Across the Margin: The Podcast Across the Margin / Osiris Media

This episode of Across The Margin : The Podcast features an interview with Brooklyn-based singer/songwriter Leslie Mendelson. Modeling her music after such '70s icons as Carole King and Joni Mitchell, Leslie Mendelson began making waves in 2009 with her debut Grammy-nominated album Swan Feathers, which was followed by two outstanding offerings, 2017’s Love & Murder and 2020’s If You Can’t Say Anything Nice. Just last month Leslie released her fourth studio album — the focus of this interview — an outstanding collection of tracks entitled After The Party (Royal Potato Family). For this latest effort, she collaborates with not one, but three producers: the legendary Peter Asher (James Taylor, Linda Ronstadt, Bonnie Raitt), the young, in-demand Tyler Chester (Madison Cunningham, Sara Bareilles, Sara Watkins) and her longtime songwriting partner, three-time Grammy Award-winner, Steve McEwan. Recorded at Jackson Browne’s studio Groove Masters in Santa Monica, CA, she was joined by an ace band featuring guitarists Waddy Wachtel and John Jorgenson, bassists Leland Sklar and Derrick Anderson, and drummers Jim Keltner and Abe Rounds. Throughout After The Party’s ten tracks, Leslie crafts a distinctive folk-rock, pop-Americana flavor, evoking the sounds of Laurel Canyon, but with the downtown grit and sharp wit of Brooklyn, the city she has called home for over two decades now. There’s a refreshing realness and effortless musicality that feels both nostalgic and new throughout After The Party.  In this episode host Michael Shields and Leslie Mendelson talk about how Leslie’s recent album’s title was inspired by Andy Warhol’s still life of the same name while recounting the compelling story how she came to working with famed producer Peter Asher on the album and recording in Jackson Browne’s Groove Masters Studio. They discuss the remarkable band that backed Leslie for After The Party, the diverse and introspective themes found throughout the album, what life on the road is like for Leslie currently, and so much more.


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This episode of Across The Margin : The Podcast features an interview with journalist and essayist Santi Elijah Holley who covers music, books, culture, and religion. His work has appeared in The Atlantic, The Guardian, VICE, Tin House, and elsewhere. He is the author of an excellent 33 ⅓ book which is the focus of this episode, a deep dive into Nick Cave and the Bad Seeds’ Murder Ballads. Murder Ballads, the ninth studio album from Nick Cave and the Bad Seeds, is a gruesome, blood-splattered reimagining of English ballads, American folk and blues music, and classic literature. Most of the stories told on Murder Ballads have been interpreted many times, but never before had they been so graphic or profane. Though earning the band their first Parental Advisory warning label, Murder Ballads, released in 1996, brought Nick Cave and the Bad Seeds their biggest critical and commercial success, thanks in part to the award-winning single, “Where the Wild Roses Grow,” an unlikely duet with Australian pop singer, Kylie Minogue. Closely examining each of the ten songs on the album, Santi Elijah Holley investigates the stories behind the songs, and the numerous ways these ballads have been interpreted through the years. Murder Ballads is a tour through the evolution of folk music, and a journey into the dark secrets of American history. Learn more about it and Santi Elijah Holley’s book in this episode!
Grab a copy of Murder Ballads by Santi Elijah Holley here!
 


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This episode of Across The Margin : The Podcast presents an interview with novelist and activist Liz Jensen, Liz’s critically-acclaimed work spans black comedy, science fiction, satire, family drama, historical fantasy, psychological suspense, and most recently, a memoir. Beyond her prolific writing output, Liz is a founder member of Extinction Rebelion Writers Rebel, a literary movement using words and actions to highlight the climate and ecological emergency, and in 2023 she launched The Rebel Library, a resource for readers of climate and ecological literature in all genres. She also teaches creative writing in the UK and Denmark and volunteers on the grief helpline run by the Danish National Grief Centre. In her recent memoir, Your Wild And Precious Life: On Grief, Hope and Rebellion (Canongate, 2024) — the focus of this episode — she shares her reflections on personal and ecological grief and finding resilience after the tragic sudden death of her son Raphael in 2020. Liz’s son's death will never make sense to her. But it has taught her that it's possible to find meaning, collectively and individually, in the loss of what we love. Resilience, Liz believes, is a seed that we all bear inside us. It germinates in emergencies. It sets down roots in astonishing and unexpected ways. And if we notice it, and tend to it, it blooms. Liz’s son, a zoologist, conservationist, and ecological activist, was twenty-five when he collapsed and died unexpectedly. She fell apart. As she grieved, forest fires raged, coral reefs deteriorated, CO2 emissions rose, and fossil fuels burned. Your Wild and Precious Life is the story of how a mother rebuilt herself, reoriented her life, and rediscovered the enchantment of the living world. Set against the backdrop of climate and ecological catastrophe, Your Wild and Precious Life is an argument for agency, legacy, and the wild possibility of hope after devastation. Liz’s book is so very special and so many things all at once. It’s a deeply honest handbook encompassing the grief one experiences when they suffer profound loss. It’s a loving ode from a mother to a son. It’s a celebration of activism and a call to action. It’s a story of resilience, and proof that it’s possible to find life beyond the pain. 


