The Art Angle

Artnet News
The Art Angle

A weekly podcast that brings the biggest stories in the art world down to earth. Go inside the newsroom of the art industry's most-read media outlet, Artnet News, for an in-depth view of what matters most in museums, the market, and much more. 

  1. The Glorious, Tortured Imagination of Caspar David Friedrich

    FEB 20

    The Glorious, Tortured Imagination of Caspar David Friedrich

    Caspar David Friedrich is considered one of the most important German painters, and his landscape works live large in the cultural consciousness in Germany and beyond. You have probably seen the 19th-century artist's most famous painting, Wanderer Above the Sea of Fog, a lone figure that you see from the back looking out over a wide valley of cliffs and mists. To mark what would have been the 250th birthday of Friedrich, over the last year, major institutions have been celebrating the artist’s works: a vast oeuvre of deeply contemplative, almost surreal landscapes that broke with their times. A string of major exhibitions took place throughout 2024 across Germany, and this month, that roving program reached its final stop with a blockbuster exhibition at the Metropolitan Museum in New York. “The Soul of Nature” is on view through May 11, and it is the largest showing of Friedrich’s works to come together in the U.S., including an impressive amount of loans of works that rarely travel (Wanderer Above the Sea of Fog is one of them). Shows in 2024 in Europe included "Art for a New Age" at the Hamburger Kunsthalle, "Unending Landscapes" at the Berlin State Museums, and "Where it All Began" at the Dresden State Collections. Art Critic Ben Davis, recently saw the show at the Met, which opened this month, and Senior Editor, Kate Brown, had the pleasure of seeing the Dresden exhibition in December, which happens to be the city where Friedrich lived and made most of his famous works. Davis joins Brown on the podcast to discuss Friedrich's enduring legacy, and they dive into some of the major currents in his work, as well as the backstory that underpins his serene nature scenes: shifting ideas about religion and the spirit transforming European consciousness and a very tumultuous time in the continent's history.

    37 min
  2. Critics Say 'Identity Politics' Ruined Art. Here's A Better Argument

    FEB 13

    Critics Say 'Identity Politics' Ruined Art. Here's A Better Argument

    “Identity politics” is among the most contentious terms in recent debates about art. And now, the most powerful people in the United States are blaming just about everything on “DEI” and “wokeness.” The very concept of diversity as a positive ideal seems to be under threat. At the same time, so far there has been nowhere near the protest you would expect. Civil society feels stunned. At least part of this seems to be confusion about what has gone wrong to bring us here, with sections of the population now seeming to reject or just tune out progressive ideas that were all but dominant in mainstream culture just a few short years ago. Maybe backlash was always inevitable. But how do we find a way forward? How do you talk about real criticisms of what may have made the social justice culture of the recent past confusing or alienating—without adopting the terms of a truly destructive culture war that is now all around? A few weeks ago, we had the art critic Dean Kissick on the podcast to talk about his December cover story for Harper’s magazine, which argued that identity politics had, in his words, “ruined contemporary art.” In Ben Davis' essay for Artnet responding to him, called “Will the Art World Go Post-Woke in 2025?”, Davis concluded by saying that those looking for a constructive way forward should read the theorist Olúfẹ́mi O. Táíwò book Elite Capture: How the Powerful Took Over Identity Politics (And Everything Else). Táíwò teaches philosophy at Georgetown University and has written pieces for outlets including Foreign Policy, The Nation, and The New Yorker. He’s written two books of political theory, Reconsidering Reparations and Elite Capture. Davis has found the concepts that he’s developed, which include “elite capture,” “deference politics,” and “being-in-the-room privilege” very useful in thinking about some of these problems, which are some of the most important problems of the day—so Davis brought him on to discuss.

    43 min
  3. The RoundUp: Censorship Surges, David Lynch's Art, and the Met's Video Game

    JAN 30

    The RoundUp: Censorship Surges, David Lynch's Art, and the Met's Video Game

    We are back this week with our monthly edition of the Art Angle Roundup, where co-hosts Kate Brown and Ben Davis are joined by a guest to discuss some of the biggest headlines of the month. This week, Caroline Goldstein, acting managing editor of Artnet News, joins the show. It’s been quite the January. Though it is typically a slow month, some major stories have transpired. We’ll be talking about censorship in the museum world in the U.S., looking in particular at the case of two Sally Mann photographs that were seized from a museum in Dallas, Texas. We will also talk about the passing of the filmmaker David Lynch on January 15. Lynch is famous for his films, but he was also a respected artist with his fair share of institutional exhibitions under his belt. He has always been a painter, but do we like his paintings? We discuss. Lynch has been represented by Pace Gallery since 2022. We take a look at his artistic legacy and his enigmatic ways. Last but not least, New York’s prestigious Metropolitan Museum has ventured into the blockchain world of all places with a free-to-play video game that you can access on Web3. The game was launched this month together with TR Lab, a platform that aims to connect artists and technologists and creates and sells fine art collectibles. The Met's new game, called Art Links, does weekly drops. If you win you can collect badges in your OpenSea wallet and win IRL prizes. Sound fun? Maybe not? We each played it and gave it our honest review.

