Frontier Road - short stories.

ContemplateBooks.com

Frontier Road podcast includes short stories, poems, and excerpts and or abridgments of classical literature, often deriving themes of questioning God, liberation of unbelief, ambiguity and the absurdity of life. We often introduce themes of mid-life crisis, sometimes from a male perspective. Issues of marriage, raising children, mental struggle and melancholy are all major themes within the selected literature. *Frontier Road can often times be satirical and/or irreverent and/or sincere. Viewer discretion advised.

  1. The Tragic Years - A Short Story about a 55 Year old and his Son Robert

    MAR 4

    The Tragic Years - A Short Story about a 55 Year old and his Son Robert

    an excerpt: How the estrangement between himself and his boy came about, Martin could never exactly say, though he considered a hundred different explanations. He struggled to accept what he knew, at least in theory—that in the lives of men the widest gaps often open so gradually they are not seen forming. But how had he not seen it? With a true lawyer’s mind, his analysis of his relationship with Robert became strictly chronological. He rehearsed the sequence of events almost daily—at the golf course, over coffee, with his partners, with his friends, with anyone willing to indulge him. He laid it out as though it were a case to be tried and decided. There was the tutor, hired to help the boy with math, reading, and science. She was closer to Martin’s age than to Robert’s, patient and attentive, and Robert grew very fond of her. So fond, in fact, that Martin could distinctly remember feeling a brief, sharp pang of something very much like jealousy. Then there was, of course, the Covid outbreak. Robert was nervous at first—then almost paranoid. The pandemic came and went, but the boy never seemed quite the same. It left behind a certain fragility. School became harder. His grades slipped. The disappointments accumulated, and they certainly deepened the growing distance between them. Martin never punished Robert for grades lower than an A. Perhaps it would have been better if he had. His restraint, he believed, came from a kind of caution—an emotional hesitation that should not have existed between father and son. When Robert told his father that he would not be going to college, not pursuing a degree in anything—certainly not in law—Martin understood that the question of his future had to be faced directly. He had already abandoned the hope of seeing his son follow him into the profession, but he remained determined to make him into something. He turned, naturally, to one of the men in his golf foursome—a business owner, steady, practical, accustomed to managing people. A job provider. A potential employer. The friend offered, as a favor, to take Robert in for a time. He would give him a place to stay, train him in the mechanics of business, show him how deals were made and kept. He would mentor him. Pay him a little. Keep him busy. Three months later, the two men met again at the course. “Look here, Martin,” the friend said, resting his club against the cart. “That boy of yours is a charming fellow. But he’ll never make a lawyer. He’s meant for something better. You’re wasting your breath if you think he’s going to turn into one.” “He’ll do whatever he is, I’m afraid,” Martin answered. And then he was furious with himself—for having exposed his son’s uncertainty to another man. That afternoon he called Robert and forced himself to speak plainly. When pressed, Robert admitted he had no liking for the law and feared he had no aptitude for it either. “Would you like to travel for a year?” his father asked. Robert did not especially want to travel. He had never cared much for it. But he believed it would ease something in his father, so he agreed. During his absence, he wrote home at regular intervals. The letters astonished Martin. They were observant, vivid, controlled. An account of an excursion from Dresden to Saxon Switzerland and on to Prague struck him as almost literary in its construction. He read those pages again and again, until he nearly knew them by heart. Dear Father, The hills outside Dresden slope gradually before they rise, so you don’t meet them all at once. The ground tilts almost without your noticing, and then you’re in it—trees above you, the river farther below than you thought. The foothills feel open because there’s space between things. Light gets through. You can see where you’re going. It made me think of Mom in the kitchen, the way she’d clear a space on the counter before starting anything.

