibility The role of inherited trauma in the creative act and character development Reflections on his time as a bilingual educator in Oakland and the visual languages of immigrant youth A detailed breakdown of his fictional universe, including moon-worshipping cults and star-forging armor The spiritual dimensions of drawing and ceramics as ritual practices Insight into Central American cultural erasure and mythological reimaginings Hernandez’s work transcends medium and genre, bridging pop culture with ancient cosmology, and positioning painting as a vehicle for complex identity expression and speculative folklore. This episode is an invitation into the mind of a worldbuilder—one who channels collective memory into realms where the past haunts, empowers, and transforms. Follow Elias Hernandez on Instagram @eliasxhernandez and visit his website at www.eliashernandez.art. Listen now and subscribe to What’s My Thesis? on your favorite podcast platform.If you enjoyed this episode, leave a five-star review and support the show on Patreon for early access and bonus content. #EliasHernandez #LatinArt #SurrealistPainting #WorldbuildingArt #ContemporaryArtPodcast #WhatsMyThesis #ArtAndIdentity #FantasyArt #CivilWarMemory #MagicTheGatheringArt #USCArt #BraindeadCollab

    1h 4m
  2. APR 6

    255 Sanctuary in Practice: Art, Advocacy, and Survival with Dalia Palacios

    Episode Title: “Sanctuary in Practice: Art, Advocacy, and Survival with Dalia Palacios” In this luminous and profoundly intimate episode of What’s My Thesis?, host Javier Proenza is joined by teaching artist and community advocate Dalia Palacios, whose multidisciplinary practice and lived experience offer a compelling meditation on resilience, displacement, motherhood, and the transformative power of art. Palacios, born and raised in Echo Park, Los Angeles, recounts her early creative awakening amid housing insecurity, gentrification, and cultural dislocation. Her trajectory—from riding buses and bicycles across the city, to leading youth art workshops that reflect current gallery exhibitions—unfolds with honesty and urgency. With a voice shaped by community organizing, lived trauma, and poetic resolve, Palacios articulates the many roles she occupies: artist, mother, educator, survivor, and advocate. A former resident artist at Arts at Blue Roof, Palacios reflects on the pivotal experience of having a dedicated studio for the first time—a moment that catalyzed a deeply collaborative and experimental body of work, incorporating embroidery on paper, recycled materials, sculpture, and storytelling. The residency not only fostered material exploration but also offered a vital container for healing postpartum depression and longstanding mental health challenges exacerbated by the pandemic lockdown. Throughout the conversation, themes of intergenerational trauma, the stigmatization of mental illness in Latino communities, and the tension between art world access and grassroots engagement are explored with vulnerability and depth. Palacios shares how art has remained her sanctuary from childhood through motherhood, offering a rare continuity of purpose across ever-shifting landscapes. Highlights include: Her work with students at Angel’s Gate Cultural Center and the exhibition Black in Place Memories of learning to draw in Tijuana and formative punishment-as-creativity exercises Her advocacy against gentrification through graffiti, wheatpasting, and stencil work The profound role of community support in her healing journey The collaborative joy of working on a public mural with L.A. Commons and artist John Treviño Insights into applying for artist residencies as a parent and self-taught practitioner Palacios’s reflections are a reminder that the act of making art—especially in community—is a radical form of care. Her work speaks to the invisible labor of motherhood, the architecture of survival, and the quiet brilliance of those who create despite the odds. Follow Dalia Palacios on Instagram @blissone and stay tuned for her forthcoming website. Keywords: Dalia Palacios, LA artist, teaching artist Los Angeles, postpartum depression art, Arts at Blue Roof, Angel’s Gate Cultural Center, gentrification graffiti, art and healing, Latinx artist mental health, public mural Los Angeles, L.A. Commons, John Treviño, community-based art, artist parent residency, What’s My Thesis podcast.

