Town Hall Seattle Arts & Culture Series Town Hall Seattle

Have you ever lost something or someone dear to you? Though it ranges in severity and impact, loss is a shared human experience – an inevitable, inescapable part of life.
Praised for her humor and sharp wit, essayist and novelist Sloane Crosley delivers her first memoir Grief is for People, exploring how loss can take many forms. After the pain and confusion of losing her closest friend Russell to suicide – which occurred only a month after also losing prized possessions and her sense of safety following a burglary – Crosley looks for answers, even where they may be elusive. She seeks solace not only in those close to her but in art and philosophy as well, hoping for a useful framework outside the oft-cited five stages of grief. Crosley’s readership may not have seen this side of the author, but will nevertheless recognize those observations and examinations of the human condition interlaced with levity that popularized her earlier writings.
Grief Is for People seeks to upend the traditional grief memoir and offer both consolation and challenge to standard conceptions of mourning. Crosley’s talk is for anyone in a current time of sorrow or who has experienced a loss and might welcome a discussion beyond platitudes.
Sloane Crosley is the author of the novels Cult Classic and The Clasp and three essay collections: Look Alive Out There and the New York Times bestsellers I Was Told There’d Be Cake and How Did You Get This Number.
Benjamin Gibbard is a multi-platinum, Grammy-nominated singer, songwriter and guitarist. He is the lead vocalist, guitarist, and primary songwriter of Death Cab for Cutie, formed in 1997, and one half of the electronic duo The Postal Service. Gibbard released his debut solo album “Former Lives” in 2012, and he has scored two films. Gibbard is an avid ultra-marathon runner and a longtime resident of Seattle.
 


Buy the Companion Book Grief Is for People: A Memoir The Elliott Bay Book Company

You’d be hard-pressed to find a person whose life went unchanged in 2020, arguably one of the most consequential years in human history. It marked an unprecedented time, left indelible memories in our minds, and set off ripple effects we still feel even today. Disruption of normal life was nearly universal; however, the ways in which we experienced disruption were varied.
Acclaimed sociologist and bestselling author Eric Klinenberg’s latest work 2020: One City, Seven People, and the Year Everything Changed offers an account of a single year in modern history told through the stories of seven New Yorkers. From an elementary school principal to a bar manager, a subway custodian to a political aide, the book sheds light on the human experience of that fateful time four years ago, illuminating both individual and collective uncertainty, fear, loss, and hope.
Although the book is centered on New York City, 2020 also explores the political spheres of the nation’s capital and beyond, as well as epidemiological battles, policies, and movements worldwide. Set against the backdrop of a tense presidential election and social unrest, Klinenberg offers a window into a recent time of reckoning and an invitation to examine ourselves and our experiences.
Eric Klinenberg is the Helen Gould Shepard Professor in the Social Sciences and director of the Institute for Public Knowledge at New York University. He is the co-author of the #1 New York Times bestseller Modern Romance and author of Palaces for the People, Going Solo, Heat Wave, and Fighting for Air. He has contributed to The New Yorker, The New York Times Magazine, Rolling Stone, Wired, and This American Life. He lives in New York City.
Margaret O’Mara is the Scott and Dorothy Bullitt Professor of American History at the University of Washington. Margaret is a leading historian of Silicon Valley and the author of two acclaimed books about the modern American technology industry: The Code: Silicon Valley and the Remaking of America (Penguin Press, 2019) and Cities of Knowledge: Cold War Science and the Search For The Next Silicon Valley (Princeton, 2005). She also is a historian of the American presidency and author of Pivotal Tuesdays: Four Elections that Shaped the Twentieth Century (Penn Press, 2015). She is a coauthor, with David Kennedy and Lizabeth Cohen, of the widely used United States history college textbook, The American Pageant (Cengage).  


Buy the Companion Book 2020: One City, Seven People, and the Year Everything Changed The Elliott Bay Book Company

Three expert guests discuss the implications of AI and the fine arts in a conversation moderated by Steve Scher. 
Scientist and founder of the Artists and Machine Intelligence program at Google, Blaise Agüera y Arcas, will offer his “news from the front” about the latest developments in AI capabilities, and what he foresees ahead.  Alex Alben, technology executive, author, and law professor, will review the implications of AI to the artist from the point of view of intellectual property: is anything on the internet up for grabs, or is compensation for image “borrowing” a possibility? Finally, painter Jason Puccinelli, who uses AI as one of his tools in image creation, will talk about what he finds exciting and useful, and what he finds problematic, about this new resource.
Presented by Town Hall Seattle and Gage Academy of Art.