    33 min
  4. The Vibe Shifted in Art. Now What?

    JAN 23

    The Vibe Shifted in Art. Now What?

    We don’t need to tell anyone listening that it is a difficult and alarming political moment. You may be asking, How will art weather the storm? To answer that question, you probably need to take stock of how art has navigated the political storms of the recent past. And there’s been a lot of debate about this recently, centered on the critic Dean Kissick’s long essay for Harper’s magazine from late last year, titled “The Painted Protest: How Politics Ruined Contemporary Art.” Kissick first drew major attention as a chronicler of New York’s downtown scene in a column he wrote for the art magazine Spike from 2017 to 2022. In his Harper’s piece, he narrates being drawn to art in the late 2000s as a space of experimentation and glamor—a spirit, he wrote, that big museums and biennials had lost. Kissick described disaffection from institutions that now focused, in his words, on art “dressed up as protest and contextualized through decolonial or queer theory, with a singular focus on identity.” The essay has been both slammed as carelessly feeding the cultural backlash that’s rising all around and hailed for speaking honestly about an art world grown complacent. Some of this was already discussed on the Art Angle for our year-end roundup in December. Artnet Art Critic Ben Davis also started the new year writing his own take, titled “Will the Art World Go Post-Woke in 2025?” The reaction to that piece, in turn, led Kissick and Davis to this discussion.

    49 min
  5. How the Getty Museum Survived L.A.'s Fires

    JAN 16

    How the Getty Museum Survived L.A.'s Fires

    Last weekend, warnings to evacuate were issued to the suburban westside neighborhood of Brentwood, which includes the esteemed Getty Center, home to one of the city’s most prized art collections. After more than a week of burning, L.A.’s devastating wildfires, which began on January 7, are still not fully contained, forcing ongoing evacuation orders around the coastal city. It is the worst fire event in L.A.’s history and has taken 24 lives. As part of the Getty Trust, the museum features European paintings, including Van Gogh’s Irises, and works by Rembrandt, Monet, Manet, and Peter Paul Rubens. It also houses Greek, Roman, and Etruscan art from the Neolithic to Late Antiquity—some of which is partially held at its second campus, the Getty Villa. Days before the threat of fire reached the museum’s main venue over the weekend, the Villa was already grappling with the Palisades blaze, which ended up destroying or damaging around 4,000 structures and spreading over 23,000 acres. As the fires raged around Los Angeles, intensified by strong winds, media imagery circulating online showed brush burning around the Getty Villa in the Palisades. This prompted panic about the security of the collection. The institution, however, has long billed itself as a highly fire-safe institution. Built in 1997, the Getty Center has been described as “a marvel of anti-fire engineering.” Throughout the last week, its team has worked tirelessly to defend the property and has communicated daily about the safety and security of its sites. Unfortunately, many other properties—including thousands of homes, businesses, and smaller cultural institutions—have been destroyed. Many cultural workers, collectors, and gallerists are among those who lost their homes, and artists’ homes and studios—including entire bodies of work and archives—have been irretrievably lost. The extent of livelihoods destroyed in Los Angeles is truly heartbreaking. We will link to resources in the show notes where you can find out how to help. We also have a story on our website providing frequent updates on the state of the cultural scene. This week, the J. Paul Getty Trust and a coalition of local and international cultural institutions announced a $12 million emergency relief fund for members of the Los Angeles arts community affected by the wildfires. Katherine E. Fleming, president and CEO of the J. Paul Getty Trust, joins me on The Art Angle to discuss her experience of the wildfires, the Getty’s state-of-the-art prevention protocols for its valuable art, and what the fires mean for Los Angeles’ cultural scene as it eventually seeks to rebuild.

    25 min
4.7
out of 5
289 Ratings

About

A weekly podcast that brings the biggest stories in the art world down to earth. Go inside the newsroom of the art industry's most-read media outlet, Artnet News, for an in-depth view of what matters most in museums, the market, and much more. 

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