Deep Color

Joseph Hart
  • ٤٫٩ (١٠٣)
  • فنون مرئية
Deep Color

DEEP COLOR is an oral history project and podcast that features long-form conversations with artists and art professionals as they discuss their work, ideas and lives--offering listeners a unique understanding about the process, experiences and people behind the artwork. DEEP COLOR is independently produced by Joseph Hart.

  1. ٤ ربيع الآخر

    Samuel Levi Jones

    Samuel Levi Jones is a multidisciplinary artist that utilizes law books, history books, medical books, and sometimes flags, as materials to create abstract assemblages that critique ideas around history and systems of power and control. Sam talks about the relationship between deconstruction and repair, how artistic growth can lead to authenticity, books as gestures, abstraction as a vehicle for complexity and optimism, curiosity and surprise as important ingredients in his work and process, collaborating with gallerists and being strategic as a way to keep his practice alive, finding beauty in the madness of it all, and experiencing autonomy and freedom through art.

    ٥٥ من الدقائق

  2. ٧ ربيع الأول

    Daniel Gibson

    Daniel Gibson makes oil paintings that depict desert landscapes full of flowers and butterflies, plant life, and big open skies. Some works also include figures hiding within the flora or in shamanic poses. Danny talks about deserts and horizon lines, little brother drawing magic, being locked into a painting and chasing the next image, memories and visceral emotional responses in painting, beauty as a Trojan horse, resetting and recovering through drawing, self-awareness and gratitude in the studio, and painting as putting puzzle pieces together.

    ٤٧ من الدقائق

  3. ٢٤ محرم

    Kennedy Yanko

    Kennedy Yanko makes abstract three-dimensional work that combines large twisted and crunched metal forms scavenged from scrap yards and thick sheets of malleable acrylic paint that she refers to as “skins”. Kennedy talks about allowing herself and her work to develop and change over time, paint as a sculptural material, looking for the “ugly”, her sculptures having their own ideology, the advantages and disadvantages of working in abstraction, finding and building support networks and community, leaning towards muted and sour colors, fashion as an adjacent interest, the beach as a place for receptivity and expansiveness, and the value of a hard work within a dedicated studio practice.

    ١ س ١٠ د

  4. ٢ رمضان

    Jesse Wine

    Jesse Wine makes ceramics sculpture that combine body parts like arms, legs, hands, and feet, along with abstract shapes that are deflated, pulled, and stacked. Jesse talks about making sculptures that are self-aware, the expressiveness in our hands, leaving work unfinished, empathy as a gesture, being illusionistic with his surfaces, knowing when to destroy a sculpture, a great football match as the ultimate narrative, becoming more optimistic through experience, and the long game of being an artist.

    ١ س ٦ د

  5. ٢٣‏/٠٥‏/١٤٤٥ هـ

    Celia Pym

    Celia Pym makes textile-based artwork by repairing items like tattered sweaters, worn out socks, or torn paper pastry bags. Celia talks about the exchanges between making functional and non-functional art objects, finding pleasure in the tactility of her materials, different types of art transactions and preferring to return work to their original owners, damage and repair as driving concepts, how portraiture and body can be seen in garments, interacting with stories about grief, being intentional about contrast and “not matching”, repair work as a political act, being suspicious of virtue, how mending can unstick a stuck feeling, and navigating her emotional life through practicalities and making things.

    ١ س ١١ د

  6. ٠١‏/٠٥‏/١٤٤٥ هـ

    Alvaro Barrington

    Alvaro Barrington makes mixed-media paintings that underscore a reverence for art history and hip-hop culture, craft and handwork, and how and where his own lived experience weaves into the work he is making. Alvaro talks about self-evaluation and how one can be a great painter but a bad artist, innovation and social impact as barometers for successful art, stealing from other artists, paintings as monologues, partnering with multiple competing galleries, debt as a kind of violence, searching for freedom through his paintings, and complete awe and gratitude for being able to live his life as an artist.

    ١ س ١٦ د

  7. ٢٤‏/٠٤‏/١٤٤٥ هـ

    Matt Rich

    Matt Rich makes paintings, drawings, sculpture, and installations that center themselves around form and shape, color relationships, and different systems for mark making. Matt talks about time as a resource and the safety of a studio space, the importance of procedure in his practice, colliding intentional and accidental gestures, wanting his work to be unpretentious and light, the influences of writing graffiti as a teenager, color as a mess of ever-changing experiences, ampersand symbols as an aesthetic and conceptual muse, and artistic discontent as a way to drive his work into new places.

  8. ١٧‏/٠٤‏/١٤٤٥ هـ

    Andrew Schoultz

    Andrew Schoultz makes drawings, paintings, prints, installations, and large-scale murals that reference how history and turmoil follow patterns, and how power dynamics, spirituality, and environment can shape our experience of the world. Andrew talks about comic books and graffiti as early influences, obsessive compulsiveness as an artistic asset, handwork and the beauty of imperfection, the connections between skateboarding and art making, style and what can dictate it, how the art market interferes with sincerity, fitness as a powerful force in his studio practice, autonomy as a form of success, and finding a sense of purpose and pride through being an artist.

    ٥٣ من الدقائق
مشاهدة الكل (٨٠)

٤٫٩
من ٥
‫١٠٣ من التقييمات‬

حول

DEEP COLOR is an oral history project and podcast that features long-form conversations with artists and art professionals as they discuss their work, ideas and lives--offering listeners a unique understanding about the process, experiences and people behind the artwork. DEEP COLOR is independently produced by Joseph Hart.

المعلومات

  • صناع العمل
    Joseph Hart
  • سنوات النشاط
    ١٤٣٨ هـ - ١٤٤٦ هـ
  • الحلقات
    ٨٠
  • التقييم
    فاضح
  • موقع البرنامج على الويب
    Deep Color

قد يعجبك أيضًا

للاستماع إلى حلقات ذات محتوى فاضح، قم بتسجيل الدخول.

اطلع على آخر مستجدات هذا البرنامج

قم بتسجيل الدخول أو التسجيل لمتابعة البرامج وحفظ الحلقات والحصول على آخر التحديثات.
تحديد بلد أو منطقة

أفريقيا والشرق الأوسط، والهند

آسيا والمحيط الهادئ

أوروبا

أمريكا اللاتينية والكاريبي

الولايات المتحدة وكندا