    21 min
  2. Age of Empires (a short story)

    FEB 21

    Age of Empires (a short story)

    A Story of the Age of Empires The Dark Ages I cannot say now how the village was created. Whether it began with a cosmic spark, or whether it simply appeared because I willed the earth to open. I only remember that I did not feel hurried. Not yet. A Town Center, my Town Center, door opened and two villagers stepped out at once. They blinked in the light and then stood. Waiting their orders. Then the door shut, then opened again. Another body. Then another. Each time it opened, a worker emerged. I never asked where she wanted to work. I appointed her. That was the arrangement. They would appear. I would decide. And they stood still until they were told what to do. I remember that first morning clearly. My clan was not talkative. They communicated mostly through movement. Maybe an occasional nod or a possible grunt. The short, irritated sound a man makes when handed an axe instead of a basket. Words were rare, and unnecessary. They came one at a time. Always one at a time. The first six went to the sheep tied near the well. Their knives moved without hesitation. The animals fell quickly and without ceremony. The next sheep followed, then the next. The baskets filled with meat and wool. Steam rose faintly in the morning air. The boar in the distance lifted its head. It watched. The villagers kept their rhythm. If they felt the animal’s attention, they gave no sign. Their pace quickened slightly, but I didn’t know why. I still felt no urgency. But the villagers did. I sensed it in them. Food first. Questions later. Two others wandered toward the trees and began hacking at trunks. Chips of wood flew. Trees fell. None of them were Paul. But they chopped like Bunyon. A small pile formed at their feet. It did not look like much. But it was the beginning of something, but I didn’t know what. A pair drifted toward a thin patch of berry bushes and began pulling fruit into baskets. They worked quietly. One of them hummed something low and tuneless. Inside the Town Center, the voice came again. “We need another at the lumber camp.” “Another.” The door opened. Another stepped out. The deer came before the boar. One of the younger villagers spotted movement near the edge of the clearing. He raised a hand. Three of them approached cautiously and brought down a small deer. Then another. They were not heroic about it. They did what needed to be done and dragged the bodies back toward the Mill. The mill was too far to walk. We needed one near the deer. We had the lumber, so we set the builders to it. They raised a small mill by the clearing. The deer were unloaded there, saving time and energy and workers. The village was still small. Everything felt contained. Manageable. Then came the sound. It was not loud at first. Just a crack of underbrush and a short, strangled shout. I turned toward it immediately. A wandering villager—eager, foolish, ambitious—had decided to take the boar alone. He must have thought speed would be enough. Or bravery. Or that the others would notice quickly enough to save him. The boar did not hesitate. It charged low and fast, tusks forward. The villager stumbled backward, spear half-raised. The others froze for a fraction of a second, then scattered toward the Town Center. The man fell hard. The boar stood over him, gnashing its teeth, furious and alive in a way the sheep had not been. For a moment, the clearing emptied. Then the bell rang. The Town Center door burst open. They came out together this time. With urgency. More than even before. We were down one and I fought shy of boar ever since. Bows drawn. Axes still in hand. A few still clutching half-filled baskets............

    30 min
  3. Part 3: Professor Einstein’s Light Machine (The Ending)

    FEB 15

    Part 3: Professor Einstein’s Light Machine (The Ending)

    Part 3 is the conclusion of this short story series. Excerpts from this podcast: "The Professor returned to New Jersey under federal escort. When he was still at the monastery, two FBI agents met with him and explained he needed to return to the United States immediately for questioning and for his own protection. They told him handcuffs wouldn’t be necessary if he cooperated. Of course he cooperated. He was a professor, and an anxious one at that. He didn’t have it in him to resist." "“Yes,” Einstein said. “My whole life I’ve been anxious about consequences, about being wrong. It crippled me. I was always afraid of failure, of being exposed as less capable than people assumed. Academia can do that to you. Religion can as well. One mistake, one bad result, and suddenly your students see it, your peers see it. You always see it within yourself. I lived with a kind of quiet perfectionism that kept me cautious. And when you two arrived, moving quickly, not worrying about how it would be received, it unsettled me. I didn’t measure up to that kind of certainty. I mistook your confidence for recklessness, but really it just showed me how careful I had always been.” "Princeton had one more chance to make something of the machine. One last production for the world. Molly and Jason were offered millions to participate, to start it again and show, live, what history might look like if light could be folded back on itself. They had no real confidence it would work. The machine had always keyed to Einstein. Every calibration, every successful projection, had resolved to him. There was no clear way to reset that. When the system locked in, it locked to his timing, his parameters. Even gone, he still seemed to dictate the terms. They agreed to try anyway, but only on fixed terms: ten million each, paid up front, not contingent on results. Contracts were drafted and signed. Princeton accepted. Netflix cleared its schedule and built weeks of programming around the event—documentary segments, interviews with physicists, theologians, historians, commentators. By the night of the broadcast, viewership projections had climbed into the billions. The expectation was that nearly half the world would tune in live, the rest catching fragments, replays, and commentary in the hours that followed."