    1h 16m
  3. MAR 30

    254 Art as Infrastructure: A Conversation on Social Practice, Community, and the Evolving Role of Nonprofit Art Spaces in Los Angeles

    Art as Infrastructure: A Conversation on Social Practice, Community, and the Evolving Role of Nonprofit Art Spaces in Los AngelesAn interview with Pranay Reddy, Director of LA Artcore In this compelling episode of What’s My Thesis?, host Javier Proenza sits down with Pranay Reddy, the director of LA Artcore, for a far-reaching conversation that explores the role of nonprofit art spaces as vital community infrastructure in Los Angeles. With clarity, conviction, and deep sincerity, Reddy offers an unfiltered look at his trajectory from punk and zine culture in suburban Colorado to leading one of the city’s longest-running artist-run institutions. The conversation traces Reddy’s early exposure to alternative music and DIY media, his education at the Maryland Institute College of Art, and the profound influence of social practice artists on his own sculptural and photographic inquiries. Through personal reflection and institutional critique, Reddy unpacks the realities of inheriting LA Artcore’s legacy and reimagining it for a new generation—one that demands transparency, inclusion, and intentional community-building. As the city contends with stark inequalities and ongoing housing crises, Reddy’s leadership emphasizes LA Artcore’s position in a broader ecosystem of mutual aid, solidarity, and decolonial cultural work. The discussion touches on the failures of the commercial art fair model, the limitations of traditional museums, and the importance of small-scale, grassroots infrastructures in giving artists room to experiment and be seen. Reddy shares details about LA Artcore’s upcoming programming, including: Naman – A self-titled exhibition by a collective of Philippine X diaspora artists, opening March 15, exploring contemporary identity, historical presence, and visibility. Labkhand Olfatmanesh – A powerful installation centered on grief and grounding practices. Teamoz – An artist whose research into panda symbolism interrogates the complexities of U.S.–China relations. Tokyo Exchange Exhibition – Featuring ten artists from Tokyo, reactivating LA Artcore’s longstanding commitment to international dialogue. Through it all, Reddy reaffirms his belief that artists are conduits of the communities they live and work in—and that art, at its best, is an infrastructure for care, connection, and change. Follow LA ArtcoreInstagram: @laartcoreWebsite: laartcore.org Follow Pranay ReddyInstagram: @p_reign —🎧 For early access and to support independent arts media: patreon.com/whatsmythesis #LAArtcore #PranayReddy #SocialPracticeArt #NonprofitArtSpaces #ArtistRunInitiatives #DeColonialArt #CommunityArts #PhilippineDiasporaArt #TokyoArtExchange #WhatIsContemporaryArt #WhatsMyThesisPodcast

    1h 33m
  4. MAR 23

    253 Artist-Run Futures, and Burning the Art World Down (Gently) - Cat Gunn

    Spiritual Kinship, Artist-Run Futures, and Burning the Art World Down (Gently) - Cat Gunn In this episode of What’s My Thesis, Javier Proenza welcomes Cat Gunn—artist, curator, and co-organizer of Other Places Art Fair South (OPAF South)—for a wide-ranging conversation on community, creative identity, and the radical possibilities within artist-run spaces. Rooted in their early relationship to art and shaped by their current role in the San Diego-based initiative Harvest and Gather, the dialogue illuminates the power of collaborative curation and experimental presentation. Gunn shares the ethos behind Harvest and Gather’s programming, which includes boundary-pushing moments such as a bonfire where artwork is ceremoniously burned—a powerful gesture of impermanence, intention, and spiritual offering. As OPAF South emerges as a new chapter of the long-running artist-run platform Other Places Art Fair, Gunn reflects on mentorship, shared resources, and the liberatory potential of decentralized arts infrastructure. With detours through magic, conceptual art, regional aesthetics, and the politics of visibility, Proenza and Gunn discuss what it means to make and sustain art outside of market logic. Topics include: Cat Gunn’s transition from drawing and animation to curation and community-based practice The philosophy and provocations behind Harvest and Gather How artist-run spaces function as spiritual and political interventions San Diego’s evolving art ecosystem and Gunn’s collaboration with MCA on OPAF South Queerness, geography, and the differences between art scenes in Baltimore, Miami, L.A., and beyond The sustainability of DIY and underground creative labor in a post-pandemic landscape For those compelled by the invisible architectures of care, resistance, and ritual in contemporary art, this episode offers an inspired look into what’s being built just outside the spotlight. Listen wherever you get your podcasts.Support the show on Patreon for early access and bonus content.Follow Cat Gunn and Harvest and Gather on Instagram: @harvestngather #CatGunn #WhatsMyThesis #JavierProenza #HarvestAndGather #OPAFSouth #OtherPlacesArtFair #SanDiegoArtScene #ArtistRunSpaces #ContemporaryArt #AlternativeArt #QueerArtists #ArtPodcast #ArtWorld #ConceptualArt #SpiritualArt #ArtBurning #GrassrootsArt #CommunityArt

