306 episodes

From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world's big stories with the help of special guests. An award-winning podcast hosted by Ben Luke.
Hosted on Acast. See acast.com/privacy for more information.

The Week in Art The Art Newspaper

    • Arts
    • 4.5 • 172 Ratings

From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world's big stories with the help of special guests. An award-winning podcast hosted by Ben Luke.
Hosted on Acast. See acast.com/privacy for more information.

    Arts and the UK election, ex-Uffizi head fails in Florence mayoral bid, Hank Willis Thomas at Glastonbury

    Arts and the UK election, ex-Uffizi head fails in Florence mayoral bid, Hank Willis Thomas at Glastonbury

    On Thursday 4 July, the UK will hold a general election, with the Labour party currently far ahead in the opinion polls. Dale Berning Sawa, a contributor to The Art Newspaper who is also commissioning editor at the online news site The Conversation, joins Ben Luke to reflect on the effects on culture of 14 years of Conservative or Conservative-led governments, and what they and the other parties are promising regarding culture in their manifestos. In Florence, Italy, the former director of the Uffizi galleries, the German Eike Schmidt, has lost the race to be mayor of the city. We speak to our correspondent in Italy, James Imam, to find out what happened. And this episode’s Work of the Week is All Power to All People by Hank Willis Thomas. This huge public sculpture depicting an Afro pick with a Black Power salute is at the Glastonbury festival, in a new initiative organised by the non-profit Level Ground, and we talk to Thomas about it.
    Hank Willis Thomas: All Power to All People, West Holts Stage, Glastonbury Festival, until 30 June.

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    • 57 min
    Just Stop Oil’s Stonehenge protest, Tavares Strachan, Louise Bourgeois at the Galleria Borghese

    Just Stop Oil’s Stonehenge protest, Tavares Strachan, Louise Bourgeois at the Galleria Borghese

    This week: Just Stop Oil’s Stonehenge protest. On Wednesday, two activists sprayed orange powder paint made from cornflour on to three of the boulders at Stonehenge, prompting outrage and some support. Before this latest action, in an article for the July/August print edition of The Art Newspaper, John Paul Stonard had argued that Just Stop Oil’s museum-based protests add up to “one of the most successful campaigns of civil disobedience in history”. He reflects on whether the latest protests reinforce this conviction. At the Hayward Gallery in London, the Bahamian-born, US-based artist Tavares Strachan has just opened his first major survey exhibition. We go to the gallery to talk to him. And this episode’s Work of the Week is Janus Fleuri by Louise Bourgeois, made in 1968. It is one of the highlights of Unconscious Memories, a show in which Bourgeois’s sculptures and installations are installed alongside the historic works in the Galleria Borghese in Rome. We speak to Cloé Perrone, the co-curator of the exhibition.
    Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, until 1 September.
    Louise Bourgeois: Unconscious memories, Galleria Borghese, Rome, 21 June-15 September.
    Subscription offer: a free eight-week trial of a digital subscription to The Art Newspaper. Visit theartnewspaper.com to find out more.

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    • 52 min
    Art Basel: fireworks and nuance, Lynn Barber on her artist interviews, Guillaume Lethière at the Clark

    Art Basel: fireworks and nuance, Lynn Barber on her artist interviews, Guillaume Lethière at the Clark

    This week: it’s arguably the best loved of the major art fairs among collectors and dealers, but what have we learned about the art market at this year’s Art Basel, in its original Swiss home? The Art Newspaper’s acting art market editor, Tim Schneider, tells us about the big sales in Switzerland amid the wider market picture. The journalist Lynn Barber has a new book out, called A Little Art Education, in which she reflects on her encounters with artists from Salvador Dalí to Tracey Emin. We talk to her about the highs and lows of several decades of artist interviews. And this episode’s Work of the Week is Woman Leaning on a Portfolio (1799) by Guillaume Lethière. Lethiére was born in Guadeloupe in the Caribbean to a plantation-owner father and an enslaved mother, but eventually became one of the most notable painters of his period in France and beyond. We talk to Esther Bell and Olivier Meslay, the curators of a major survey of Lethière’s work opening this week at the Clark Art Institute in Williamstown, Massachusetts, US, and travelling later in the year to the Louvre in Paris.
    Art Basel, Basel, Switzerland, until Sunday, 16 June.
    A Little Art Education by Lynn Barber, Cheerio, £15 (hb).
    Guillaume Lethière, Clark Art Institute, Williamstown, Massachusetts, US,
    15 June-14 October; Musée du Louvre, Paris, 13 November-17 February 2025

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    • 1 hr 3 min
    Georgia O’Keeffe’s New York, Studio Voltaire at 30, Martha Jungwirth responds to Goya

    Georgia O’Keeffe’s New York, Studio Voltaire at 30, Martha Jungwirth responds to Goya