    23 min
  4. Part 2: Professor Einstein’s Light Machine (a short story)

    FEB 6

    Part 2: Professor Einstein’s Light Machine (a short story)

    This is part 2 of Professor Einstein’s Light Machine (a short story). There was enough interest in part 1, in fact it was the second most listened to short story of ours (the first being The Beardless Jesus Series) to release part 2. Not to gloat or brag. We are a small book club, a niche of readers, and we like it that way. We don't have to conform to anyone telling us how or what to write. We have our own standards, but freedom. Intro Time and Space, however actual they may appear to us in the affairs of daily life, are, from the meta physical point of view, merely modes and conditions under which our intelligence functions. They are part and parcel of our limitations as finite beings; but in attempting to postulate the existence of the Infinite we must assume a state where neither Time nor Space have place or meaning. In such a condition we cannot admit the reality of past, present, and future but only the truth of one all embracing eternal NOW. Chapter 1 The Device Existed. The Light Machine. It sat in a secured lab on the north side of campus, wrapped in plastic and bureaucracy. Without Professor Einstein, it was motionless and cold. Dead in every way that could be measured. No matter how many technicians, mechanics or physicists that rotated through the room, no matter how many senior faculty members were “consulted,” it refused to do anything at all. Not a glow or a projection. Not even a hum. It did not even pretend to cooperate. Princeton brought in a private forensic engineering firm out of Chicago. Along with them came a small militia of lawyers from one of those big law firms that specialized in corporate intellectual property disputes and crisis containment. The official explanation was “non-destructive testing.” They disassembled what they could without cutting into the core structure. Scanned the lattice. Mapped the circuitry. Logged every material. Ceramic composites. Rare-earth alloys. Optical channels so precise they bordered on absurd. Everything was cataloged and photographed. They wanted to know what it had done and if they could replicate it. But they couldn't. And they were frustrated. What they learned was inconvenient. The hardware made sense in pieces. The optical compression frameworks were a decade's old technology. The interferometric chambers sold on ebay. The AI-assisted signal processors were state of the art, but accessible. The whole thing seemed experimental maybe, and far fetched certainly, but not impossible. Clunky though. It was a patchwork job, obviously built by a professor, not an engineer. But what they could not reproduce was activation. There wasn't a trigger sequence or noticeable boot protocol. It didn't come with a manual or intuitive ignition switch. The machine sat there like a locked door with no handle. Three weeks later, Princeton released a statement. It came out just after noon, carefully worded and aggressively calm.

    36 min
  5. Professor Einstein’s Light Machine (a Short Story)

    JAN 16

    Professor Einstein’s Light Machine (a Short Story)

    “This isn’t a camera,” Professor Einstein said. “It doesn’t capture images. It reconstructs phase histories.” He turned a dial. The overhead lights dimmed automatically as the device pulled power. A soft vibration passed through the base. Not noise. Pressure. Like standing near heavy machinery that hasn’t started moving yet. Then the lens activated. At first, nothing happened. Then the space inside the frame thickened. Light entering the lens bent slightly out of alignment. The center darkened, not into black, but into layered translucence. Shapes appeared, dissolved, reassembled. What emerged was not a picture. It was depth without edges. A sloping surface formed first. Grainy. Unstable. Brown and gray tones bleeding into each other. The outline of a hill became visible, then blurred again as the system recalibrated. Jason leaned forward. Molly crossed her arms. The image sharpened incrementally. Shadows stabilized. Motion appeared in fragments. Small shapes moving uphill. Flickers of fabric. Dust suspended in air that no one in the room could feel. Professor Einstein adjusted the phase alignment. “This reconstruction is anchored to a timestamp,” he said. “Based on stellar background reference and cosmic radiation noise profiles.” He paused. “Thirty-two AD.” No one spoke. “The location resolves to a hillside outside Jerusalem,” he continued. “Golgotha. Calvary.” The room shifted. Some students saw figures. Others saw noise. Some insisted it was nothing more than statistical artifact. One student claimed the shapes resembled erosion patterns. Another said it looked like a poorly rendered simulation. Jason said it was confirmation bias. Molly said it was irresponsible. A few students said nothing at all. They stared. The image did not show faces. It did not show miracles. It showed movement. Slow, unstable motion. People ascending a slope. A central vertical shape forming briefly, then dissolving as the reconstruction drifted. Professor Einstein did not claim certainty. “This is not video,” he said. “It is reconstruction under heavy interference. You are not seeing an event. You are seeing probability density resolved into spatial form.” Still, no one left their seat. The lens continued to hum. The hill remained.