    1h 28m
  5. MAR 16

    252 Art Criticism, Political Engagement, and the Role of Discontent with Elwyn Palmerton

    Art Criticism, Political Engagement, and the Role of Discontent with Elwyn PalmertonWhat’s My Thesis? Podcast | Hosted by Javier Proenza In this incisive and far-ranging episode of What’s My Thesis?, host Javier Proenza welcomes artist and writer Elwyn Palmerton for a wide-reaching dialogue that explores the intersections of contemporary art, cultural criticism, and local political activism. From Palmerton’s formative years navigating the vibrant New York art scene of the late 1990s to his incisive voice as an art    critic today, the conversation offers a candid and layered portrait of an individual devoted to truth-telling in an increasingly performative cultural landscape. Key Themes: The Making of a Critic: Palmerton recounts his early exposure to the New York gallery circuit while attending NYU, and the pivotal role that grad school writing assignments—especially on the Whitney Biennial—played in forging his critical voice. Criticism as Craft and Confrontation: Informed by his deep engagement with art history and frequent gallery visits, Palmerton discusses the value of clear, form-driven analysis versus vague, concept-heavy narratives. He challenges the art world’s aversion to negativity and praises figures like Sean Tatol for maintaining intellectual rigor in the space. Art and the Sociopolitical Landscape: The episode delves into Palmerton’s campaign work for progressive city council candidates in Los Angeles, the structural power of real estate and police unions, and the possibilities of social housing as a viable alternative to market-driven development. His experience canvassing neighborhoods offers a grassroots lens into civic life often overlooked in mainstream coverage. Digital Disillusionment: The conversation expands into algorithmic culture, censorship, and the numbing effects of digital discourse. Both host and guest reflect on how platforms skew public perception and dilute the impact of genuine political or artistic critique. The Importance of Historical Consciousness: Palmerton advocates for more historically-informed criticism, citing influences ranging from Adam Curtis documentaries to post-1945 American painting as essential in contextualizing today’s cultural output. Quotes to Remember: “Criticism is about unpacking the experience—describing the thing that moved you, and understanding why.”— Elwyn Palmerton “Social media teaches us to perform like, not think critically. But criticism is how we grow.”— Javier Proenza Where to Follow Elwyn Palmerton:Substack: Flowers Grow IRL — elwyn.substack.comInstagram: @elwynpalmerton About the Podcast:What’s My Thesis? is a podcast that examines art, philosophy, and culture through longform, unfiltered conversations. Hosted by artist Javier Proenza, each episode challenges assumptions and invites listeners to engage deeply with creative and intellectual ideas beyond surface-level discourse.

    1h 6m
  6. MAR 9

    251 What’s My Thesis? – Live from Orange Coast College: Dakota Noot on Art, Censorship & Community Building

    What’s My Thesis? – Live from Orange Coast College: Dakota Noot on Art, Censorship & Community Building Orange Coast College | Frank M. Doyle Pavilion | Southern California Art Scene In this milestone episode of What’s My Thesis?, host Javier Proenza sits down with artist, curator, and community-builder Dakota Noot for a special conversation inside an ambitious group exhibition at the Frank M. Doyle Pavilion at Orange Coast College. As the acting gallery director, Noot reflects on their journey from North Dakota to Southern California, exploring their evolution as both an artist and curator. The discussion unveils the complex networks that shape the region’s art scene and highlights the challenges and triumphs of curating large-scale exhibitions. Episode Highlights: 🎨 Curating at Scale – The logistics of organizing a multi-artist exhibition featuring some of the most exciting voices in contemporary art. 🚧 Art & Censorship – Noot shares their experience navigating artistic censorship in California, reflecting on how institutions handle politically charged and boundary-pushing work. 🌎 Southern California Art Networks – A deep dive into the relationships between artists across Los Angeles, San Diego, and beyond, and how these connections influence the broader art ecosystem. 🖌️ From Performance to Painting – Noot’s artistic shift from mixed-media works and large-scale cutouts to painting, influenced by Japanese cinema, body horror, and underground aesthetics. 🎙️ The Role of Podcasts in Art Documentation – How What’s My Thesis? has evolved into a living archive, capturing vital conversations with contemporary artists, curators, and thinkers. This episode is a testament to the power of collaboration and artistic community. With over 250 episodes, What’s My Thesis? remains a crucial platform for in-depth discussions on contemporary art and culture. 📌 Follow Dakota Noot on Instagram: @DakotaNoot📌 Support the Podcast on Patreon: patreon.com/whatsmythesis 🔹 Listen Now & Subscribe for exclusive artist interviews, curatorial insights, and behind-the-scenes perspectives shaping today’s contemporary art world. #ContemporaryArt #ArtPodcast #DakotaNoot #WhatsMyThesis #ArtCuration #SouthernCaliforniaArt #ArtistInterview #GalleryDirector #ExhibitionDesign #ArtCommunity