Hip-hop education is more than just music; it’s a dynamic tool for fostering student success and intellectual growth.
James Miles, known as the Fresh Professor, is renowned for his engaging teaching style. By infusing lessons with content that’s inspirational, intellectually engaging, and relevant to students’ lives, Miles demonstrates how teachers can use hip-hop education to help students better retain information and think critically about concepts inside and outside the classroom.
Miles will be joined by a panel of experts with backgrounds ranging from educators to artists who will talk about ways to ignite curiosity, ensure comprehension, and provide differentiation options for all kinds of learners. Weaving performance into their discussion, they will talk about the impact of hip-hop on their lives, how it shows up in current events, and the implications for education. At the program break, DJ Topspin will play music, followed by a discussion of James’s book, Gotta Stay Fresh.
James Miles, aka Fresh Professor, is a New York City artist and educator with 20 years of experience, now based in Seattle. He’s an Assistant Professor at Seattle University and serves as the Creative Economy Manager at Seattle’s Office of Economic Development. James has a rich history, including leadership roles at Third Stone, MENTOR Washington, and Arts Corps. His innovative Fresh Education program, using hip-hop and theater for academic success, has influenced educators worldwide. A graduate of Morehouse College and Brandeis University, James empowers teachers globally through professional development. His mission is to reduce educational inequities using the arts.
DJ Topspin aka Blendiana Jones is established as a musical pillar in the Northwest and across the world. He (seemingly) easily weaves a complex blend of hits and unearthed genre-spanning gems from both past & present eras, creating a musical tapestry all his own. Born from a Jamaican father and Panamanian mother, the pulse of the diaspora in the form of dancehall/reggae/soca/afrobeat is always present in his musical displays. He’s recently showcased them DJing in The Kingdom of Bahrain for the 2nd time in as many years, and has previously produced a weekly countdown show broadcasted throughout Tanzania (where he’s spun 3x so far) and to other African nations.
Moses Sun is an afro-abstractionist working in assemblage, painting, video, animation, and public art that explores the intersection of Pan-Africanism and the world’s diasporas. Moses Sun fuses hip-hop, jazz, afro-futurism, and the black southern diaspora of his childhood into a mix of visuals that blurs the lines between digital and analog art. His interdisciplinary practice comes from the hip-hop ethos of grinding in the studio, creating multiple tracks (series of works) that he remixes into new works. His search for common ground between diasporas has led to collaborations with Seattle’s Wing Luke Museum, SAM, Frye Art Museum, Museum of Pop Culture, Seattle Hebrew Academy, and Africatown Plaza.
Idris Goodwin is a multi-award-winning storyteller of stage, audio, screen, and page. Currently serving as Artistic Director of Seattle Children’s Theater, Idris writes, directs, programs, and /or produces relevant content for intergenerational audiences. Goodwin is the author of over 75 dynamic and diverse original plays. Committed to access and impact, Goodwin’s work is widely produced across the country by professional, community, and academic institutions alike.
Olisa Enrico is an artist, educator and administrator who engages the unique power of  art to cultivate community and culture. Olisa spent her childhood writing music and performing, traversing genres and rooted in hip hop as her primary form of expression. She branched out to theater and found passion for the power of story to reveal and heal. Olisa provides performances, professional development, curriculum development, consultati

Many of us talk to our pets daily, but what would you do if your pet could talk back? What do you think they would say?
When Bunny, a fluffy, black-and-white sheepadoodle, was eight weeks old, her guardian Alexis presented her with an odd gift: a button programmed to say “outside” when pressed. Within a few weeks, Bunny was using it all the time, and Alexis, encouraged by Bunny’s progress, continued to introduce more buttons and more words.
Three years later, Bunny can now communicate using over one hundred buttons, stringing together important, relatable, philosophical phrases such as “Love you Mom,” “Dad went poop,” and “Ugh why?” In I Am Bunny, Alexis chronicles not only how Bunny learned to “talk,” but also the profound impact their journey has had on her life.
Caring for Bunny revealed to Alexis a path to self-acceptance if not complete self-love, and as their relationship developed their ability to communicate deepened. Through charming anecdotes about day-to-day life with Bunny, explorations into prior animal language studies, and plenty of irreverent humor, daring, and heart, Alexis tells the story of how she and Bunny have become so inspiringly close and explores the ancient and unique bond between dog and guardian that so many of us know leads to a deeper, more meaningful life.
Alexis Devine is an artist and entrepreneur hailing from Seattle, Washington. She was a longtime creator of wearable art before her sheepadoodle, Bunny, known as “What About Bunny” on social media, became an internet sensation in the fall of 2020. Bunny is part of an ongoing canine cognition research study at the Comparative Cognition Lab at UCSD. Alexis is a Licensed Family Dog Mediator, Fear Free Certified Professional, and Certified Canine Enrichment Tech­nician. Her goal is to further our understanding of the power of connection and the importance of empathy, meeting her dogs where they are and understanding them on their terms first to facilitate trust and promote an environment that supports them as the incredible creatures they are.
Sarah Stremming (she/her) is a Certified Dog Behavior Consultant with the International Association of Animal Behavior Consultants who hosts the popular podcast Cog Dog Radio. She consults on challenging dog behavior cases, lectures other professionals worldwide, and runs a dynamic membership out of her home office in Redmond, Washington. Known for popularizing “decompression walks” she believes what is best for dogs is usually best for their human companions, too. Sarah competes in the dog sports of Agility and Obedience and can often be found deep in the woods beside her Icelandic sheepdog and three border collies.

I Am Bunny
The Elliott Bay Book Company

In the wake of the COVID-19 pandemic, Seattle’s theatre community demonstrated resilience and adaptability, navigating through challenging times to envision a new era for the performing arts.
Arts journalist and educator Misha Berson will moderate an open discussion about Seattle’s current theatrical landscape with the respected artistic directors of three of the city’s most popular stage companies: John Langs, head of the long-running ACT Theatre; Karen Lund, producing artistic director of Taproot Theatre in Greenwood; and Dámaso Rodríguez, the new artistic director of the Tony Award-honored Seattle Repertory Theatre.
Misha Berson was the chief theatre critic for The Seattle Times for 25 years. Now a freelance writer and teacher, her work appears in The Seattle Times, American Theatre, and other publications, and she is the author of four books, most recently Something’s Coming, Something Good: West Side Story and the American Imagination.
Presented by Town Hall Seattle and Northwest Center for Creative Aging.