    31 min
  6. The Death of Brooks Porter - A Middle Aged Attorney (a Short Story)

    JAN 6

    The Death of Brooks Porter - A Middle Aged Attorney (a Short Story)

    By: Jeffrey Armstead, a Gen Z author Publisher’s Note: This short story, The Death of Brooks Porter, was selected for our short story library on ContemplateBooks.com for a few simple reasons. First, it’s a modern adaptation of The Death of Ivan Ilyich by Leo Tolstoy, a short novel about illness, ambition, and what happens when a life built on approval starts to fall apart. Tolstoy wrote it late in his life, after becoming deeply skeptical of status, institutions, and the stories people tell themselves to feel secure. Second, this version is easier to get through. It’s just more readable. We like Tolstoy, but this one moves faster, sounds more familiar, and feels closer to the world we live in. Third, it’s written by a young Gen Z writer, Jeffrey Armstead. We liked the ambition, the nerve, and the willingness to take on something big and make it small. This is a story about a man who is a husband, a father, a lawyer, and a human being, and about what happens when those roles stop working the way he thought they would. These stories aren’t perfect. We like them anyway. And sometimes we find ourselves listening to them more than once. Chapter 1 The atmosphere in the room hardly changed as Peter announced: “Brooks Porter died.” Trial had just been released on a brief recess and the team of prosecutors darted out of court and rushed to a small, adjacent conference room. Scarcely had the door been shut when Kyle Fluman, the assistant deputy prosecutor, angrily declared how unethical the criminal defense lawyer was and how he wanted to beat him up for being a conniving sneak. Camila Roberts nodded in support of the sentiment while Peter was paying little attention, instead mindlessly scrolling through his Instagram feed. It was then that Peter made the announcement about the death of Brooks Porter, and a mild and subtle hush descended in the room. “What? No way!” Camilla responded, not startled or upset, but more in a matter of fact tone. She didn’t have her phone with her to verify, because phones are not allowed in the courthouse. Peter brought his in anyways, on silence mode and tucked it into his front suit coat pocket. “See for yourself,” Peter said, demanding Camilla take his iPhone 10. Its red protective case had a concealed pocket for his debit cards and the spider web-like fractures on the LCD display rendered it almost unreadable. Camilla peered through the cracks in the screen, finding a single line of text with haunting reality. The Proxima Nova font jumped off the page and stood out clearly. It was from Brooks’ mother’s instagram account, and the words felt depressing to Camilla as she read them. Not that she was sad, but just acutely melancholy about the news. The instagram post, from Brooks’ mother seemed more formal to Camilla than what the occasion called for: “It is with heavy hearts we inform you of the unexpected passing of Brooks Porter, beloved husband and father, respected Federal Judge and friend to all. Brooks passed away on February 4th 2024. The funeral service will be held on Friday at 1:00p.m.”

    1h 32m

About

Frontier Road podcast includes short stories, poems, and excerpts and or abridgments of classical literature, often deriving themes of questioning God, liberation of unbelief, ambiguity and the absurdity of life. We often introduce themes of mid-life crisis, sometimes from a male perspective. Issues of marriage, raising children, mental struggle and melancholy are all major themes within the selected literature. *Frontier Road can often times be satirical and/or irreverent and/or sincere. Viewer discretion advised.