    1h 19m
  7. MAR 2

    250 The Business of Art: Building a Sustainable Market with Tyler Park Presents

    The Business of Art: Building a Sustainable Market with Tyler Park Presents In this deep dive episode of What’s My Thesis, we explore the intricate world of contemporary art galleries, artist representation, and the strategies behind building a sustainable market for emerging artists. Our guest, Tyler Park, founder of Tyler Park Presents, shares invaluable insights from his journey navigating the art world—from his early days as an artist to becoming a gallerist dedicated to elevating emerging talent. Key Topics Covered in This Episode: - The Economics of the Art Market – How are prices set for emerging artists? Tyler breaks down pricing strategies, the dangers of overvaluation, and how to ensure sustainable market growth. - The Role of Galleries in an Artist’s Career – A successful solo show isn’t just about sales. Tyler outlines three critical success factors: visibility, critical discourse, and market interest. - Institutional Recognition vs. Commercial Success – What’s the impact of museum acquisitions on an artist’s career? How do gallery exhibitions differ from institutional recognition? We discuss how these validations contribute to long-term value. - Building Collector Relationships – The importance of networking, collaborating with art advisors, and why transparency in the art world is crucial for long-term success. - The Art World Behind the Scenes – What does it really take to run a gallery solo? Tyler shares the challenges of managing operations, finding the right artists, and balancing the pressures of competition and collaboration in the industry. Why You Should Listen Whether you’re an artist looking to navigate the commercial gallery space, a collector interested in understanding how markets are made, or an art enthusiast curious about the behind-the-scenes of running a gallery, this episode is packed with expert insights. Connect with Tyler Park Presents 🌐 Website: Tyler Park Presents📸 Instagram: @tylerpark_presents 🎧 Listen Now on Apple Podcasts, Spotify, and YouTube If you enjoyed this episode, leave us a 5-star review and support the podcast on Patreon for early access and exclusive content. #ArtMarket #GalleristLife #EmergingArtists #ArtCollectors #ArtWorld #MuseumAcquisitions #TylerParkPresents #ContemporaryArt

    1h 10m
  8. FEB 23

    249 Exploring the Weird and Wonderful: Art, Aliens, and Roadside Attractions Episode - Mary Sabo

    What do UFOs, roadside attractions, and outsider art have in common? In this episode, we dive into the world of creative obsession, unconventional artistry, and the mysteries of the universe. Our guest, artist Mary Sabo, takes us on a journey through the cultural quirks of Las Vegas, the surreal nature of desert landscapes, and the fascinating realm of DIY inventors and alchemists. We discuss: 🔹 The allure of roadside attractions like Salvation Mountain and the House on the Rock 🔹 The intersection of art and conspiracy, from New Age magazines to "wish machines" 🔹 Growing up in Las Vegas and its influence on creativity and access to counterculture 🔹 The fascination with Area 51, UFOs, and the extraterrestrial highway 🔹 The artistic drive to create immersive worlds, from outsider artists to casino architecture 🔹 A deep dive into alchemy, manifestation devices, and the power of belief If you’ve ever been captivated by the strange, the speculative, or the surreal, this episode is for you. From the neon glow of the Vegas Strip to the high desert mysteries beyond, we explore how geography, history, and myth intertwine in the creative process. 🎨 Follow Mary Sabo:🔗 Website: Marysabo.net 📷 Instagram: @mary_.sabo 🔮 Join the conversation: Have you encountered a bizarre roadside attraction or had a UFO sighting? Drop us a comment or tag us in your stories! 📌 Don’t forget to subscribe, rate, and review! 🔥 Get early access to episodes on Patreon! patreon.com/whatsmythesis #Podcast #LasVegas #UFOs #RoadsideAttractions #OutsiderArt #CreativeObsession #ConspiracyCulture #DesertMysticism

    1h 14m
    4.8
    out of 5
    23 Ratings

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    Every week, artists teach Javier Proenza.

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