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This episode of Across The Margin: The Podcast presents an interview with Zach Schonfeld, a freelance writer, journalist, and critic based in New York. He contributes to Pitchfork, Paste Magazine, and other publications. He was formerly a senior writer for Newsweek, where he was on staff for five years. His first book, 24-Carat Black's Ghetto: Misfortune's Wealth was published in 2020 as part of the 33 1/3 series. His latest book — entitled How Coppola Became Cage — is the focus of this episode. In 1982, a gangly teenager named Nicolas Coppola made his film debut and changed his name to Nicolas Cage, determined to distance himself from his famous family. Once he achieved stardom as the rebel hunk of 1983's Valley Girl, Cage began a career defined by unorthodox risks and left turns that put him at odds with the stars of the Brat Pack era. How Coppola Became Cage takes readers behind the scenes of the beloved cult movies that transformed this unknown actor into an eccentric and uncompromising screen icon with a wild-eyed gift for portraying weirdos, outsiders, criminals-and even a romantic capable of seducing Cher. Throughout How Coppola Became Cage Zach Schonfeld traces Cage's rise through the world of independent cinema and chronicles the stories behind his career-making early performances, from the method masochism of Birdy to the operatic torment of Moonstruck and abrasive expressionism of Vampire's Kiss, culminating with the astonishing pathos of Leaving Las Vegas. Drawing on more than 100 new interviews with Cage's key collaborators — including David Lynch, Martha Coolidge, John Patrick Shanley, and Mike Figgis — How Coppola Became Cage offers a revealing portrait of Cage's wildly intense devotion to his performances and his creative self-discovery as he drew on influences as far-flung as silent cinema and German Expressionism. These were all crucial ingredients in the creation of a singular acting style that rejects the limits of realism. Join in as host Michael Shields and Zach Schonfeld celebrate an actor that Ethan Hawke describes as “the only actor in the history of the form to really change the form” while invoking David Lynch to describe Cage as “the jazz musician of actors,” in an episode that is as Nic Cage as they come.
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This episode of Across The Margin: The Podcast presents an interview with the author of the 33 ⅓ book dedicated to the legendary Britpop band Pulp’s renowned album This is Hardcore, Jane Savidge. As co-founder and co-head of legendary PR company Savage & Best, Jane Savidge is widely credited as being one of the main instigators of the Britpop movement that swept the UK in the mid 1990s. During this time, Savage & Best represented Suede, Pulp, The Verve, Elastica and Longpigs, whilst representing many other artists of the era including the Cranberries, The Fall, and Jesus and Mary Chain. She is the author of Lunch With The Wild Frontiers (2019) and Here They Come With Their Make Up On: Suede, Coming Up and More Adventures Beyond The Wild Frontiers (2022). This Is Hardcore is Pulp's cry for help. A giant, sprawling, flawed masterpiece of a record, the 1998 album manages to tackle some of the most inappropriate grown-up issues of the day – fame, aging, mortality, drugs, and pornography – and still come out crying and laughing on the other side. In this episode host Michael Shields and Jane Savidge dig into the weighty themes present in This is Hardcore revolving around fame, aging, success, and pornography. They expound upon the “Michael Jackson Incident” which propelled lead singer Jarvis Cocker to unfathomable fame, how Jarvis used music and the crafting of This is Hardocre as catharsis for his real life struggles, what the final legacy of Pulp might be, and ultimately they celebrate a 33 ⅓ book that serves as a love letter to a remarkable album.
Grab a copy of Jane Savidge’s This is Hardcore here!


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This episode of Across The Margin: The Podcast presents an interview with Jen Rainin and Rivkah Beth Medow, co-directors of the critically-acclaimed documentary Ahead of the Curve which chronicles the career of lesbian-rights icon Franco Stevens who launched Curve, the best-selling lesbian magazine ever published. Against the hostile backdrop of hate crimes and family rejection in the 1990s, with few celebrities or politicians willing to be out publicly, Curve magazine dared to celebrate a full, inclusive range of lesbians, queer women, and nonbinary people, seeding some of the most pressing conversations around LGBTQ+ community today. Growing up, Franco never saw any representation of queer women — she didn’t even know it was possible for a woman to be gay. When she realized she was a lesbian, it changed the course of her life. In 1990, Franco created a safe place for lesbians in the form of Curve magazine. Her approach to threats and erasure in the ‘90s was to highlight all kinds of LGBTQ+ women and make them beautifully visible. The magazine helped build the foundation for the movements being led by today’s queer activists. In this episode host Michael Shields, Jen Rainin, and Rivkah Beth Medow dig deeply into what the existence of Curve magazine meant to lesbians and the lesbian community while marveling about the obstacles and adversities Franco Stevens navigated bringing Curve to life. They discuss the controversy and complexities surrounding the word “lesbian,” a dispute concerning the name of the magazine which almost brought the publication down, the important work of The Curve Foundation, and, ultimate, they celebrate the profoundly inspiring legacy of Franco Stevens and the magazine she created which meant so much to countless people.


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