    This week: we explore the Art Institute of Chicago’s exhibition dedicated to what Georgia O’Keeffe called her New Yorks—paintings of skyscrapers and views from one of them across the East River, which marked a turning point in her career. Sarah Kelly Oehler, one of the curators of the show, tells us more. One of the most distinctive of all London’s contemporary art spaces, Studio Voltaire, is celebrating its 30th anniversary this year, and has begun a fundraising drive to consolidate its future, with a gala dinner this week and a Christie’s auction later this month. We talk to the chair of Studio Voltaire’s trustees and a non-executive director of Frieze, Victoria Siddall, about the anniversary and the precarious funding landscape, even for the UK’s most dynamic non-profits. And this episode’s Work of the Week is an untitled painting from the Austrian painter Martha Jungwirth’s 2022 series Francisco de Goya, Still Life with Ribs and Lamb’s Head. Based on a work by the Spanish master in the Louvre in Paris, Jungwirth’s painting features in a new survey of her work that has just opened at the Guggenheim Bilbao in Spain. We speak to its curator, Lekha Hileman Waitoller.
    Georgia O’Keeffe: My New Yorks, Art Institute of Chicago, until 22 September; High Museum of Art, Atlanta, from 25 October-16 February 2025.
    The date of XXX, as the sale of works to benefit Studio Voltaire at Christie’s is called, is yet to be confirmed. Check the organisations’ websites for updates; Beryl Cook/Tom of Finland, Studio Voltaire, London, until 25 August.
    Martha Jungwirth, Guggenheim Bilbao, until 22 September.

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    • 56 min
    Art’s AI reckoning, the rise of comic art, and Degas’ Miss La La

    Art’s AI reckoning, the rise of comic art, and Degas’ Miss La La

    The publication in April of Stanford University’s Artificial Intelligence Index Annual Report has provided the art world with much food for thought. We look at the implications for artists and institutions with Louis Jebb, the managing editor of The Art Newspaper and our technology specialist. As the Centre Pompidou in Paris is taken over on all its floors by what it calls the “ninth art”—graphic novels and comics—we talk to Joel Meadows, the editor-in-chief of Tripwire magazine and a comics aficionado, about the rise of this subculture in museums and the market. And this episode’s Work of the Week is Edgar Degas’ Miss La La at the Cirque Fernando (1879), which depicts a Black circus performer, Anna Albertine Olga Brown, who was briefly known as Miss La La. She and the painting are the subject of a new exhibition at the National Gallery in London opening next week. We talk to Anne Robbins, the curator of paintings at the Musée d’Orsay in Paris, and external curator of the exhibition, and Sterre Overmars, the curatorial fellow for post-1800 paintings at the National Gallery, about the painting.
    Comics on Every Floor, Centre Pompidou, Paris, until 4 November.
    Discover Degas & Miss La La, National Gallery, London, 6 June-1 September. 


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    • 55 min
    The Mona Lisa's endless, and problematic, allure; Judy Chicago; Christian Schad and the New Objectivity

    The Mona Lisa's endless, and problematic, allure; Judy Chicago; Christian Schad and the New Objectivity

    As the Louvre’s director admits that the Paris museum wants to move its most famous painting away from the crowded gallery in which it is currently displayed, we ask the Leonardo specialist Martin Kemp: does the museum have a Mona Lisa problem? We also talk about the painting’s continuing allure and the ongoing efforts to explain its mysteries. In London, remarkably, Judy Chicago has just opened her first major multidisciplinary survey in a British public gallery, at the Serpentine North. We talk to her about the show. And this episode’s Work of the Week is Christian Schad’s Self-Portrait with Model (1927). The painting features in Splendour and Misery: New Objectivity in Germany at the Leopold Museum in Vienna. Hans-Peter Wipplinger, the director of the museum and co-curator of the show, tells us more.
    Judy Chicago: Revelations, Serpentine North, London, until 1 September.
    Splendour and Misery: New Objectivity in Germany, Leopold Museum, Vienna, until 29 September. 
    Subscription offer: get a free six-week trial of a digital subscription to The Art Newspaper. Visit theartnewspaper.com to find out more.


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    • 56 min

Customer Reviews

4.5 out of 5
172 Ratings

172 Ratings

trillionshelper ,

Almost Perfect

Thank you for your fascinating and enjoyable podcast. I would rate it 100% perfect if you didn’t have the very annoying music in the background while the host speaks—-does anyone not find that very intrusive and annoying ??

Quirk Quilter ,

Ben Luke is an iconic host

Ben delivers an informative, impactful glimpse into the art world. Some art podcasts either stumble with articulation, or dedicate a whole show to belabor a topic that can be summed up in a few sentences. Ben knows his stuff and provides smart commentary when needed, summarizes important art news, and has interesting guests.

jerusalem gurl ,

Saudi Arabia

Mostly 5 stars. Why did you think giving Alia Al-Senussi a platform to obfuscate was a good idea?

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