Being Underwater

Joana Breidenbach
Being Underwater

Being Underwater is a project about inner life in the digital age. Hosted by social entrepreneur and anthropologist Joana Breidenbach, this series of interviews tries to uncover the language we use to describe our inner worlds, as well as the tools or practices that help us decipher them. These conversations are important to engage in at any time, however with the onset of the digital age, they present a new urgency. As machines and algorithms threaten to know and understand us better than we do ourselves, we are faced with an evolutionary pressure to expand our consciousness and comprehend greater amounts of complexity. We must understand who we are, and what it is that we want, in order to define our relationship with technology, rather than allowing technology to define us. The project was conceived by Joana Breidenbach and edited by Siena Powers. Angus Sewell McCann composed the main theme music, and Vincent Augustus mixed the second theme. All visuals were created by Florentin Aisslinger.

  1. Igal* on spiritual teachers, collective trauma, and Jewish tradition

    07/09/2023

    Igal* on spiritual teachers, collective trauma, and Jewish tradition

    My guest today, Igal Harmelin, is an outlier. Unlike all of my other guests so far, he has devoted his whole life to a spiritual search and God.  ⁠Igal Harmelin⁠ grew up in Tel Aviv in the 1950s. Already as a teenager he was, as he calls it “infected by the spiritual bug”. He was introduced to ™, Transcendental Meditation, at that time a very popular movement founded by the Indian teacher Maharishi. Igal trained and taught for over 20 years in that tradition. He then moved on to study with Andrew Cohen, an American spiritual teacher, That community exploded after Cohen was accused by some of his closest students of psychological abuse and not practising what he was preaching. For the last 10 years Igal has been training with ⁠Thomas Hübl⁠, who is also my own spiritual teacher. In addition, Igal has been studying ⁠NARM⁠ , an advanced trauma therapy, and works as a certified Master NARM practitioner.  Igal lives in New York with his wife, Rabbi Lisa Goldstein. In our conversation we examine Igals path into spirituality and his strong longing for connection with the divine. We talk about his experiences growing up as the son of Holocaust survivors. Igal shares his relationship to his spiritual teachers, good and bad, as well as his current deep interest in collective trauma. How did his life unfold? What were the drivers behind his search and the specific teachers he studied with? For me, the grandchild of Nazi perpetrators, meeting and listening to Igal always has a special and I would even say sacred dimension. As Igal himself points out: "When a German and a Jew meet, the painful presence of the Holocaust is always in the room, even if we don’t address it explicitly." There is an absence, a gulf of overwhelm, shame, anxiety and not-feeling. I am very grateful for this conversation and hope you gain many insights from it too. ⁠https://www.igalharmelin.com/⁠ ⁠https://narmtraining.com/transformingtrauma/episode-063/⁠ ⁠https://thomashuebl.com/school-of-collective-trauma-integration/

    1h 30m

Ratings & Reviews

5
out of 5
3 Ratings

About

Being Underwater is a project about inner life in the digital age. Hosted by social entrepreneur and anthropologist Joana Breidenbach, this series of interviews tries to uncover the language we use to describe our inner worlds, as well as the tools or practices that help us decipher them. These conversations are important to engage in at any time, however with the onset of the digital age, they present a new urgency. As machines and algorithms threaten to know and understand us better than we do ourselves, we are faced with an evolutionary pressure to expand our consciousness and comprehend greater amounts of complexity. We must understand who we are, and what it is that we want, in order to define our relationship with technology, rather than allowing technology to define us. The project was conceived by Joana Breidenbach and edited by Siena Powers. Angus Sewell McCann composed the main theme music, and Vincent Augustus mixed the second theme. All visuals were created by Florentin Aisslinger.

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